This is the story of a love-smitten Charles; his friend Sam, the Phi Beta Kappa and former coat salesman; and Charles' mother, who spends a lot of time in the bathtub feeling depressed.

A Good Housekeeping Best Book of the Year "Every sentence shines with wit, originality, and sharp observations." --The Boston Globe A razor-sharp, deeply felt novel about the complicated relationship between a charismatic teacher and his students, and the secrets we keep from those we love At a boarding school in New Hampshire, Ben joins the honor society led by Pierre LaVerdere, an enigmatic, brilliant, yet perverse, teacher who instructs his students not only about how to reason, but how to prevaricate. As the years go by, LaVerdere's covert and overt instruction lingers in his students' lives as they seek some sense of purpose or meaning. When Ben feels the pace of his life accelerating and views his intimate relationships as less and less fulfilling, there seems to be a subtext he's not able to access. And what, really, did Bailey Academy teach him? While relationships with his stepmother and sister improve, and a move to upstate New York offers respite from his anxiety about love and work, LaVerdere's reappearance in his life disturbs his equilibrium. Everything he once thought he knew about his teacher--and himself--is called into question. Written by one of our most iconic writers, known for casting a cold eye on her generation's ambivalence and sometimes mistaken ambition, A Wonderful Stroke of Luck is a keenly observed psychological study of a man who alternates between careful driving and hazardous risk taking, as he struggles to incorporate his past into the vertiginous present.

A compilation of selected review essays from Erickson's DVD Savant internet column.

A funny autobiographical tale about growing up in the digital age, from a groundbreaking author whose writing is “reminiscent of early Douglas Coupland, or early Bret Easton Ellis” (The Guardian) This autobiographical novella is described by the author as “a shoplifting book about vague relationships,” and “an ultimately life-affirming book about how the unidirectional nature of time renders everything beautiful and sad.” From VIP rooms in hip New York City clubs to central booking in Chinatown, from New York University’s Bobst Library to a bus in someone’s backyard in a Floridian college town, from Bret Easton Ellis to Lorrie Moore, and from Moby to Schumann, Shoplifting from American Apparel explores class, culture, and the arts in all their American forms through the funny, journalistic, and existentially-minded narrative of someone trying to both “not be a bad person” and “find some kind of happiness or something.” “Tao's writing . . . has the force of the real.” —Ben Lerner, author of The Topeka School

Thirty-six stories--eight appearing in a book for the first time and a generous selection from her earlier collections--give us Ann Beattie at stunning mid-career. Emotionally complex, edgy, and funny, the stories encompass a huge range of tone and feeling. The wife of a couple who have lost a child comforts her husband with an amazing act of tenderness. A man who's been shifting from place to place, always finding the same kind of people--sometimes the same people in various configurations--tries to locate himself in the universe. An intricate dance of adultery brings down a marriage. A housekeeper experiences a startling epiphany while looking into her freezer one hot summer night. The long, humorous roll of a couple's "four-night fight" finally explodes into happiness. Beattie has often been called the chronicler of her generation, and these stories capture perfectly the moods and actions of our world since the seventies: people on the move, living in group houses, smoking too much dope; people settling down, splitting up, coming to terms. Margaret Atwood said of a previous collection that "a new Beattie is almost like a fresh bulletin from the front: We snatch it up, eager to know what's happening out there on the edge of that shifting and dubious no-man's-land known as interpersonal relations." The new stories have the same power. A family secret is revealed in a strange and puzzling act that becomes understood only many years later. In an AIDS ward, certain questions take on special significance. A hostile eight-year-old and his father's live-in girlfriend move in fits and starts toward détente. In prose by turns laserlike and lyrical, these memorable, evocative stories authentically recall the details and feelings of their time. But the truths revealed are--as in all fiction of the first rank--timeless.

Known for his visual style as well as for his experimentation in virtually every genre of narrative cinema, award-winning director Sidney J. Furie also has the distinction of having made Canada's first ever feature-length fictional film in English, A Dangerous Age (1957). With a body of work that includes The Ipcress File (1965), Lady Sings the Blues (1972), and The Entity (1982), he has collaborated with major stars such as Marlon Brando, Frank Sinatra, Robert Redford, and Michael Caine, and his films have inspired some of Hollywood's most celebrated directors, including Stanley Kubrick and Quentin Tarantino. In this first biography of the prolific filmmaker, author Daniel Kremer offers a comprehensive look at the director's unique career. Furie pioneered techniques such as improvisation in large-scale film productions, and sometimes shot his films in sequence to develop the characters from the ground up and improve the performers' in-the-moment spontaneity. Not only has Stanley Kubrick acknowledged that Furie's The Boys in Company C (1978) informed and influenced Full Metal Jacket (1987), but Martin Scorsese has said that he considers The Entity to be one of the scariest horror films of all time. However, Furie was often later criticized for accepting lowbrow work, and as a result, little serious study has been devoted to the director. Meticulously researched and enhanced by Kremer's close relationship with the filmmaker, this definitive biography captures the highs and lows of an exceptional but underexamined career, taking readers behind the scenes with a director who was often ahead of his time.