The botanical papers in this book are an excellent collection of vintage endpapers form the 18th and 19th century. They are scanned reproductions and useful to make your own cards, embellish your journals or decorate any paper craft projects. The pages are easy to cut out from the book and can be used in any of your crafts. Features: 20 sheets (8.5x11) - 2 of each design double sided botanical pattern paper 100 gsm paper

The papers in this book are an excellent collection of vintage endpapers form the 18th and 19th century. They are scanned reproductions and useful to make your own cards, embellish your journals or decorate any paper craft projects. The pages are easy to cut out from the book and can be used in any of your crafts. Features: 20 sheets (8.5x11) - 2 of each design double sided vintage endpapers 100 gsm paper

More than 970 rare books, dating from 1479 to 1830 and covering such categories as gardening, herbals, botanical books and landscape architecture are catalogued in this bibliography.

Rosemary is for remembrance; sage is for wisdom. The symbolism of plants Ñ whether in the ancient Greek doctrine of signatures or the Victorian secret language of flowers Ñ has fascinated us for centuries. Contemporary herbalist Maia Toll adds her distinctive spin to this tradition with profiles of the mysterious personalities of 36 herbs, fruits, and flowers. Combining a passion for plants with imagery reminiscent of tarot, enticing text offers reflections and rituals to tap into each plantÕs power for healing, self-reflection, and everyday guidance. Smaller versions of the illustrations are featured on 36 cards to help guide your thoughts and meditations.

Botany for Artists is an accessible introduction to the world of plant science. It is aimed at anyone who is interested in plants and flowers, especially those who wish to draw or paint them without sacrificing technical accuracy to aesthetic quality.

This is the latest volume in a major series that describes selections of the rare books, manuscripts, and other works of art held at Oak Spring Garden Library, a collection formed by Rachel Lambert Mellon. The 111 items chosen for this volume on floral illustration since the later Middle Ages include Books of Hours, still-life and vanitas paintings, botanical prints, and books of instruction of every kind, from planting a garden to making flowers using colored papers or wax. Lucia Tongiorgi Tomasi groups the works into chapters on such topics as florilegia, women artists, tulipomania, Dutch and Flemish painting, and exotic flowers from distant lands, providing an introduction to each chapter that gives the contextual background necessary for a real understanding and appreciation of floral illustration past and present. The sheer beauty as well as extraordinary skills encountered, for example, in manuscript florilegia by Jacob Marrel and Maria Sibylla Merian, in hand-colored books by Jacques Le Moyne de Morgues and G.B. Ferrari, and in flower studies painted by John Constable, Margaret Mee, and others, are testament to the high status accorded floral illustration over the centuries. This handsome, richly illustrated volume will attract all those with an interest in rare books and the history of art as well as horticulturalists, botanists, and garden historians.