Originally constructed in the 18th century as a military barracks by Austrian Emperor Joseph II, Theresienstadt (now Terezin) was used as a ghetto and concentration camp by the Nazis early in World War II in their ruse of peaceful resettlement of the Jews of Europe. Tens of thousands of inmates perished at the camp and many more were sent from there to die at Auschwitz and Treblinka. Presented in a two-fold format, this book features the poignant stories of individuals who were transported to Theresienstadt, as related by Holocaust survivor Vera Schiff, whose entire family was sent to the camp in 1942. Following each narrative, Schiff engages in a wide-ranging discussion with ethics professor Jeff McLaughlin regarding the events of the story, within the broader political, religious and cultural context of what is now the Czech Republic.

In 1942 German merchant Philipp Manes and his wife were ordered by the Nazis to leave their middle class neighborhood and go live in Theresienstadt, the only so-called "showpiece" ghetto of the Third Reich. This model ghetto was set up by the Nazis as a front to show the world that the Jews were being treated humanely. The ghetto was run by a council of Jewish elders, and organized like an idyllic socialist utopia with theatre groups and debating societies. All the while, this was just a holding post for Jews being shipped to forced labor and certain death at Auschwitz. Philipp Manes' intimate diary is filled with fascinating details of everyday life in the ghetto. Manes' voice brings us a step closer to understanding a little-known aspect of one of the most painful periods in the history of mankind.

Between ten thousand and twelve thousand Jews tried to escape Nazi genocide by going into hiding. With the help of Jewish and non-Jewish relatives, friends, or people completely unknown to them, these "U-boats," as they came to be known, dared to lead a life underground. Flight and Concealment brings to light their hidden stories. Deftly weaving together personal accounts with a broader comparative look at the experiences of Jews throughout Germany, historian Susanna Schrafstetter tells the story of the Jews in Munich and Upper Bavaria who fled deportation by going underground. Archival sources and interviews with survivors and with the Germans who aided or exploited them reveal a complex, often intimate story of hope, greed, and sometimes betrayal. Flight and Concealment shows the options and strategies for survival of those in hiding and their helpers, and discusses the ways in which some Germans enriched themselves at the expense of the refugees.

Adolf Hitler had a way with deception to the point of fooling even representatives of the Red Cross. He corralled the Jewish intelligentsia from all over Europe and gathered them in Theresienstadt where he had them write and perform plays, compose music and offer it in extraordinary concerts, and even paint and exhibit their art in their own galleries -- in front of bedazzled inspectors who never checked the railway carriages parked behind the camp.

'Memoirs such as this will ensure we do not lose the struggle against "forgetting" - that sly accomplice of tyranny' Magda Szubanski In 1939, as Hitler's troops march on Prague, a Jewish couple makes a heartbreaking decision that will save their eight-year-old son's life but change their family forever. Australian journalist Juliet Rieden grew up in England in the 1960s and 70s always sensing that her family was different in some way. She longed to have relatives and knew precious little about her Czech father's childhood as a refugee. On the night before Juliet's father died, in 2006, Juliet's father suddenly looked up and said: 'The plane is in the hangar.' In the years after his death, Juliet comes to truly understand the significance of these words. On a trip to Prague she is shocked to see the Rieden name written many times over on the walls of the Pinkas Synagogue memorial. These names become the catalyst for a life-changing journey that uncovers a personal Holocaust tragedy of epic proportions. Juliet traces the grim fate of her father's cousins, aunts and uncles on visits to Auschwitz and Theresienstadt concentration camps and learns about the extremes of cruelty, courage and kindness. Then in a locked box in Britain's National Archives, she discovers a stash of documents including letters from her father that reveal intimate details of his struggle. Meticulously researched and beautifully told, this is the moving story of a woman's quest to piece together the hidden parts of her father's life and the unimaginable losses he was determined to protect his children from. PRAISE FOR THE WRITING ON THE WALL 'Rieden sets out to chart her story with a journalist's rigour: facts, timelines, archival material. She does it brilliantly. But it is the small, powerful resonant moments within a harrowing arc that bring her story alive.' The Australian

When reality becomes fantastic, what literary effects will render it credible or comprehensible? To respond meaningfully to the surreality of the Holocaust, writers must produce works of moral and emotional complexity. One way they have achieved this is through elements of fantasy. Covering a range of theoretical perspectives, this collection of essays explores the use of fantastic story-telling in Holocaust literature and film. Writers such as Jane Yolen and Art Spiegelman are discussed, as well as the sci-fi television series V (1983), Stephen King's novella Apt Pupil (1982), Guillermo del Toro's Pan's Labyrinth (2006) and Martin Scorsese's dark thriller Shutter Island (2010).

This book re-examines one of the most intense controversies of the Holocaust: the role of Rezs Kasztner in facilitating the murder of most of Nazi-occupied Hungary's Jews in 1944. Because he was acting head of the Jewish rescue operation in Hungary, some have hailed him as a saviour. Others have charged that he collaborated with the Nazis in the deportations to Auschwitz. What is indisputable is that Adolf Eichmann agreed to spare a special group of 1,684 Jews, who included some of Kasztner's relatives and friends, while nearly 500,000 Hungarian Jews were sent to their deaths. Why were so many lives lost?After World War II, many Holocaust survivors condemned Kasztner for complicity in the deportation of Hungarian Jews. It was alleged that, as a condition of saving a small number of Jewish leaders and select others, he deceived ordinary Jews into boarding the trains to Auschwitz. The ultimate question is whether Kastztner was a Nazi collaborator, as branded by Ben Hecht in his 1961 book Perfidy, or a hero, as Anna Porter argued in her 2009 book Kasztner's Train. Opinion remains divided.Paul Bogdanor makes an original, compelling case that Kasztner helped the Nazis keep order in Hungary's ghettos before the Jews were sent to Auschwitz, and sent Nazi disinformation to his Jewish contacts in the free world. Drawing on unpublished documents, and making extensive use of the transcripts of the Kasztner and Eichmann trials in Israel, Kasztner's Crime is a chilling account of one man's descent into evil during the genocide of his own people.