It’s a new school year at Dahlia Academy, and prefect selection season is now in full swing. Inuzuka and Persia are more determined than ever to become prefects and change the school rules, but they still have many walls they’ll have to climb first! Not only do they need to gain the confidence of the entire student body, they’ll also be up against some powerful rivals, both old and new… The time has come for them to battle the entire school—for love!!!

The Romeo and Juliet high school rom-com that inspired the upcoming anime! Rival dorms on an extravagant island campus fight a schoolyard war, but can two star-crossed lovers keep their budding relationship a secret? Princess of Cats The star-crossed lovers Romio Inuzuka and Juliet Persia have so far managed to keep their relationship a secret. But when Inuzuka's devoted childhood friend accidentally reveals a secret of her own, Inuzuka wonders if he should do the same. Meanwhile, the rivalry between White Cats and Black Doggies continues as the annual sports festival gets underway. The feisty adversaries battle for the title of MVP and a chance to dance with anyone of their choosing--and a few wild cats are pouncing for the lovely Persia! Will the one to claw their way to the top be feline... or canine?

Romio Inuzuka and Juliet Persia are boyfriend and girlfriend attending the same boarding school, but because their respective nations fight like cats and dogs, the persevering pair has gone to comedic lengths to keep their relationship status a secret from anyone and everyone, including their own best friends. When Inuzuka’s oldest buddy Hasuki suspects that he’s hiding something, Inuzuka is torn between keeping up the lousy lies, or fessing up and jeopardizing his already rocky relationship. Can Inuzuka and Persia’s star-crossed connection survive this latest crisis? Actually, if he spills the beans, can Inuzuka himself survive??

This book explores an important moment in Italian women’s theatre and cultural history: plays written for all-women casts between 1946 and the mid-1960s, authored for the most part by women and performed exclusively by women. Because they featured only female roles, they concentrated on aspects of specifically women’s experience, be it their spirituality, their future lives as wives and mothers, their present lives as workers or students, or their relationships with friends, sisters and mothers. Most often performed in a Catholic environment, they were meant to both entertain and educate, reflecting the specific issues that both performers and spectators had to confront in the years between the end of the war and the beginning of the economic miracle. Drawing on material never before researched, Educational Theatre for Women in Post-World War II Italy: A Stage of Their Own recovers the life and works of forgotten women playwrights while also discussing the role models that educational theatre offered to the young Italian women coming of age in the post-war years.

This is the first comprehensive, daily compendium of more than 18,000 performances that took place in Dublin's theatres, music halls, pleasure gardens, and circus amphitheatres between Thomas Sheridan's becoming the manager at Smock Alley Theatre in 1745 and the dissolution of the Crow Street Theatre in 1820.