Latin America’s experiments in direct democracy Since 2011, a wave of popular uprisings has swept the globe, taking shape in the Occupy movement, the Arab Spring, 15M in Spain, and the anti-austerity protests in Greece. The demands have been varied, but have expressed a consistent commitment to the ideals of radical democracy. Similar experiments began appearing across Latin America twenty-five years ago, just as the left fell into decline in Europe. In Venezuela, poor barrio residents arose in a mass rebellion against neoliberalism, ushering in a government that institutionalized the communes already forming organically. In Building the Commune, George Ciccariello-Maher travels through these radical experiments, speaking to a broad range of community members, workers, students and government officials. Assessing the projects’ successes and failures, Building the Commune provides lessons and inspiration for the radical movements of today.

From the dawning of the industrial epoch, wage earners have organized themselves into unions, fought bitter strikes, and gone so far as to challenge the very premises of the system by creating institutions of democratic self-management aimed at controlling production without bosses. With specific examples drawn from every corner of the globe and every period of modern history, this pathbreaking volume comprehensively traces this often underappreciated historical tradition. Ripe with lessons drawn from historical and contemporary struggles for workers’ control, Ours to Master and to Own is essential reading for those struggling to create a new world from the ashes of the old. Immanuel Ness is professor of political science at Brooklyn College, City University of New York, and edits WorkingUSA. Dario Azzellini is a writer, documentary director, and political scientist at Johannes Kepler University in Linz.

Since being elected president in 1998, Hugo Chávez has become the face of contemporary Venezuela and, more broadly, anticapitalist revolution. George Ciccariello-Maher contends that this focus on Chávez has obscured the inner dynamics and historical development of the country’s Bolivarian Revolution. In We Created Chávez, by examining social movements and revolutionary groups active before and during the Chávez era, Ciccariello-Maher provides a broader, more nuanced account of Chávez’s rise to power and the years of activism that preceded it. Based on interviews with grassroots organizers, former guerrillas, members of neighborhood militias, and government officials, Ciccariello-Maher presents a new history of Venezuelan political activism, one told from below. Led by leftist guerrillas, women, Afro-Venezuelans, indigenous people, and students, the social movements he discusses have been struggling against corruption and repression since 1958. Ciccariello-Maher pays particular attention to the dynamic interplay between the Chávez government, revolutionary social movements, and the Venezuelan people, recasting the Bolivarian Revolution as a long-term and multifaceted process of political transformation.

In the shadow of the Vietnam War, a significant part of an entire generation refused their assigned roles in the American century. Some took their revolutionary politics to the streets, others decided simply to turn away, seeking to build another world together, outside the state and the market. West of Eden charts the remarkable flowering of communalism in the 1960s and ’70s, fueled by a radical rejection of the Cold War corporate deal, utopian visions of a peaceful green planet, the new technologies of sound and light, and the ancient arts of ecstatic release. The book focuses on the San Francisco Bay Area and its hinterlands, which have long been creative spaces for social experiment. Haight-Ashbury’s gift economy—its free clinic, concerts, and street theatre—and Berkeley’s liberated zones—Sproul Plaza, Telegraph Avenue, and People’s Park—were embedded in a wider network of producer and consumer co-ops, food conspiracies, and collective schemes. Using memoir and flashbacks, oral history and archival sources, West of Eden explores the deep historical roots and the enduring, though often disavowed, legacies of the extraordinary pulse of radical energies that generated forms of collective life beyond the nuclear family and the world of private consumption, including the contradictions evident in such figures as the guru/predator or the hippie/entrepreneur. There are vivid portraits of life on the rural communes of Mendocino and Sonoma, and essays on the Black Panther communal households in Oakland, the latter-day Diggers of San Francisco, the Native American occupation of Alcatraz, the pioneers of live/work space for artists, and the Bucky dome as the iconic architectural form of the sixties. Due to the prevailing amnesia—partly imposed by official narratives, partly self-imposed in the aftermath of defeat—West of Eden is not only a necessary act of reclamation, helping to record the unwritten stories of the motley generation of communards and antinomians now passing, but is also intended as an offering to the coming generation who will find here, in the rubble of the twentieth century, a past they can use—indeed one they will need—in the passage from the privations of commodity capitalism to an ample life in common.

For dinosaurs, it was a big rock. For humans: Coronal Mass Ejection (CME). When the Earth is hit by the greatest CME in recorded history (several times larger than the Carrington Event of 1859), the combined societies of the planet's most developed nations struggle to adapt to a life thrust back into the Dark Ages. In the United States, the military scrambles to speed the nation's recovery on multiple fronts including putting down riots, establishing relief camps, delivering medical aid, and bringing communication and travel back on line. Just as a real foothold is established in retaking the skies (utilizing existing commercial aircraft supplemented by military resources and ground control systems), a mysterious virus takes hold of the population, spreading globally over the very flight routes that the survivors fought so hard to rebuild. The communicability and mortality rates are devastating, leaving only small pockets of survivors scattered throughout the countryside. Commune: Book One is the story of one small group of survivors who must adapt to a primitive, hostile world or die. As they learn the rules of this new era, they must decide how far they're willing to go to continue living, continually asking themselves the same question daily: is survival worth the loss of humanity?

An intentional community is a group of people who have chosen to live or work together in pursuit of a common ideal or vision. An ecovillage is a village-scale intentional community that intends to create, ecological, social, economic, and spiritual sustainability over several generations. The 90s saw a revitalized surge of interest in intentional communities and ecovillages in North America: the number of intentional communities listed in the Communities Directory increased 60 percent between 1990 and 1995. But only 10 percent of the actual number of forming-community groups actually succeeded. Ninety percent failed, often in conflict and heartbreak. After visiting and interviewing founders of dozens of successful and failed communities, along with her own forming-community experiences, the author concluded that "the successful 10 percent" had all done the same five or six things right, and "the unsuccessful 90 percent" had made the same handful of mistakes. Recognizing that a wealth of wisdom were contained in these experiences, she set out to distill and capture them in one place. Creating a Life Together is the only resource available that provides step-by-step, practical "how-to" information on how to launch and sustain a successful ecovillage or intentional community. Through anecdotes, stories, and cautionary tales about real communities, and by profiling seven successful communities in depth, the book examines "the successful 10 percent" and why 90 percent fail; the role of community founders; getting a group off to a good start; vision and vision documents; decision-making and governance; agreements; legal options; finding, financing, and developing land; structuring a community economy; selecting new members; and communication, process, and dealing well with conflict. Sample vision documents, community agreements, and visioning exercises are included, along with abundant resources for learning more.

Sex, drugs, and rock ’n’ roll. In popular imagination, these words seem to capture the atmosphere of 1960s hippie communes. Yet when the first hippie commune was founded in 1965 outside Trinidad, Colorado, the goal wasn’t one long party but rather a new society that integrated life and art. In Droppers, Mark Matthews chronicles the rise and fall of this utopian community, exploring the goals behind its creation and the factors that eventually led to its dissolution. Seeking refuge from enforced social conformity, the turmoil of racial conflict, and the Vietnam War, artist Eugene Bernofsky and other founders of Drop City sought to create an environment that would promote both equality and personal autonomy. These high ideals became increasingly hard to sustain, however, in the face of external pressures and internal divisions. In a rollicking, fast-paced style, Matthews vividly describes the early enthusiasm of Drop City’s founders, as Bernofsky and his friends constructed a town in the desert literally using the “detritus of society.” Over time, Drop City suffered from media attention, the distraction of visitors, and the arrival of new residents who didn’t share the founders’ ideals. Matthews bases his account on numerous interviews with Bernofsky and other residents as well as written sources. Explaining Drop City in the context of the counterculture’s evolution and the American tradition of utopian communities, he paints an unforgettable picture of a largely misunderstood phenomenon in American history.