*SHORTLISTED FOR THE 2020 AN POST IRISH BOOK AWARDS - CHILDREN'S BOOK OF THE YEAR* 'A lovely lesson in humanity for eager young humans' - Chris O'Dowd. 'This book made me feel proud to be different' - Rosie Jones. Break the Mould with Sinéad Burke - teacher, activist, author and little person. Sometimes we can feel like we are not good enough. That we don't belong. Or that we want to be more like our friends. In this empowering guide, Sinéad Burke draws on her own experiences and encourages young readers to believe in themselves, have pride in who they are and use their voice to make the world a fairer, more inclusive place. From the power of being different, to celebrating the things you love about yourself and helping others do the same, this is a brilliantly inspirational handbook for breaking the mould and finding your place in the world. 'A very important book encouraging us all to celebrate the uniqueness and gift of our own and others' differences, while recognising all of that which we share in common.' - Michael D. Higgins, President of Ireland

The international ceramics scene is enjoying the highest profile it has had for many years. Breaking the Mould looks at ceramic artists working within this versatile medium. Drawing on the rich history of pottery these artists are pushing the techniques, objectives and perceptions of the medium into new, exciting territory. The book profiles the work of over 70 ceramicists, including Suzanne King, Simon Fell, Grayson Perry, Barnaby Barford, Carina Ciscato and Amy Houghton. Their work ranges from interpretations of utilitarian pots, to abstract sculpture and a revisioning of kitch porcelain ornaments, all of which are brought to life in beautiful colour reproductions. Essays by prolific makers and academics look at the history and inspirations behind the medium today. Following in the footsteps of New Directions in Jewellery, Fashioning Fabrics and The Cutting Edge of Wallpaper, Breaking the Mould is a definitive overview of a craft scene that is simultaneously building upon and breaking with its roots, and in doing so creating a brave new future for itself.

Traditional Chinese edition of Break The Mold: 5 Tools to Conquer Mold and Take Back Your Health

In the new Vintage Kitchen Mystery from the author of No Grater Danger, when the town’s resident Scrooge is found dead, Jaymie says Bah humbug! to murder . . . “I have loved this series from the first book . . . it’s like returning to a favorite nook for a cup of tea. It will delight, entice, and drive a reader to want to solve the murder.” —Goodreads on No Grater Danger Now that Thanksgiving’s behind her, vintage cookware enthusiast Jaymie Leighton Müller is excitedly making plans for the upcoming Dickens Days festival—the town’s month-long celebration leading up to Christmas. With a hot cider booth on the village green to warm the hearts and bodies of the townsfolk and a diorama featuring a scene from A Christmas Carol, things are shaping up for a festive season—until the town’s local Scrooge is found murdered, a vintage pudding mould covering his cracked skull. Nearly everyone had a reason to dislike Evan Nezer—either for his bullying ways or his obnoxious arrogance—but with his body being found in Jaymie’s diorama, she’ll have to figure out who hated him enough to see him dead. With many suspects and even more secrets coming to the surface as she investigates, Jaymie feels buried by a blizzard of clues. But with Dickens Days on hold until the police can nab the killer, she’s determined to catch the culprit so the ghost of Evan Nezer doesn’t cast a pall over the whole Christmas season. Includes a vintage recipe! Praise for the Vintage Kitchen Mysteries: “All the right ingredients . . . Small-town setting, kitchen antiques . . . and a bowlful of mystery. A perfect recipe.” —New York Times bestselling author Susan Wittig Albert “[A] charming new series.” —New York Times bestselling author Sheila Connolly “A chilling whodunit.” —Richmond Times-Dispatch “Well-plotted with several unexpected twists and more developed characters.” —The Mystery Reader “Jaymie is a great character . . . She is inquisitive and full of surprises!” —Debbie’s Book Bag

The first contemporary survey of postwar British women sculptors from modernism to the YBA's This publication focuses on postwar British women sculptors, including Tracey Emin, Mona Hatoum, Barbara Hepworth, Kim Lim, Sarah Lucas, Cornelia Parker and Rachel Whiteread.

‘You really are a breath of fresh air.’ If Rev. Jules Middleton had a penny for every time she’d heard that, she’d be able to hire someone else to put on her kids’ birthday parties! Even as a compliment its message is clear: you’re different to what we expect. Jules is one of hundreds of mums in ministry across the Church today, and yet against a predominantly white, middle-class, male-dominated history, they can still be something of an anomaly. Bringing together stories from all different walks of life - Pentecostal to Methodist, single mums to adopters, RAF chaplains to disability advisors and everything in-between – Jules maps the highs and lows ministry mums may face as they seek to ‘break the mould’ and challenge the ‘shoulds’ and stereotypes that surround both roles. From identity and expectations to prayer and prosecco, this book will inform, entertain and ultimately encourage women that though you may not be able to ‘do it all’ perfectly, by God’s grace (and the help of some good friends and gin!) you can learn to thrive as a ministry mum.

The human resource is the most vital ingredient in any organisation. Yet, the involvement of the workforce is often overlooked and they are denied the necessary support, encouragement and respect which are essential to improve their performance levels and in turn, the productivity that concerns management. "Breaking the Mould" is a Collection of stories that relate to different situations in the workplace from the South American jungle to the northern North Sea where certain changes in attitudes and relationships had broken the mould. It is all about the empowerment of people-giving them the power to change their world and treating them as a valuable asset. This book highlights the performance improvements which occur when people take ownership and how one can easily create such conditions in any work situation, be it on the shop floor or in the office. Its anecdotal style and lack of jargon will appeal to a wide audience, not only to management institutions and educational establishments, but also to the common man who has been shouted at and always told what to do.