With amazing objects from the Museum collection, this first around-the-world book is a treat for curious little ones.

A gorgeous, large-format gift hardcover featuring city maps from all over the world, from ancient history to the present day. With a stunning neon cover and packed with countless facts for curious readers to return to again and again, this is a perfect gift for children who want to explore history from around the world. Co-authored by award-winning children's authors Tracey Turner and Andrew Donkin in consultation with specialist curators at the British Museum, readers can visit cities from every inhabited continent on Earth, from the walled city of Jericho built over 10,000 years ago, to the modern-day metropolis of Tokyo, the most-densely populated city in the world today. Featuring vibrant, beautifully detailed artwork from Libby VanderPloeg, each carefully researched map takes readers on a city tour at a unique moment in time--from exploring Athens in ancient Greece during the birth of democracy, to walking the beautiful lamplit streets of medieval Benin, deep in the West African rainforest. Readers can even visit China's long-lost capital city of Xianyang--a city for which no original map exists, which was brought to life with support from the British Museum's fantastic team of experts. Cities featured include Jericho, Memphis, Athens, Xianyang, Rome, Constantinople, Baghdad, Jórvík, Benin City, Tenochtitlán, Granada, Beijing, Venice, Delhi, Cuzco, Amsterdam, Sydney, Paris, London, Bangkok, Saint Petersburg, New York City, Berlin, San Francisco, and Tokyo, plus an exploration of Cities of Today and Cities of Tomorrow.

Winner of the Leo Gershoy Award Winner of the Louis Gottschalk Prize A Times Book of the Week When the British Museum opened its doors in 1759, it was the first free national public museum in the world. Collecting the World tells the story of the eccentric collector whose thirst for universal knowledge brought it into being. A man of insatiable curiosity and wide-ranging interests, Hans Sloane assembled a collection of antiquities, oddities, and artifacts from around the British Empire to form the most famous cabinet of curiosities of its time. With few curbs on his passion, he established a network of agents to supply him with objects from China, India, the Caribbean, and beyond. Wampum beads, rare manuscripts, a shoe made of human skin: nothing was off limits. The first biography of Sloane based on his complete writings, Collecting the World portrays one of the Enlightenment's most original luminaries. "A magnificent scholarly coup and an enthralling read... It conveys the excitement of original research as well as the thrill of tracking exotic curiosities to their source." --Sunday Times "Delbourgo's engrossing new biography situates Sloane within the welter of intellectual and political crosscurrents that marked his times." --New York Times Book Review "A superb biography--humane, judicious and as passionately curious as Sloane himself." --Times Literary Supplement "A superb book, enjoyably written, beautifully illustrated, and based on deep knowledge of the sources." --The Telegraph

The British Museum is the oldest publicly funded museum in the world. This volume tells the story of the collections, the buildings that house them, and the people who have administered and curated them since its foundation in 1753.

The Parthenon sculptures in the British Museum are unrivaled examples of classical Greek art, an inspiration to artists and writers since their creation in the fifth century bce. A superb visual introduction to these wonders of antiquity, this book offers a photographic tour of the most famous of the surviving sculptures from ancient Greece, viewed within their cultural and art-historical context. Ian Jenkins offers an account of the history of the Parthenon and its architectural refinements. He introduces the sculptures as architecture--pediments, metopes, Ionic frieze--and provides an overview of their subject matter and possible meaning for the people of ancient Athens. Accompanying photographs focus on the pediment sculptures that filled the triangular gables at each end of the temple; the metopes that crowned the architrave surmounting the outer columns; and the frieze that ran around the four sides of the building, inside the colonnade. Comparative images, showing the sculptures in full and fine detail, bring out particular features of design and help to contrast Greek ideas with those of other cultures. The book further reflects on how, over 2,500 years, the cultural identity of the Parthenon sculptures has changed. In particular, Jenkins expands on the irony of our intimate knowledge and appreciation of the sculptures--a relationship far more intense than that experienced by their ancient, intended spectators--as they have been transformed from architectural ornaments into objects of art.

With amazing objects from the Museum collection, this first colours book is a treat for curious little ones.

Walk into any European museum today and you will see the curated spoils of Empire. They sit behind plate glass: dignified, tastefully lit. Accompanying pieces of card offer a name, date and place of origin. They do not mention that the objects are all stolen. Few artefacts embody this history of rapacious and extractive colonialism better than the Benin Bronzes - a collection of thousands of metal plaques and sculptures depicting the history of the Royal Court of the Obas of Benin City, Nigeria. Pillaged during a British naval attack in 1897, the loot was passed on to Queen Victoria, the British Museum and countless private collections. 0The story of the Benin Bronzes sits at the heart of a heated debate about cultural restitution, repatriation and the decolonisation of museums. In The Brutish Museum, Dan Hicks makes a powerful case for the urgent return of such objects, as part of awider project of addressing the outstanding debt of colonialism.