Mystery fiction as a genre renders moral judgments not only about detectives and criminals but also concerning the cultural structures within which these mysteries unfold. In contrast to other volumes which examine morality in crime fiction through the lenses of personal guilt and personal justice, Certainty and Ambiguity in Global Mystery Fiction analyzes the effect of moral imagination on the moral structures implicit in the genre. In recent years, public awareness has attended to the relationship between social structures and justice, and this collection centers on how personal ethics and social ethics are bound together amidst the shifting moral landscapes of mystery fiction. Contributors discuss the interplay between personal guilt and social guilt – considering morality and justice on an individual level and at a societal level – using frameworks of certainty and ambiguity. They show how individual characters in works by Agatha Christie, Gabriel García Márquez, Natsuo Kirino, F.H. Batacan, and Stephen King, among others, may view their moral standing with certainty but clash with the established mores of their culture. Featuring essays on Japanese, Filipino, Indian, and Colombian mystery fiction, as well as American and British fiction, this volume analyzes social guilt and justice across cultures, showing how individuals grapple with the certainty, and, at times, the moral ambiguity, of their respective cultures.

"This essay collection explores mystery fiction as a genre that renders moral judgments not only about detectives and criminals but also concerning the cultural structures within which these mysteries unfold"--

This collection establishes new perspectives on the idea of mystery, as it is enacted and encoded in the genre of detective fiction. Essays reclaim detective fiction as an object of critical inquiry, examining the ways it shapes issues of social destabilization, moral ambiguity, reader complicity, intertextuality, and metafiction. Breaking new ground by moving beyond the critical preoccupation with classification of historical types and generic determinants, contributors examine the effect of mystery on literary forms and on readers, who experience the provocative, complex process of coming to grips with the unknown and the unknowable. This volume opens up discussion on publically acclaimed, modern works of mystery and on classic pieces, addressing a variety of forms including novels, plays, graphic novels, television series, films, and ipad games. Re-examining the interpretive potential of a genre that seems easily defined yet has endless permutations, the book closely analyzes the cultural function of mystery, the way it intervenes in social and political problems, as well as the literary properties that give the genre its particular shape. The volume treats various texts as meaningful subjects for critical analysis and sheds new light on the interpretive potential for a genre that creates as much ambiguity as it does clarity. Scholars of mystery and detective fiction, crime fiction, genre studies, and cultural studies will find this volume invaluable.

Many people in Christian ministry are tired of simplistic certainties; what they need is permission to live with uncertainty, with mystery, ambiguity, and paradox. Because we live in a world that is far removed from the modernist version of reality,with its rational, clinical, and superficial presentation of life, we need the courage and wisdom to embrace the presence of uncertainties in the midst of certainty. In this book, the author offers snapshots of a number of central Christian topics-God, the gospel, the church, salvation, ministry-inviting us to treat them as features of a landscape to explore rather than a set of propositional statements to sign up to. Each chapter-short enough to provoke interest and curiosity-will be a catalyst for deeper reflection and enquiry, inviting us to discover a new freedom in ministry as we embrace a more generous both-and perspective in place of a more narrow either-or interpretation of the Christian faith. In the process, we may find ourselves rediscovering the Life we have lost in living as we imaginatively participate in the life, ministry, and mystery of the triune God of grace in our midst.

Christians are often tempted to encapsulate God in their own little boxes, as if God could be tied down to our finite way of thinking. But we can neither domesticate nor fully understand God, for theology has a lot to do with coming to terms with the mystery of God. This revised edition of Dancing in the Dark--shaped, as in the first edition, by the two overarching themes of God as Trinity and a theology of participation--embraces the notion of mystery in presenting a compelling vision of seeing all things finally united within the inner life of God. As we engage in Christian ministry, we are summoned to participate as grace-filled faith communities in the triune God's immeasurably loving and healing work in the world, leading those who are in darkness into an awareness of the God who imparts life in all its glorious abundance, that which is so . . . and a journey into the mystery of that which is to come. The liberating ministry of the gospel is both a declaration and an invitation--an invitation to the dance!

While taking a class on infinity at Stanford in the late 1980s, Ravi Kapoor discovers that he is confronting the same mathematical and philosophical dilemmas that his mathematician grandfather had faced many decades earlier--and that had landed him in jail. Charged under an obscure blasphemy law in a small New Jersey town in 1919, Vijay Sahni is challenged by a skeptical judge to defend his belief that the certainty of mathematics can be extended to all human knowledge--including religion. Together, the two men discover the power--and the fallibility--of what has long been considered the pinnacle of human certainty, Euclidean geometry. As grandfather and grandson struggle with the question of whether there can ever be absolute certainty in mathematics or life, they are forced to reconsider their fundamental beliefs and choices. Their stories hinge on their explorations of parallel developments in the study of geometry and infinity--and the mathematics throughout is as rigorous and fascinating as the narrative and characters are compelling and complex. Moving and enlightening, A Certain Ambiguity is a story about what it means to face the extent--and the limits--of human knowledge.

In this first general theory for the analysis of popular literary formulas, John G. Cawelti reveals the artistry that underlies the best in formulaic literature. Cawelti discusses such seemingly diverse works as Mario Puzo's The Godfather, Dorothy Sayers's The Nine Tailors, and Owen Wister's The Virginian in the light of his hypotheses about the cultural function of formula literature. He describes the most important artistic characteristics of popular formula stories and the differences between this literature and that commonly labeled "high" or "serious" literature. He also defines the archetypal patterns of adventure, mystery, romance, melodrama, and fantasy, and offers a tentative account of their basis in human psychology.