Nancy Pineda-Madrid re-conceives traditional Christian notions of salvation by closing attending to the experience of the embattled women of Ciudad Ju rez in Mexico, where hundreds have been slain and where survivors have found healing and salvation in solidarity and community practices that resist rather than acquiesce in the violence.

Ciudad Juarez lies just across the Rio Grande from El Paso, Texas. A once-thriving border town, it now resembles a failed state. Infamously known as the place where women disappear, its murder rate exceeds that of Baghdad. In Murder City, Charles Bowden-one of the few journalists who spent extended periods of time in Juarez-has written an extraordinary account of what happens when a city disintegrates. Interweaving stories of its inhabitants-a beauty queen who was raped, a repentant hitman, a journalist fleeing for his life-with a broader meditation on the town's descent into anarchy, Bowden reveals how Juarez's culture of violence will not only worsen, but inevitably spread north. Heartbreaking, disturbing, and unforgettable, Murder City was written at the height of his powers and established Bowden as one of America's leading journalists.

The seminal history of the iconic Mexican border city by the founder of border studies--Provided by publisher.

“A deeply reported, razor smart, up-close account of the Great Drug War . . . Absolutely courageous in its fairness and search for answers.” —William Booth, Washington Post Bureau Chief for Mexico, Central America, and the Caribbean The city of Juárez is ground zero for the drug war that is raging across Mexico and has claimed close to 60,000 lives since 2007. Almost a quarter of the federal forces that former President Felipe Calderón deployed in the war were sent to Juárez, and nearly twenty percent of the country’s drug-related executions have taken place in the city, a city that can be as unforgiving as the hardest places on earth. It is here that the Mexican government came to turn the tide. Whatever happens in Juárez will have lasting repercussions for both Mexico and the United States. Ricardo Ainslie went to Juárez to try to understand what was taking place behind the headlines of cartel executions and other acts of horrific brutality. In The Fight to Save Juárez, he takes us into the heart of Mexico’s bloodiest city through the lives of four people who experienced the drug war from very different perspectives—Mayor José Reyes Ferriz, a mid-level cartel player’s mistress, a human rights activist, and a photojournalist. Ainslie also interviewed top Mexican government strategists, including members of Calderón’s security cabinet, as well as individuals within US law enforcement. The dual perspective of life on the ground in the drug war and the “big picture” views of officials who are responsible for the war’s strategy, creates a powerful, intimate portrait of an embattled city, its people, and the efforts to rescue Juárez from the abyss.

Border Boom Town traces the social and economic evolution of Ciudad Juárez, the largest city on the U.S.-Mexican border and one of the fastest-growing urban centers in the world. In this evocative portrait, Oscar J. Martínez stresses the interdependence of Juárez and El Paso, a condition that is similar to relations between other "twin cities" along the border. Using a wide variety of local historical materials from both sides of the Río Grande, Martínez shows how Juárez entered the modern era with the arrival of the railroads in the 1880's, serving as a principal port of exit for waves of Mexican emigrants bound for the United States. In more recent years, increased migration to the area has resulted in extraordinary expansion of the population, with significant impact on both sides of the boundary. Proximity to the highly industrialized country to the north and remoteness from Mexico's centers of production have brought a multiplicity of assets and liabilities. Juárez's vulnerability to external conditions has led to alternating cycles of prosperity and depression since the establishment of the border in 1848. With the stimulus of new development programs in the 1960's and 1970's designed to integrate this neglected area into the national economic network, Juárez enjoyed the biggest boom in its history. However, government efforts to improve socioeconomic conditions failed to solve old problems and gave rise to new social ills. Ironically, the "Mexicanization" campaign on the border has led to unprecedented levels of foreign dependency. Martínez's analysis shows that integrating the northern Mexican frontier into the national economy remains an elusive and complex problem with which Mexico will continue to grapple for years to come. Border Boom Town traces the social and economic evolution of Ciudad Juárez, the largest city on the U.S.-Mexican border and one of the fastest-growing urban centers in the world. In this evocative portrait, Oscar J. Martínez stresses the interdependence of Juárez and El Paso, a condition that is similar to relations between other "twin cities" along the border. Using a wide variety of local historical materials from both sides of the Río Grande, Martínez shows how Juárez entered the modern era with the arrival of the railroads in the 1880's, serving as a principal port of exit for waves of Mexican emigrants bound for the United States. In more recent years, increased migration to the area has resulted in extraordinary expansion of the population, with significant impact on both sides of the boundary. Proximity to the highly industrialized country to the north and remoteness from Mexico's centers of production have brought a multiplicity of assets and liabilities. Juárez's vulnerability to external conditions has led to alternating cycles of prosperity and depression since the establishment of the border in 1848. With the stimulus of new development programs in the 1960's and 1970's designed to integrate this neglected area into the national economic network, Juárez enjoyed the biggest boom in its history. However, government efforts to improve socioeconomic conditions failed to solve old problems and gave rise to new social ills. Ironically, the "Mexicanization" campaign on the border has led to unprecedented levels of foreign dependency.Martínez's analysis shows that integrating the northern Mexican frontier into the national economy remains an elusive and complex problem with which Mexico will continue to grapple for years to come.

Duarte's latest novel is based on a string of real-life murders in Ciudad Jurez in the 1990s. Forced out of the house by her alcoholic mother, 13-year-old Evita takes to the streets, glimpsing newspaper columns about the murders, while struggling to survive. Petra, Evita's comely 19-year-old cousin, exchanges the country life for gritty Jurez to raise money for her ailing father. An acquaintance of Petra, Mayela, a 12-year-old Tarahumara Indian, lives in an orphanage where her artistic talent is discovered.

At least 200,000 people have died in Mexico’s so-called drug war, and the worst suffering has been in Ciudad Juárez, across the border from El Paso, Texas. How did it get so bad? After three decades studying that question, Howard Campbell doesn’t believe there is any one answer. Misguided policies, corruption, criminality, and the borderland economy are all factors. But none of these reasons explain how violence in downtown Juárez has become heartbreakingly “normal.” A rigorous yet moving account, Downtown Juárez is informed by the sex workers, addicts, hustlers, bar owners, human smugglers, migrants, and down-and-out workers struggling to survive in an underworld where horrifying abuses have come to seem like the natural way of things. Even as Juárez’s elite northeast section thrives on the profits of multinational corporations, and law-abiding citizens across the city mobilize against crime and official malfeasance, downtown’s cantinas, barrios, and brothels are tyrannized by misery. Campbell’s is a chilling perspective, suggesting that, over time, violent acts feed off each other, losing their connection to any specific cause. Downtown Juárez documents this banality of evil—and confronts it—with the stories of those most affected.