What a family! Simple and complex, traditional and modern, religious and rational, money-minded and money-renouncing, Indian and international, fiercely individualistic and inspiringly loyal' -P. Lal In a life spanning nine decades Krishna Kumar Birla, son of the legendary Ghanshyam Das Birla, witnessed events that shaped India in the twentieth century and had close associations with iconic figures like Mahatma Gandhi, Madan Mohan Malviya, Jayaprakash Narayan, Jawaharlal Nehru and Indira Gandhi. Head of one of India’s leading business houses, K.K. Birla embraced principles in which the creation of wealth, philanthropy and political leadership were all regarded as part of nation-building. Written in a style that is simple and translucent in its sincerity, Brushes with History brings alive an important era in the life of the nation, its changing social mores, evolving principles of corporate governance and enduring family values In an affectionate and moving tribute, K.K. Birla’s daughter, Shobhana Bhartia, acquaints readers with her father’s spiritual strength and moral values which were an integral part of his life.

The Nation magazine, since its founding in 1865, began what has become, for better or worse, art criticism as a cultural institution in the United States. This eclectic collection features contributors like Christopher Hitchens on “degenerate art,” Heywood Broun on the Artists Congress of 1936, Katherine Anne Porter on children’s art, Marianne Moore on the death of Nation art critic Paul Rosenfeld, and Langston Hughes on “Negro Art.” The volume also includes contributions from many well-known artists: Stuart Davis, Marsden Harley, Alfred Stieglitz, John Marin, Kenyon Cox, Guy Pene Du Bois, Louis Lozowick, and Frank Lloyd Wright. Celebrated writers on art such as Bernard Berenson, Clement Greenberg, Lawrence Alloway, Hilton Kramer, Max Kozloff, John Berger, and Arthur Danto give readers first-hand accounts of the debuts of artists ranging from John Singer Sargent to Jackson Pollock and Willem deKooning as well as the famous lawsuit between John Ruskin and James McNeill Whistler (reported by a youthful Henry James), the destruction of Diego Rivera’s Rockefeller Center murals and Richard Nixon’s views on art. More recently writers like E.L. Doctorow and Katha Pollitt have weighed in on the recent culture wars over arts funding and free expression.

the collected works of famed western artist, Morgan Weistling, painter of early American pioneer life

From acclaimed author and illustrator Don Tate, the rousing story of Ernie Barnes, an African American pro football player and fine artist He realized how football and art were one and the same. Both required rhythm. Both required technique. Passing, pulling, breaking down the field—that was an art. Young Ernie Barnes wasn’t like other boys his age. Bullied for being shy, overweight, and uninterested in sports like boys were “supposed” to be, he instead took refuge in his sketchbook, in vibrant colors, bold brushstrokes, and flowing lines. But growing up in a poor, Black neighborhood during the 1930s, opportunities to learn about art were rare, and art museums were off-limits because of segregation laws. Discouraged and tired of being teased, Ernie joined the school football team. Although reluctant at first, he would soon become a star. But art remained in Ernie’s heart and followed him through high school, college, and into the NFL. Ernie saw art all around him: in the dynamic energy of the game, the precision of plays, and the nimble movement of his teammates. He poured his passion into his game and his craft, and became famous as both a professional athlete and as an artist whose paintings reflected his love of the sport and celebrated Black bodies as graceful and beautiful. He played for the Baltimore Colts (1959–60), Titans of New York (1960), San Diego Chargers (1960–62), and the Denver Broncos (1963–64). In 1965, Barnes signed with the Saskatchewan Roughriders in Canada, but fractured his right foot, which ended his professional football career. Soon after, he met New York Jets owner Sonny Werblin, who was impressed by Barnes and his art. In 1966, Barnes had a debut solo exhibition in New York City, sponsored by Werblin at the Grand Central Art Galleries; all the paintings were sold. Barnes became so well-known as an artist that one of his paintings was featured in the opening credits of the TV show Good Times, and he was commissioned to create official posters for the Los Angeles 1984 Summer Olympics. From award-winning author and illustrator Don Tate, Pigskins to Paintbrushes is the inspiring story of Ernie Barnes, who defined himself on his own terms and pushed the boundaries of “possible,” from the field to the canvas. The back matter includes Barnes’s photograph and his official Topps trading card. Also included are an author’s note, endnotes, a bibliography, and a list of websites where Barnes’s work can be seen.

In the beginning, potty time meant the great outdoors . . . People have been going potty since, well, since the beginning of people! Ever wonder what humans used before potties or paper? You might be surprised at the clever tools that humans came up with over the centuries. From the great outdoors to ceramic pots, bum brushes and bidets, prepare for an adventure as we explore the interesting and sometimes shocking history of human potty practices! Award-winning children’s author Sophia Gholz and illustrator Xiana Teimoy team up to put a humorous spin on the fun and fascinating facts surrounding the history of toilet paper (and other potty tools) in this delightful book.