The Adriatic has long occupied a liminal position between different cultures, languages and faiths. This book offers the first synthesis of its history between the seventh and the mid-fifteenth century, a period coinciding with the existence of the Byzantine Empire which, as heir to the Roman Empire, lay claim to the region. The period also saw the rise of Venice and it is important to understand the conditions which would lead to her dominance in the late Middle Ages. An international team of historians and archaeologists examines trade, administration and cultural exchange between the Adriatic and Byzantium but also within the region itself, and makes more widely known much previously scattered and localised research and the results of archaeological excavations in both Italy and Croatia. Their bold interpretations offer many stimulating ideas for rethinking the entire history of the Mediterranean during the period.

Innovative study re-positioning the Adriatic as a liminal region between different cultures and faiths before the heyday of Venice.

This book, the first of this scope to have been published, traces the diplomatic, cultural and commercial links between Constantinople and Venice from the foundation of the Venetian republic to the fall of the Byzantine Empire. It aims to show how, especially after the Fourth Crusade in 1204, the Venetians came to dominate first the Genoese and thereafter the whole Byzantine economy. At the same time the author points to those important cultural and, above all, political reasons why the relationship between the two states was always inherently unstable.

Early Medieval Venice examines the significant changes that Venice underwent between the late-sixth and the early-eleventh centuries. From the periphery of the Byzantine Empire, Venice acquired complete independence and emerged as the major power in the Adriatic area. It also avoided absorption by neighbouring rulers, prevented serious destruction by raiders, and achieved a stable state organization, all the while progressively extending its trading activities to most of northern Italy and the eastern Mediterranean. This was not a linear process, but the Venetians obtained and defended these results with great tenacity, creating the foundations for the remarkable developments of the following centuries. This book presents the most relevant themes that characterized Venice during this epoch, including war, violence, and the manner in which ‘others’ were perceived. It examines how early medieval authors and modern scholars have portrayed this period, and how they were sometimes influenced by their own ‘present’ in their reconstruction of the past.

Venice and Its Neighbors from the 8th to 11th Century offers an account of the formation and character of early Venice, drawing on archaeological evidence from Venice and related sites, and written sources.

An extraordinary chronicle of Venice, its people, and its grandeur Thomas Madden’s majestic, sprawling history of Venice is the first full portrait of the city in English in almost thirty years. Using long-buried archival material and a wealth of newly translated documents, Madden weaves a spellbinding story of a place and its people, tracing an arc from the city’s humble origins as a lagoon refuge to its apex as a vast maritime empire and Renaissance epicenter to its rebirth as a modern tourist hub. Madden explores all aspects of Venice’s breathtaking achievements: the construction of its unparalleled navy, its role as an economic powerhouse and birthplace of capitalism, its popularization of opera, the stunning architecture of its watery environs, and more. He sets these in the context of the rise and fall of the Byzantine Empire, the endless waves of Crusades to the Holy Land, and the awesome power of Turkish sultans. And perhaps most critically, Madden corrects the stereotype of Shakespeare’s money-lending Shylock that has distorted the Venetian character, uncovering instead a much more complex and fascinating story, peopled by men and women whose ingenuity and deep faith profoundly altered the course of civilization.

Henry Maguire, emeritus professor of art history at Johns Hopkins University, works on Byzantine and related cultures. He has written extensively on Venetian art and the church of San Marco.