"Published in collaboration with The Center for Humans and Nature"--Title page verso.

With echoes of Toni Morrison's Beloved, Yejidé's novel explores a forgotten quadrant of Washington, DC, and the ghosts that haunt it. Longlisted for the 2022 Women’s Prize for Fiction “Yejidé’s writing captures both real news and spiritual truths with the deftness and capacious imagination of her writing foremothers: Zora Neale Hurston, Toni Morrison and N.K. Jemisin . . . Creatures of Passage is that rare novel that dispenses ancestral wisdom and literary virtuosity in equal measure.” —Washington Post Nephthys Kinwell is a taxi driver of sorts in Washington, DC, ferrying passengers in a 1967 Plymouth Belvedere with a ghost in the trunk. Endless rides and alcohol help her manage her grief over the death of her twin brother, Osiris, who was murdered and dumped in the Anacostia River. Unknown to Nephthys when the novel opens in 1977, her estranged great-nephew, ten-year-old Dash, is finding himself drawn to the banks of that very same river. It is there that Dash—reeling from having witnessed an act of molestation at his school, but still questioning what and who he saw—has charmed conversations with a mysterious figure he calls the “River Man.” When Dash arrives unexpectedly at Nephthys’s door bearing a cryptic note about his unusual conversations with the River Man, Nephthys must face what frightens her most. Morowa Yejidé’s deeply captivating novel shows us an unseen Washington filled with otherworldly landscapes, flawed super-humans, and reluctant ghosts, and brings together a community intent on saving one young boy in order to reclaim itself.

This book presents interdisciplinary research to examine the ongoing debates around nonhuman animals in urban spaces. It explores how we can better appreciate and accommodate animals in the city, while also exploring the ecological, health, ethical, and cultural implications of the same. The book addresses seven interrelated themes such as blurred boundaries between the human and the nonhuman, the right of nonhuman species to the city, interactions between the human and nonhuman animals, the fabric of urban space, human and nonhuman complex systems, and collective welfare that forms the basis of a transspecies urban theory. It explains how a holistic understanding of the city requires that these blurred boundaries are acknowledged and critically examined. Chapters analytically consider the need to bring interspecies relationships to the fore to tackle questions of legitimacy and who has the "right" to the city. These also consider important intersections between the economic, political, social, and cultural aspects of the urban experience. The research contained in this book focuses on the development of an urban theory that would eradicate the divide between humans and other species in cities, and it depicts nonhuman animals as social actors that have voices within urban spaces. With global insights on human–animal relationships in a contemporary context, this book will be useful reading for scholars and students of urban studies, animal sciences, animal law, animals and public policy, anthropology, and environmental studies who are interested in the study of animals in cities.

A sociologist explores why “green cities” won’t fix everything—and urges us to celebrate urban life as it is Everywhere you look, cities are getting greener. The general assumption is clear: if something is unhealthy or bad about urban life today, then nature holds the cure. However, argues sociologist Des Fitzgerald, green spaces are not the panacea that people think. In The Living City, Fitzgerald tours the international green city movement that has flourished across the world and discovers the deep, sometimes troubling, roots of our desire to connect cities to nature. Talking to policy makers, planners, scientists, and architects, Fitzgerald suggests that underneath the wish to turn future cities green is another wish: to make the modern city, and perhaps the modern world, disappear altogether. Ultimately, he makes an argument for celebrating the contemporary city as it is—in all its noisy, constructed, artificial glory.

What do animals—other than human animals—have to do with religion? How do our religious ideas about animals affect the lives of real animals in the world? How can we deepen our understanding of both animals and religion by considering them together? Animals and Religion explores how animals have crucially shaped how we understand ourselves, the other living beings around us, and our relationships with them. Through incisive analyses of religious examples from around the world, the original contributions to this volume demonstrate how animals have played key roles in every known religious tradition, whether as sacred beings, symbols, objects of concern, fellow creatures, or religious teachers. And through our religious imagination, ethics, and practices, we have deeply impacted animal lives, whether by domesticating, sacrificing, dominating, eating, refraining from eating, blessing, rescuing, releasing, commemorating, or contemplating them. Drawing primarily on perspectives from religious studies and Christian theology, augmented by cutting-edge work in anthropology, biology, philosophy, and psychology, Animals and Religion offers the reader a richer understanding of who animals are and who we humans are. Do animals have emotions? Do they think or use language? Are they persons? How we answer questions like these affects diverse aspects of religion that shape not only how we relate to other animals, but also how we perceive and misperceive each other along axes of gender, race, and (dis)ability. Accessibly written and thoughtfully argued, Animals and Religion will interest anyone who wants to learn more about animals, religion, and what it means to be a human animal.

The TV series that was never made and that youÕve never heard of celebrates its 40th year with an exhaustive retrospective guide! Growing from a child's game, the bizarrely-titled The Magnet Editor ran for ten years and a breathtaking 47 series. In bringing the series to life, Nick Goodman drew from 70s pop culture including Doctor Who and The New Avengers, and shared it only with his bewildered mother and childhood friends. Jo Bunsell was one such friend and soon the pair would be transported into a shared universe of preposterous Ð and badly designed Ð monsters and non-stop adventure with their extraordinary and strangely-named hero, Cabin Relese. Goodman and Bunsell open up their archive of materials and memories, and take you on a roller-coaster ride into their world! Magnet Memories is an episode guide, a frank, critical, incredulous and nostalgic reflection, a snapshot of childhood in the 70s and 80s... and it's possibly the most wonderfully bonkers cult TV book ever published!

From Simon & Schuster, City Kids is Sue Haven and Valerie Monroe's advice for raising kids in urban areas—from Cincinnati to Seattle—and having fun doing it. City Kids is Sue Haven and Valerie Monroe's advice from kids and parents living in the inner city gleaned from their experiences on living and raising kids in the city.