Through close examinations of diaries, diary publication, and diaries in fiction, this book explores how the diary's construction of time and space made it an invaluable and effective vehicle for the dominant discourses of the period; it also explains how the genre evolved into the feminine, emotive, private form we continue to privilege today.

This highly original synthesis is a clear and stimulating assessment of nineteenth-century British women. It aims to provide students with an in-depth understanding of the key historiographical debates and issues, placing particular emphasis upon recent, revisionist research. The book highlights not merely the ideologies and economic circumstances which shaped women's lives, but highlights the sheer diversity of women's own experiences and identities. In so doing, it presents a positive but nuanced interpretation of women's roles within their own families and communities, as well as stressing women's enormous contribution to the making of contemporary British culture and society.

A collection of ordinary diary entries from a cross section of classes and lifestyles showing the essentials of the Victorians' daily reality: their family concerns, medical conditions and education. Included in the book are entries from an actor, a schoolboy, a Countess and an engraver.

Delightful Victorian Diary of 23 year-old Adelaide Pountney, who recorded daily life in a series of magical little cameos.

Using private diary writing as her model, Catherine Delafield investigates the cultural significance of nineteenth-century women's writing and reading practices. Examining historical and fictional diaries by authors such as Frances Burney, Elizabeth Gaskell, Anne Brontë, Wilkie Collins and Bram Stoker, Delafield reveals the ideological discrepancy between the private diary and its performance in the role of narrator, offering fresh insights into domesticity, authorship, and the diary as a feminine form and model for narrative.

This carefully crafted ebook: "The Diary of a Provincial Lady (Unabridged Edition With Original Illustrations)" is formatted for your eReader with a functional and detailed table of contents. When the editor of Time and Tide wanted some light "middles", preferably in serial form, E. M. Delafield promised to think of something to submit'. It was thus, in 1930, that her most popular and enduring work Diary of a Provincial Lady was written. This largely autobiographical novel which took the form of a journal of the life of an upper-middle class Englishwoman living mostly in a Devon village of the 1930s is a humorous account of a house-wife and a mother who juggles her life at home and yet goes on to successfully publish her first book. Excerpt: "November 7th.—Plant the indoor bulbs. Just as I am in the middle of them, Lady Boxe calls. I say, untruthfully, how nice to see her, and beg her to sit down while I just finish the bulbs. Lady B. makes determined attempt to sit down in armchair where I have already placed two bulb-bowls and the bag of charcoal, is headed off just in time, and takes the sofa." (The Diary of a Provincial Lady) E. M. Delafield (1890-1943) was a prolific English author who is best known for her autobiographical works like Zella Sees Herself, The Provincial Lady Series etc. which look at the lives of upper-middle class Englishwomen.