The wildly inventive debut collection of stories by the Oscar-nominated star of The Social Network. “Hilarious . . . It’s a hoot” (People, The Best New Books). Jesse Eisenberg, known for his iconic film roles, his regular pieces in the New Yorker and two critically acclaimed plays, proves himself “a deeply original comic voice” in these 28 stories” about the funniness, sadness, and strangeness of everyday life and they really made me laugh” (Roz Chast). Moving from contemporary LA to the dorm rooms of an American college to ancient Pompeii, Eisenberg throws the reader into a universe of social misfits, reimagined scenes from history, and ridiculous overreactions; a college freshman forced to live with a roommate is stunned when one of her ramen packets goes missing (“She didn’t have ‘one’ of my ramens. She had a chicken ramen.”); Alexander Graham Bell has teething problems with his invention (“I’ve been calling Mabel all day, she doesn’t pick up! Yes, of course I dialed the right number—2!”); and in the title story, a precocious and privileged nine-year-old boy finds himself in the uncomfortable position as an amateur restaurant critic. Featuring illustrations by award-winning cartoonist Jean Jillian, this “alphabet soup of sketches, riffs, and innovations” (Seattle Times) explores the various insanities of the modern world, “playfully bringing both familiar and wholly original scenarios to life” (Marie Claire). A Fall Books Preview Selection by Audible One of the Wall Street Journal’s 15 Books to Read This Fall One of USA Today’s Weekend Picks for Book Lovers One of People Magazine’s Best New Books

A powerful play about wealth, narcissism, and entitlement: “Eisenberg writes funny, but he is also a real storyteller—moody and dangerous and even loving.”—Newsday Nobody likes Ben. Ben doesn’t even like Ben. He’s been kicked out of grad school, lives off his parents’ money, and bullies everyone in his life, including his roommate, an earnest Nepalese immigrant. When Ben discovers that his grade school crush is marrying a straitlaced banker, he sets out to destroy their relationship and win her back. The Spoils is a deeply personal and probing comedy written by Jesse Eisenberg—Academy Award-nominated actor, playwright, and contributor to the New Yorker. “While Ben would surely say The Spoils is all about Ben, Mr. Eisenberg has seen fit to surround his leading narcissist with characters who live and breathe and react independently...His clever, frantic dialogue assumes an irresistible authenticity.”—Ben Brantley, The New York Times (NYT Critics’ Pick)

THE STORY: David arrives in Poland with a crippling case of writer’s block and a desire to be left alone. His seventy-five-year-old second cousin Maria welcomes him with a fervent need to connect with her distant American family. As their tenuous relationship develops, she reveals details about her complicated post-war past that test their ideas of what it means to be a family.

This fresh, smart novel in the guise of a celebrity memoir probes the inner life of a mega-famous pop star Honestly, what amazes me the most with a lot of the people I meet is that they think they’re so big. They think, ultimately, that the universe revolves around them. And I’m beginning to think that it’s only when you live a life like mine—it’s only when you’re in a position where you don’t even really own yourself, when you can’t even really say that you’re a citizen of any particular country—that you realize that we’re all just tiny pieces of cosmic dust floating through the void until we disappear forever and we’re never heard from again. So begins the life story of our uber famous twenty-two year old narrator. A teen idol since he was twelve, when a video of him singing went viral, his star has only risen since. Now, haunted by the suicide of his manager-father, unsettled by the very different paths he and his teenage love (and girl pop-star counterpart) “Mandy” have taken, and increasingly aware that he has signed on to something he has little control over, he begins to parse the divide that separates him from the “normal people” of the world. Sneakily philosophical, earnest and funny, Justin Kuritzkes's Famous People is a rollicking, unforgettable look at the clash between fame and the human condition.

THE STORY: Edgar and Vinny are not racist. In fact, Edgar maintains a blog condemning American imperialism, and Vinny is three-quarters into a Ph.D. in Black Studies. When a young Filipina woman named Asuncion becomes their new roommate, the boys h

A suburban woman with a love for community theater attempts to play matchmaker in this play by the Academy Award–nominated actor. Lorraine is a saint of the suburbs. On top of trying to save her dying mother, miserable husband and estranged daughter, she’s starring as Bloody Mary in the Jewish Community Center production of South Pacific. When her mother’s home aide, Serbian immigrant Ljuba, asks for help finding a husband, Lorraine takes on her most challenging role to date: matchmaker. In Jesse Eisenberg’s hysterical and devastating play, Happy Talk, he reveals the absurd lengths people go to save themselves in the name of saving others.

In this provocative essay collection, the author “leans into her roles as both victim and predator [with] prose that’s casual and cool and often funny” (The New York Times). In six wide-ranging essays, Kathleen Hale traces some of the most treacherous fault lines in modern America—from sexual assault to Internet trolling, from environmental illness to our own animal nature. From hunting wild hogs in Florida to a standoff with an anonymous blogger, Hale takes no prisoners and fears no subject. “First I Got Pregnant. Then I Decided to Kill the Mountain Lion” recounts the month Hale spent tracking a wild cat in the Hollywood Hills while pregnant. “Prey” tells the troubling story of her sexual assault as a freshman in college. Through these and other essays, Hale wields razor-sharp wit, deep empathy, and daring honesty, even in detailing some of the most difficult moments of her life.