Graphic short stories of the adventures of various characters from the Cartoon Network.

Includes all of the comics and bonus materials from Snoopy: Cowabunga! and Charlie Brown and Friends. Good grief! Charlie Brown’s baseball team has the worst record in history, he’s constantly tormented by a kite-eating tree, and his crush doesn’t even know he exists. Fortunately, he’s surrounded by some of the best friends around. In this special collection of Peanuts comics for kids, you’ll meet outspoken Lucy, philosophical Linus, musical genius Schroeder, and, of course, Charlie Brown’s wave-surfing, airplane-piloting, Beagle Scout–leading dog, Snoopy, who treats life as one big adventure. Join in the fun and find out why Peanuts is the most cherished comic strip of all time. The gang’s all here!

Tweety Bird was colored yellow because censors felt the original pink made the bird look nude. Betty Boop's dress was lengthened so that her garter didn't show. And in recent years, a segment of Mighty Mouse was dropped after protest groups claimed the mouse was actually sniffing cocaine, not flower petals. These changes and many others like them have been demanded by official censors or organized groups before the cartoons could be shown in theaters or on television. How the slightly risque gags in some silent cartoons were replaced by rigid standards in the sound film era is the first misadventure covered in this history of censorship in the animation industry. The perpetuation of racial stereotypes in many early cartoons is examined, as are the studios' efforts to stop producing such animation. This is followed by a look at many of the uncensored cartoons, such as Lenny Bruce's Thank You Mask Man and Ralph Bakshi's Fritz the Cat. The censorship of television cartoons is next covered, from the changes made in theatrical releases shown on television to the different standards that apply to small screen animation. The final chapter discusses the many animators who were blacklisted from the industry in the 1950s for alleged sympathies to the Communist Party.

A pair of married New Yorker cartoonists expose the hilarious complexities and eccentricities of love and matrimony in a collection of more than two hundred cartoons and original graphic narratives that explore such topics as "I Do," "Play with Me," "Gifting and Getting," Ex-Whatevers," "Come Hither," "Is It Worth It," and "In Bed." 30,000 first printing.

Throughout Disney's phenomenally successful run in the entertainment industry, the company has negotiated the use of cutting-edge film and media technologies that, J. P. Telotte argues, have proven fundamental to the company's identity. Disney's technological developments include the use of stereophonic surround sound for Fantasia, experimentation with wide-screen technology, inaugural adoption of three-strip Technicolor film, and early efforts at fostering depth in the animated image. Telotte also chronicles Disney's partnership with television, development of the theme park, and depiction of technology in science fiction narratives. An in-depth discussion of Disney's shift into digital filmmaking with its Pixar partnership and an emphasis on digital special effects in live-action films, such as the Pirates of the Caribbean series, also highlight the studio's historical investment in technology. By exploring the technological context for Disney creations throughout its history, The Mouse Machine illuminates Disney's extraordinary growth into one of the largest and most influential media and entertainment companies in the world. Hardback is unjacketed.