Order the sequel to the #1 New York Times bestselling novel Firefight today! From the bestselling author of the Mistborn series and Words of Radiance comes Calamity, the final book in the #1 New York Times bestselling Reckoners series: Steelheart, Firefight, and Calamity. When Calamity lit up the sky, the Epics were born. David’s fate has been tied to their villainy ever since that historic night. Steelheart killed his father. Firefight stole his heart. And now Regalia has turned his closest ally into a dangerous enemy. David knew Prof’s secret, and kept it even when Prof struggled to control the effects of his Epic powers. But facing Obliteration in Babilar was too much. Once the Reckoners’ leader, Prof has now embraced his Epic destiny. He’s disappeared into those murky shadows of menace Epics are infamous for the world over, and everyone knows there’s no turning back. . . . But everyone is wrong. Redemption is possible for Epics—Megan proved it. They’re not lost. Not completely. And David is just about crazy enough to face down the most powerful High Epic of all to get his friend back. Or die trying. Praise for the Reckoners Series: #1 New York Times Bestselling Series “The suspense is relentless and the climax explosive.” —James Dashner, #1 New York Times bestselling author of the Maze Runner series “Another win for Sanderson . . . he’s simply a brilliant writer. Period.” —Patrick Rothfuss, author of the New York Times and USA Today bestseller The Name of the Wind “Action-packed.” —EW.com “Compelling. . . . Sanderson uses plot twists that he teases enough for readers to pick up on to distract from the more dramatic reveals he has in store.” —The A.V. Club

The #1 New York Times bestseller and sequel to Steelheart from Brandon Sanderson, the author of Oathbringer, coauthor of Robert Jordan’s The Wheel of Time series, and creator of the internationally bestselling Mistborn trilogy, presents the second book in the Reckoners series: Firefight. And don’t miss Calamity, the exciting conclusion to the Reckoners series! Newcago is free. They told David it was impossible, that even the Reckoners had never killed a High Epic. Yet Steelheart--invincible, immortal, unconquerable--is dead. And he died by David's hand. Eliminating Steelheart was supposed to make life simpler. Instead, it only made David realize he has questions. Big ones. And no one in Newcago can give him answers. Babylon Restored, the city formerly known as the borough of Manhattan, has possibilities, though. Ruled by the mysterious High Epic Regalia, Babylon Restored is flooded and miserable, but David is sure it's the path that will lead him to what he needs to find. Entering a city oppressed by a High Epic despot is risky, but David's willing to take the gamble. Because killing Steelheart left a hole in David's heart. A hole where his thirst for vengeance once lived. Somehow, he filled that hole with another Epic--Firefight. And now he will go on a quest darker and even more dangerous than the fight against Steelheart to find her, and to get his answers. Praise for the Reckoners Series: #1 New York Times Bestselling Series “Another win for Sanderson . . . he’s simply a brilliant writer. Period.” —Patrick Rothfuss, author of the New York Times and USA Today bestseller The Name of the Wind “Action-packed.” —EW.com “Compelling. . . . Sanderson uses plot twists that he teases enough for readers to pick up on to distract from the more dramatic reveals he has in store.” —The A.V. Club

This is an age of great calamities. War and revolution, famine and pestilence, are again rampant on this planet, and they still exact their deadly toll from suffering humanity. Calamities influence every moment of our existence: our mentality and behavior, our social life and cultural processes. Like a demon, they cast their shadow upon every thought we think and every action we perform. In this classic volume, Sorokin attempts to account for the effects these calamities exert on the mental processes, behavior, social organization, and cultural life of the population involved. In what way do famine and pestilence, war and revolution tend to modify our mind and conduct, our social organization and cultural life? To what extent do they succeed in this, and when and why do they prove less effective? What are the causes of these calamities, and what are the ways out? In dealing with these problems Sorokin tries to give a detailed description of the typical effects of famine and pestilence, war and revolution, such as have repeatedly occurred in all major catastrophes of this kind. To use academic language, he attempts to formulate the principal uniformities regularly manifested during such calamities. This book is a forgotten masterpiece of explanation and prediction. It opened new fields of study and broadened the scope of existing specialties.

Everyone knows the name Calamity Jane. Scores of dime novels and movie and TV Westerns have portrayed this original Wild West woman as an adventuresome, gun-toting hellion. Although Calamity Jane has probably been written about more than any other woman of the nineteenth-century American West, fiction and legend have largely obscured the facts of her life. This lively, concise, and exhaustively researched biography traces the real person from the Missouri farm where she was born in 1856 through the development of her notorious persona as a Wild West heroine. Before Calamity Jane became a legend, she was Martha Canary, orphaned when she was only eleven years old. From a young age she traveled fearlessly, worked with men, smoked, chewed tobacco, and drank. By the time she arrived in the boomtown of Deadwood, South Dakota, in 1876, she had become Calamity Jane, and the real Martha Canary had disappeared under a landslide of purple prose. Calamity became a hostess and dancer in Deadwood’s saloons and theaters. She imbibed heavily, and she might have been a prostitute, but she had other qualities, as well, including those of an angel of mercy who ministered to the sick and the down-and-out. Journalists and dime novelists couldn’t get enough of either version, nor, in the following century, could filmmakers. Sorting through the stories, veteran western historian Richard W. Etulain’s account begins with a biography that offers new information on Calamity’s several “husbands” (including one she legally married), her two children, and a woman who claimed to be the daughter of Wild Bill Hickok and Calamity, a story Etulain discredits. In the second half of the book, Etulain traces the stories that have shaped Calamity Jane’s reputation. Some Calamity portraits, he says, suggest that she aspired to a quiet life with a husband and family. As the 2004–2006 HBO series Deadwood makes clear, well more than a century after her first appearance as a heroine in the Deadwood Dick dime novels, Calamity Jane lives on—raunchy, unabashed, contradictory, and ambiguous as ever.

When in the dark ... you falter. Tyce seems like a normal teenager living in a military-occupied city. Living with his adopted mother, during the day he attends high school with his best friends, Dylan and Samantha. But things aren't always as they seem. Once the sun sets, Tyce turns vigilante fighting the secretive, authoritarian government that rules over the city. The government might be Tyce's enemy #1, but he soon finds out that the government isn't the only evil lurking in the shadows. Tyce must do everything he can to stop a new evil mastermind, even if that means he has to break his only rule: no killing. He soon finds he must fight an evil way beyond him.

A fascinating new account of the life and legend of the Wild West's most notorious woman: Calamity Jane Martha Jane Canary, popularly known as Calamity Jane, was the pistol-packing, rootin' tootin' "lady wildcat" of the American West. Brave and resourceful, she held her own with the men of America's most colorful era and became a celebrity both in her own right and through her association with the likes of Wild Bill Hickok and Buffalo Bill Cody. In this engaging account, Karen Jones takes a fresh look at the story of this iconic frontierswoman. She pieces together what is known of Canary's life and shows how a rough and itinerant lifestyle paved the way for the scattergun, alcohol-fueled heroics that dominated Canary's career. Spanning Canary's rise from humble origins to her role as "heroine of the plains" and the embellishment of her image over subsequent decades, Jones shows her to be feisty, eccentric, transgressive--and very much complicit in the making of the myth that was Calamity Jane.

This exhaustive bibliographical reference will be the first stop for anyone looking for Calamity Jane in print, film, or photograph—and wanting to know how reliable those sources may be. Richard W. Etulain, renowned western-U.S. historian and the author of a recent biography of this charismatic figure, enumerates and assesses the most valuable sources on Calamity Jane’s life and legend in newspapers, magazines, journals, books, and movies, as well as historical and government archives. Etulain begins with a brief biography of Martha Canary, aka Calamity Jane (1856–1903), then analyzes the origins and growth of her legends. The sources, Etulain shows, reveal three versions of Calamity Jane. In the most popular one, she was a Wild Woman of the Old West who helped push a roaring frontier through its final stages. This is the Calamity Jane who fought Indians, marched with the military, and took on the bad guys. Early in her life she also hoped to embody the pioneer woman, seeking marriage and a stable family and home. A third, later version made of Calamity an angel of mercy who reached out to the poor and nursed smallpox victims no one else would help. The hyperbolic journalism of the Old West, as well as dime novels and the stretchers Calamity herself told in her interviews and autobiography, shaped her legends through much of the twentieth century. Many of the sensational early accounts of Calamity’s life, Etulain notes, were based on rumor and hearsay. In illuminating the role of the Deadwood Dick dime novel series and other pulp fiction in shaping what we know—or think we know—of the American West, Etulain underscores one of his fascinating themes: the power of popular culture. The product of twenty years’ labor sifting fact from falsehood or distortion, this bibliography and reader’s guide includes brief discussions of nearly every item’s contents, along with a terse, entertaining evaluation of its reliability.