Carl, a large dog, babysits while Mom steps out to run an errand.

It is 1980 and the United States has just beaten Russia, winning the Olympic gold medal in hockey. There is no question that people of the world have witnessed a miracle on the ice. Carl White Hawk and Henry White Rock are worlds apart. Although their names sound nearly identical, their lives could not be more different. Carl is a communications major at Slippery Rock University and an elite hockey player who wants more than anything to add an exclamation point to the end of his college career by winning his final competition, the National Club Hockey Championship. Henry, the grandson of the chief of the Rocnaya Nation in Northern Canada, must prove himself worthy of becoming a brave by winning the Nations most important competition. But as they prepare for the most important day in their lives, Carl and Henry have no idea that their two worlds are about to collide and create new destinies for both of them. Big Chief Island shares the tale of an elite hockey player and a First Nation warrior, as each struggles to understand their place in the world as forces beyond their control guide their paths.

For historians of printing and book design, students of children's literature, and book collectors, this record of 19th- and 20th-century English language books containing movable illustrations identifies, indexes, and describes some 1,600 titles. The volume is arranged alphabetically by title and has three separate indexes sorted by publication date, personal names of contributors, and series titles. Annotation copyright by Book News, Inc., Portland, OR

The Decades of Modern American Drama series provides a comprehensive survey and study of the theatre produced in each decade from the 1930s to 2009 in eight volumes. Each volume equips readers with a detailed understanding of the context from which work emerged: an introduction considers life in the decade with a focus on domestic life and conditions, social changes, culture, media, technology, industry and political events; while a chapter on the theatre of the decade offers a wide-ranging and thorough survey of theatres, companies, dramatists, new movements and developments in response to the economic and political conditions of the day. The work of the four most prominent playwrights from the decade receives in-depth analysis and re-evaluation by a team of experts, together with commentary on their subsequent work and legacy. A final section brings together original documents such as interviews with the playwrights and with directors, drafts of play scenes, and other previously unpublished material. The major playwrights and their plays to receive in-depth coverage in this volume include: * Theresa Rebeck: Omnium Gatherum (2003), Mauritius (2007), and The Understudy (2008); * Sarah Ruhl: Eurydice (2003), Clean House (2004), and In the Next Room (or the Vibrator Play) (2009); * Lynn Nottage: Intimate Apparel (2003), Fabulation or Re-Education of Undine (2004), and Ruined (2008); * Charles Mee: Big Love (2000), Wintertime (2005), and Hotel Cassiopeia (2006).

It's opening night of a brand-new mystery play, but just as the killer is about to be revealed, the body of the play's director falls onstage instead. In that moment, the theater becomes an active crime scene, and everyone from cast to crew to even the audience becomes a suspect. But how is the intrepid detective supposed to find the killer when everyone and their mother (literally) has a motive to want the demanding director gone? This Murder Was Staged is a fast-paced, backstabbing, backstage comedy from two of the writers of The Alibis and Rogues' Gallery. Mystery Comedy Full-length. 100-120 minutes. 8-25 actors

Roux delivers the lurching, laugh-filled sequel to "Allison Hewitt Is Trapped." Spring is in the air, and a radical group of "Repopulationists" is restless. Unfortunately, these zealots destroy a crucial barrier in north Seattle, unleashing the undead into the city. It's not good news for Sadie Walker, who's trying to live a normal life.