Historian Mary P. Ryan traces the fate of public life and the emergence of ethnic, class, and gender conflict in the 19th-century city. Using as examples New York, New Orleans, and San Francisco, Ryan illustrates the way in which American cities of the 19th century were as full of cultural differences and as fractured by social and economic changes as any metropolis today. 41 photos.

Mary P. Ryan traces the fate of public life and the emergence of ethnic, class, and gender conflict in the nineteenth-century city in this ambitious retelling of a key period of American political and social history. Basing her analysis on three quite different cities—New York, New Orleans, and San Francisco—Ryan illustrates how city spaces were used, understood, and fought over by a dazzling variety of social groups and political forces. She finds that the democratic exuberance America enjoyed in the 1820s and 1840s was irrevocably damaged by the Civil War. Civic life rebounded after the War but was, in Ryan's words, "less public, less democratic, and more visibly scarred by racial bigotry." Ryan's analysis is played out on three different levels—the spatial, the ceremonial, and the political. As she follows the decline of informal democracy from the age of Jackson to the heyday of industrial capitalism, she finds the roots of America's resilient democratic culture in the vigorous, often belligerent urban conflicts that found expression in the social movements, riots, celebrations, and other events that punctuated daily life in these urban centers. With its insightful comparisons, meticulous research, and graceful narrative, this study illustrates the ways in which American cities of the nineteenth century were as full of cultural differences and as fractured by social and economic changes as any metropolis today.

Historian Mary P. Ryan traces the fate of public life and the emergence of ethnic, class, and gender conflict in the 19th-century city. Using as examples New York, New Orleans, and San Francisco, Ryan illustrates the way in which American cities of the 19th century were as full of cultural differences and as fractured by social and economic changes as any metropolis today. 41 photos.

By analytically decoupling war and violence, this book explores the causes and dynamics of violence in civil war. Against the prevailing view that such violence is an instance of impenetrable madness, the book demonstrates that there is logic to it and that it has much less to do with collective emotions, ideologies, and cultures than currently believed. Kalyvas specifies a novel theory of selective violence: it is jointly produced by political actors seeking information and individual civilians trying to avoid the worst but also grabbing what opportunities their predicament affords them. Violence, he finds, is never a simple reflection of the optimal strategy of its users; its profoundly interactive character defeats simple maximization logics while producing surprising outcomes, such as relative nonviolence in the 'frontlines' of civil war.

This “layered, nuanced, and focused study” of Civil War era writings reveals a popular sense of patriotism and hope in the midst of loss (Journal of American History). The American Civil War is often seen as the first modern war, not least because of the immense suffering it inflicted. Yet unlike later conflicts, it did not produce an outpouring of disillusionment or cynicism in public or private discourse. In fact, most people portrayed the war in highly sentimental and patriotic terms. While scholars typically dismiss this everyday writing as simplistic or naïve, Frances M. Clarke argues that we need to reconsider the letters, diaries, songs, and journalism penned by Union soldiers and their caregivers to fully understand the war’s impact and meaning. In War Stories, Clarke revisits the most common stories that average Northerners told in hopes of redeeming their suffering and hardship—stories that enabled people to express their beliefs about religion, community, and personal character. From tales of Union soldiers who died heroically to stories of tireless volunteers who exemplified the Republic’s virtues, War Stories sheds new light on this transitional moment in the history of war, emotional culture, and American civic life.

Philip Skippon was the third-most senior general in parliament’s New Model Army during the British Civil Wars. A veteran of European Protestant armies during the period of the Thirty Years’ War and long-serving commander of the London Trained Bands, no other high-ranking parliamentarian enjoyed such a long military career as Skippon. He was an author of religious books, an MP and a senior political figure in the republican and Cromwellian regimes. This is the first book to examine Skippon’s career, which is used to shed new light on historical debates surrounding the Civil Wars and understand how military events of this period impacted upon broader political, social and cultural themes.

A highly original history, tracing civil war, the least understood and most intractable form of organized human aggression, from Ancient Rome through the centuries to present day.