The work of seminal contemporary artist Chris Burden, insightfully contextualized around major themes, illuminates a practice that is as unique as it is influential. For four decades, Chris Burden’s work has redefined the boundaries of the sculptural field. Whether subjecting himself to extremes of physical suffering or reconfiguring forgotten urban objects and toy models to create potent signifiers of a time and place, the brute force of Burden’s work in the physical realm reverberates through the psychic one. On the occasion of the New Museum’s focused survey of Burden’s work, this book provides new perspectives on his art. Organized around themes like the Myth of the American West, the Institution, Gender Roles, and Model Making, the book reexamines preoccupations that span the artist’s long career.

Moneyball meets medicine in this remarkable chronicle of one of the greatest scientific quests of our time and the visionary mastermind behind it. Medical doctor and economist Christopher Murray began the Global Burden of Disease study to gain a truer understanding of how we live and how we die. While it is one of the largest scientific projects ever attempted—as breathtaking as the first moon landing or the Human Genome Project—the questions it answers are meaningful for every one of us: What are the world's health problems? Who do they hurt? How much? Where? Why? Murray argues that the ideal existence isn't simply the longest, but the one lived well and with the least illness. Until we can accurately measure global health issues, we cannot understand what makes us sick or do much to improve it. Challenging the accepted wisdom of the WHO and the UN, the charismatic and controversial health maverick has made enemies—as well as some influential friends, including Bill Gates who gave Murray a $100 million grant. Told with novelistic verve by acclaimed journalist Jeremy N. Smith, the story of Murray's lifelong determination to understand how we live and die encompasses wars and famines, presidents and activists, billionaires and billions of people worldwide living in poverty. It shows the human side of scientific revolutions and of revolutionary scientists—their breakthroughs and setbacks, their genius and their flaws, their champions and their critics—as they strive to bring the news of their findings to the world. This transformational effort is far from over, but the story of its genesis and impact is already an epic tale.

This is Gagosian’s 500th book. It fittingly marks the achievement, as Chris Burden was among the first artists to work with Larry Gagosian. Chris Burden: Streetlamps is the definitive publication on Burden’s iconic series. Chris Burden: Streetlamps explores the artist’s work with antique streetlamps, which he began to amass in the early 2000s. Burden fully restored 202 streetlamps from the 1920s to create his renowned Urban Light, which was acquired by the Los Angeles County Museum of Art. He realized four more major streetlamp sculptures in both public and private spaces, all of which are lavishly documented here from conception through installation.

This insightful book explores the theme of disappearance in the 1970s performance art of Bas Jan Ader, Chris Burden, and Jack Goldstein. In 1971, Chris Burden disappeared for three days without a trace. This book, also entitled Disappearing, examines the theme of disappearance in the works of Burden and his contemporaries, Bas Jan Ader and Jack Goldstein, in 1970s Southern California. Loosely affiliated, these three artists shared an interest in themes of disappearance and self-effacement. In 1972, Goldstein buried himself alive during a performance, while during Ader's tragic last work, In search of the miraculous (1975), the artist vanished crossing the Atlantic. Responding to cultural pressures like the Vietnam War and the nascent field of feminist art, the artists used "disappearing" as a response to the masculine anxiety of the 1970s. This book reveals a fascinating intersection between major figures at a critical turning point for Californian art. Copublished by the Modern Art Museum of Fort Worth and DelMonico Books

Published in conjunction with the exhibition ... held at the Museum of Modern Art, New York, Sept. 28, 2013-Jan. 12, 2014, the Menil Collection, Houston, Feb. 14-June 1, 2014, and at the Art Institute of Chicago, June 29-Oct. 12, 2014.

"How to retire in your 20s and 30s (without winning the lottery). This book provides a robust strategy that makes it possible to stop working for money in less than a decade."--Page 4 of cover.

Fiction. A product of over 15 years of writing, this multivalent new work both builds on and departs from Levitsky's previous efforts, as she traverses a host of contemporary theoretical discourses and concerns: transgendered bodies, social movements, pharmaceutical management of the emotions, and countless others. "The movement revolves around an accident, the exact nature of which is not disclosed. Despite the abstractions inherent in these constraints, I want the document to be accessible, engaging, addictive, and uncomfortable to hold, as in the instance of a suitcase with something vibrating inside." In this project, the formal poetics of expression confront fiction to create something utterly new.