A “fascinating [and] unique exploration” of the mythological founder of Britain, divine ancestor of King Arthur, and symbol of British identity (Your Family History). Believed to be a great-great-great grandson of the Greek goddess Aphrodite, Brutus of Troy led a voyage from Greece to Britain. Landing at Totnes in Devon, it is said that Brutus overthrew the giants who lived there, laid the foundations of Oxford University and London, and sired a line of kings that includes King Arthur and the ancestors of the present Royal Family. Genealogist Anthony Adolph traces the legend of Brutus of Troy from the Roman times onwards, looking at his popularity, his mentions in fiction, and his place in mythology of some of London’s landmarks. Brutus’ story played a crucial role in royal propaganda and foreign policy. His tale also inspired poets and playwrights including Shakespeare, Spenser, Milton, Pope, Wordworth, Dickens, and Blake. Brutus of Troy delves into how the myth shaped Britain’s identity and gave the nation a place in Classical mythologies and the Bible.

Removes the story of Troy from the realm of myth and places it firmly into the historical arena.

From ancient Greece they came, remnants of the glorious Trojans. Led by Brutus, Kingman, holder of the bands of gold that wield the very magic of the Gods, these travelers are bowed but not broken, and they have come to Albion to begin anew. A vision of beauty called them to create a new Troy, and when they landed on the shores of the land that became Britain, they found an old magic that was fading. And so they began to construct a new Labyrinth, a place of magic that will bring unimaginable power to those who can control it. The temptress who brought Brutus to this land seeks to use him for her own purposes, but in that she fails, for it is the bride of Brutus who dooms the completion of the labyrinth . . . and sends all the players in this drama---handsome Brutus, his beautiful wife, Cornelia, and the sensuous and deadly Genvissa---into a hell of death and rebirth, until the Labyrinth is completed and the ancient magic is set free. A thousand years pass. Cathedrals rise in place of mud and wattle huts, hymns to saints replace odes to Celtic and Greek gods. But the magic from the dawn of time waits, and the players are not yet done with their destinies. They have new faces and new bodies, but old souls---and not all who have come back remember their parts in this drama. There are kings and princes, deadly court intrigues, and ancient powers awoken. And a warrior across the sea who only waits for his opportunity to finish what was started centuries before . . . At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

A book of vengeance and generations old hatred from the time of Ancient Greece.

Offers a fresh interpretation of Virgil's Aeneid via a detailed study of its child hero, Ascanius, young son of Aeneas.

Ancient Greece: A place where the gods hold mortal life cheap, mere playthings to amuse, delight, and abuse at their will. But those puny mortals are not wholly devoid of power and at the core of their fabulous city-states lies the Labyrinth, where they can shape the powers of the heavens to their own design. When Theseus entered the Labyrinth and came away with the prize of freedom and his beloved Adrianne, Mistress of the Labyrinth, his future seemed assured... Until he abandoned her for the unforgivable sin of bearing him only a daughter, and the world seemed to change. From that day forward, all the Labyrinths in the ancient world started to decay. It slowly became clear that power was fading from the city-states. Was it the natural decline that comes to all cultures or was it because the power of the Labyrinth had been corrupted by a woman spurned? A hundred years pass--Troy has fallen and the Trojans are a scattered and humbled people. The warrior Brutus is of the line of kings and gods. He wears the golden kingship bands of Troy proudly--but they are his only mementos of a former glory, for he is a man without a country and is left little else but pride and a memory of the latent power that he could wield if but given a chance. When he receives a god-sent vision of a distant shore where he can rebuild the ancient kingdom, he will move heaven and earth to reach his destiny. Ever eastward he is drawn, to a lovely and mystical green land that offers him a haven--and a dream of power and conquest. Nothing will deter him... not even the entreaties of the young princess whom he took as his wife and bedded against her will. First her hatred--and now her love--torment and bind him. She is the only one who realizes the danger he is stepping into, and she will do anything to save him... and his son, whom she carries in her womb. For in the mists of Albion there lies a woman of power--a woman who has used her siren call to cloud Brutus's mind and has her own reasons for luring the warrior to these lush shores.... She is the long-descended granddaughter of Adrianne, and she has in her heart a hatred that has been passed down for generations. Her plans for Brutus will enact a revenge that could destroy the gods themselves. s20If Brutus makes the journey successfully, it will be the next step in the Game of the Labyrinth and might start a complicated contest of wills that could span centuries.... At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

Immersed in mist and old magic, Storyland is an exquisitely illustrated new mythology of Britain, set in its wildest landscapes. Historian and printmaker Amy Jeffs reimagines ancient legends in wondrous detail in this this gift-worthy collection for all lovers of myth, folklore, and mysticism. Storyland begins between the Creation and Noah's Flood, follows the footsteps of the earliest generation of giants, covers the founding of Britain, England, Wales, and Scotland, the birth of Christ, the wars between Britons, Saxons and Vikings, and closes with the arrival of the Normans. These are retellings of medieval tales of legend, landscape, and the yearning to belong, inhabited by characters now half-remembered: Arthur, Brutus, Albina, and more. Told with narrative flair, embellished in stunning, original linocuts and glossed with a rich and erudite commentary, Storyland illuminates a collective memory that still informs the identity and culture of Britain and its descendants. Readers will visit beautiful, sacred places that include prehistoric monuments like Stonehenge and Wayland's Smithy; mountains and lakes such as Snowdon and Loch Etive; and rivers including the Ness, the Soar, and the storied Thames in this vivid, beautiful tale of a land steeped in myth.