Skuespil og fabler.

In Good King Charles's Golden Days: a true history that never happened. A discussion play; the issues of nature, power and leadership are debated between King Charles II ('Mr Rowley'), Isaac Newton, George Fox and the artist Godfrey Kneller. Buoyant Billions: a comedy of no manners. Farfetched fables. Shaw's thoughts simplified. Shakes vs. Shav. Puppets portray Shaw and Shakespeare. The play comprises a comic argument between the two playwrights, an intellectual Punch and Judy. Why She Would Not. His final play.

Includes Part 1A: Books and Part 1B: Pamphlets, Serials and Contributions to Periodicals

A compendium of information on all the main events, individuals, political groupings and issues of the 20th century. It provides a guide to current thinking on important historical topics and personalities within the period, and offers a guide to further reading.

**Shortlisted for Waterstones Book of the Year** The Penguin Classics Book is a reader's companion to the largest library of classic literature in the world. Spanning 4,000 years from the legends of Ancient Mesopotamia to the poetry of the First World War, with Greek tragedies, Icelandic sagas, Japanese epics and much more in between, it encompasses 500 authors and 1,200 books, bringing these to life with lively descriptions, literary connections and beautiful cover designs.

The Bit Between My Teeth: A Literary Chronicle of 1950-1965 collects Edmund Wilson's masterful essays written during a fifteen year span. Originally published in leading periodicals like the New Republic, the New York Review of Books, and the New Yorker, this collection features literary criticism, essays, and reviews by Wilson on F. Scott Fitzgerald, H.L. Mencken, Bernard Shaw, Max Beerbohm, James Branch Cabell, Marquis de Sade, and more.

From the Nobel Prize–winning playwright behind Pygmalion and Saint Joan, a collection of his critical writings on religion. The Critical Shaw: On Religion is a comprehensive selection of renowned Irish playwright and Nobel Laureate Bernard Shaw’s pronouncements—many of them deliberately inflammatory—on all facets of religion and belief: on Christianity and the Church; on various religions, among them Protestantism, Catholicism, Quakerism, Christian Science, Fundamentalism, Calvinism, Hinduism, Judaism, and Islam; on atheism and agnosticism, atonement and salvation; the crucifixion, the resurrection, transubstantiation, and the Immaculate Conception; on the Bible, the Ten Commandments, the Book of Common Prayer, and the Thirty-nine Articles of the Anglican Church. And much more. In speeches, essays, and prefaces, Shaw relentlessly scrutinized and critiqued scores of religions—only to find most of their doctrines in need of exhaustive reform. And yet, in keeping with his many other paradoxes, though Shaw was fond of calling himself an atheist, he nonetheless recognized the importance, indeed the necessity, of religion. The Critical Shaw series brings together, in five volumes and from a wide range of sources, selections from Bernard Shaw’s voluminous writings on topics that exercised him for the whole of his professional career: Literature, Music, Politics, Religion, and Theater. The volumes are edited by leading Shaw scholars, and all include an introduction, a chronology of Shaw’s life and works, annotated texts, and a bibliography. The series editor is L.W. Conolly, literary adviser to the Shaw Estate and former president of the International Shaw Society.