Brooke de Ocampo invites us back into the homes of Bright Young Things, only this time she opens the doors to London's most stylish and enterprising trend-setters. Bright Young Things London is the highly anticipated follow-up to the successful New York edition. This lush, elegant book is an enthralling journey through the homes of the most envied and emulated residents of one of the world's most exciting cities. Step inside the fabulous lives of 40 architects, artists, designers, and writers to discover why they embody everything London is known for: wit, cutting-edge style, and glamour. Along with elegant photographs by Vanity Fair photographer Jonathan Becker are intimate anecdotes written by the people who know these bright young things best: Claus von Bulow writes about his daughter Cosima; Ewan and Eve MacGregor rave about the home David Adjaye designed for them; Michael Kors fawns over his muse, Kim Hersov; and Paul Smith writes about Robert Violette. Bright Young Things London captures the spirit of the city while paying tribute to its international influences. It is just as addictive in London as it was in New York.

The stylish and extravagant world of the "Bright Young Things" of 1920s and '30s London, seen through the eye of renowned British photographer Cecil Beaton In 1920s and '30s Britain, Cecil Beaton used his camera and his larger-than-life personality to mingle with that flamboyant and rebellious group of artists, writers, socialites and partygoers who became known as the "Bright Young Things." Famously fictionalized by the likes of Evelyn Waugh (in Vile Bodies), Anthony Powell and Henry Green, these men and women cut a dramatic swathe through the epoch and embodied its roaring spirit. In a series of themed chapters, covering Beaton's first self-portraits and earliest sitters to his time at Cambridge and as principle society photographer for Vogue and Vanity Fair, over 50 leading figures who sat for Beaton are profiled and the dazzling parties, pageants and balls of the period are brought to life. Among this glittering cast are Beaton's socialite sisters Baba and Nancy Beaton, Stephen Tennant, Siegfried Sassoon, Evelyn Waugh and Daphne du Maurier. Beaton's photographs are complemented by a wide range of letters, drawings, book jackets and ephemera, and contextualised by artworks created by those in his circle, including Christopher Wood, Rex Whistler and Henry Lamb. Cecil Beaton (1904-80) is one of the most celebrated British portrait photographers of the 20th century and is renowned for his images of elegance, glamour and style. Beaton quickly developed a reputation for his striking and fantastic photographs, which culminated in his portraits of Queen Elizabeth in 1939. Also well known as a diarist, Beaton became a society fixture in his own right. His influence on portrait photography was profound and lives on today in the work of many contemporary photographers.

Bright Young Things wanted for Big Project.' They're in the prime of their lives but our bright young things are all burnt out. Six sparky twenty-somethings just out of university and working dead-end jobs, they are all bored to tears with their lives and looking for a way out. When a mysterious job is advertised in the newspaper, they all apply. What they least expect is to find themselves prisoners on a deserted island. There's food in the fridge and they have a bedroom each, but there's no telephone, no television, and no way to escape.

In early 1930s England, a young firebrand finds herself on a fraught and dangerous road to independence. In 1931 England, Astra Davies defies all the conventions. Clever, witty, and determined, Astra smokes, drinks, plays a mean piano, and gallivants around London with her beloved Cavalier King Charles Spaniel. But Astra finds herself in a tight spot when her parents die suddenly, leaving her with a raft of debts. With few marketable skills and a closet full of family secrets, Astra has two choices: find a rich husband or make her own way. A fiercely driven woman like Astra is not about to cast her lot in with a man, especially out of desperation. And since the only man she fancies--Jeremy Harris, the Earl of Dunreaven--is as hard up as she is, her way forward is clear. But the path to independence is a bumpy one fraught with hazards and heartbreaking choices. A blackmailing socialite threatens to derail Astra's reputation. A brainless business partner just might drive her even further into debt. And a series of bruising scandals dogs her every step of the way. From the bustle of London to the country estates of the aristocracy, Astra embarks on a journey that tests her brains, wit, and mettle as never before. But one way or another, Astra Davies is dead set on proving she's no ordinary Bright Young Thing.

Vile Bodies is a 1930 novel satirising the bright young things: decadent young London society after World War I. The title appears in a comment made by the novel’s narrator in reference to the characters’ party-driven lifestyle: “All that succession and repetition of massed humanity... Those vile bodies...”

An illustrated lifestyle guide to the fashion, parties and notorious personalities of the 1920s celebrates everything from jazz and all-night dance halls to Prohibition cocktails and flappers, in a volume complemented by art deco illustrations and a foil-stamped case. By the author of the best-selling Strictly Come Dancing Annual 2008. 15,000 first printing.

"True and glorious indulgence. A dazzling example of a golden age mystery." —Daisy Goodwin, author of Victoria and The American Heiress on The Mitford Murders Set amid the legendary Mitford household, Bright Young Dead is the second in the thrilling, Golden Age-style Mitford Murders series by Jessica Fellowes, author of the New York Times bestselling Downton Abbey books. Meet the Bright Young Things, the rabble-rousing hedonists of the 1920s whose treasure hunts were a media obsession. One such game takes place at the 18th birthday party of Pamela Mitford, but ends in tragedy as cruel, charismatic Adrian Curtis is pushed to his death from the church neighbouring the Mitford home. The police quickly identify the killer as a maid, Dulcie. But Louisa Cannon, chaperone to the Mitford girls and a former criminal herself, believes Dulcie to be innocent, and sets out to clear the girl's name . . . all while the real killer may only be steps away.