With the words "This is London," Edward R. Murrow's groundbreaking radio broadcasts from 1939 to 1941 brought the blitz into America's living rooms. Countering the tide of U.S. isolationism, Murrow told his huge audience that the United States could not avoid a confrontation with Hitler and that the bombs it heard falling during his reports would eventually be targeted at American cities. But although often cited as the paragon of journalistic objectivity, Murrow had a clear agenda--to bring America into the war--and he slanted his broadcasts accordingly. And behind the scenes, he helped the British court U.S. public opinion and secure American funds for a British intelligence operation. Broadcasts from the Blitz examines Murrow's work and life during this crucial time. It also profiles unsung heroes of those days, such as U.S. ambassador John Winant and Winston Churchill's confidant Brendan Bracken, and villains as well--such defeatists as Joseph Kennedy and Charles Lindbergh, who believed England was doomed. Other compelling characters include Eric Sevareid, Mollie Painter-Downs, and Nancy Astor, whose "Cliveden set" was accused of being too cozy with the Germans. They and many others mixed in a London that remained vibrant even as it was being battered. Broadcasts from the Blitz is a story of courage--of a journalist broadcasting live from London rooftops as bombs fell around him--and of intrigue, as the machinery of two governments pulled America and Britain together in a common cause. Finally there is the drama of December 7, 1941, when Murrow was the sole journalist to meet with Roosevelt. Broadcasts from the Blitz is for all those interested in the influential career of an extraordinary man and in the relationship between journalism and politics.

Combining brilliant analysis and an unfailing eye for detail, Edward R. Murrow's This is London is a fascinating portrait of the war from one of the greatest broadcasters of all time.

"Get it, read it, and pass it on." —Bill Moyers "Most Americans living today never heard Ed Murrow in a live broadcast. This book is for them I want them to know that broadcast journalism was established by someone with the highest standards. Tabloid crime stories, so much a part of the lust for ratings by today's news broadcasters, held no interest for Murrow. He did like Hollywood celebrities, but interviewed them for his entertainment programs; they had no place on his news programs. My book is focused on this life in journalism. I offer it in the hope that more people in and out of the news business will get to know Ed Murrow. Perhaps in time the descent from Murrow's principles can be reversed." —Bob Edwards

The Blitz Companion offers a unique overview of a century of aerial warfare, its impact on cities and the people who lived in them. It tells the story of aerial warfare from the earliest bombing raids and in World War 1 through to the London Blitz and Allied bombings of Europe and Japan. These are compared with more recent American air campaigns over Cambodia and Vietnam in the 1960s and 1970s, the NATO bombings during the Balkan Wars of the 1990s, and subsequent bombings in the aftermath of 9/11. Beginning with the premonitions and predictions of air warfare and its terrible consequences, the book focuses on air raids precautions, evacuation and preparations for total war, and resilience, both of citizens and of cities. The legacies of air raids, from reconstruction to commemoration, are also discussed. While a key theme of the book is the futility of many air campaigns, care is taken to situate them in their historical context. The Blitz Companion also includes a guide to documentary and visual resources for students and general readers. Uniquely accessible, comparative and broad in scope this book draws key conclusions about civilian experience in the twentieth century and what these might mean for military engagement and civil reconstruction processes once conflicts have been resolved.

In March 1961 America’s most prominent journalist, Edward R. Murrow, ended a quarter-century career with the Columbia Broadcasting System to join the administration of John F. Kennedy as director of the United States Information Agency (USIA). Charged with promoting a positive image abroad, the agency sponsored overseas research programs, produced documentaries, and operated the Voice of America to spread the country’s influence throughout the world. As director of the USIA, Murrow hired African Americans for top spots in the agency and leveraged his celebrity status at home to challenge all Americans to correct the scourge of domestic racism that discouraged developing countries, viewed as strategic assets, from aligning with the West. Using both overt and covert propaganda programs, Murrow forged a positive public image for Kennedy administration policies in an unsettled era that included the rise of the Berlin Wall, the Cuban Missile Crisis, and support for Vietnam’s Ngo Dinh Diem. Murrow’s Cold War tackles an understudied portion of Murrow’s life, reveals how one of America’s most revered journalists improved the global perception of the United States, and exposes the importance of public diplomacy in the advancement of U.S. foreign policy.