"Can preaching recover a Blues sensibility and dare speak with authority in the midst of tragedy? America is living stormy Monday, but the pulpit is preaching happy Sunday. The world is experiencing the Blues, and pulpiteers are dispensing excessive doses of non-prescribed prosaic sermons with severe ecclesiastical and theological side effects." â€"from chapter 1 Uniquely gifted preacher Otis Moss III helps preachers effectively communicate hope in a desperate and difficult world in this new work based on his 2014 Yale Lyman Beecher Lectures. Moss challenges preachers to preach with a "Blue Note sensibility," which speaks directly to the tragedies faced by their congregants without falling into despair. He then offers four powerful sermons that illustrate his Blue Note preaching style. In them, Moss beautifully and passionately brings to life biblical characters that speak to today's pressing issues, including race discrimination and police brutality, while maintaining a strong message of hope. Moss shows how preachers can teach their congregations to resist letting the darkness find its way into them and, instead, learn to dance in the dark.

“No other publication in the twentieth century has upended antiquated theological notions, truncated political ideas, and socially constructed racial fallacies like Jesus and the Disinherited. Thurman’s work keeps showing up on the desk of anti-apartheid activists, South American human rights workers, civil rights champions, and now Black Lives Matter advocates.” –Rev. Otis Moss III, author of Blue Note Preaching in a Post-Soul World and senior pastor at Trinity United Church of Christ A commemorative edition of the work that inspired Martin Luther King Jr. and helped shape the civil rights movement In this beautiful gift edition of the classic theological treatise, complete with a place-marker ribbon and silver gilded edges, celebrated theologian and religious leader Howard Thurman (1899–1981) revolutionizes the way we read the gospel. Thurman lifts Jesus up as a partner in the pain of the oppressed and reveals the gospel as a manual of resistance for the poor and disenfranchised. In this view, the example of Jesus’s life shows us that hatred does not empower—it decays. Only by recognizing fear, deception, contempt, and love of one another can God’s justice prevail. With a new foreword by acclaimed womanist theologian Kelly Brown Douglas, this edition of Jesus and the Disinherited is a timeless testimony of faith that demonstrates how to thrive and flourish in a world that attempts to destroy one’s humanity from the inside out. Having witnessed firsthand the depths of white supremacy and the heights of human civility, Thurman reiterates the inherent dignity of all of God’s children.

A bright new resource for working preachers. Packed with preaching wisdom from twenty-seven outstanding American preachers from various religious and ethnic backgrounds.

Every Sunday, Otis Moss III and his preaching attract over 5,000 people to Chicago's Trinity United Church of Christ. Moss describes himself as, "a jazz-influenced pastor with a hip-hop vibe committed to the Gospel of Jesus Christ rooted in love and justice." He admits he can talk endlessly about theology, popular culture, and movies, and has even based some of his best sermons, collected in this book, on these powerful films: The Wiz, 12 Years a Slave, The Butler, The Book of Eli, The Color Purple, Avatar, Flight, and For Colored Girls. Discussion questions are included, making it ideal for individuals or groups, movie nights and book clubs.

In Rhetoric of the Protestant Sermon in America: Pulpit Discourse at the Turn of the Millennium, ten scholars analyze notable sermons from the fifty-year span between 1965 and 2015, during which the Protestant sermon has undergone significant change in the United States. Contributors examine how this turbulent time period witnessed a variety of important shifts in the arguments, evidences, and rhetorical strategies employed by contemporary preachers. Because religious practice is inextricably tangled in the culture, politics, and economy of its historical situation, the public expression of a faith is certain to move with the times. In their treatment of race, sex, gender, class, and citizenship, sermons apply ancient texts to current events and controversies, often to revealing effect. This collection, thoughtfully edited by Eric C. Miller and Jonathan J. Edwards, demonstrates how the genre of the Protestant sermon has evolved—or resisted evolution—across the years. Scholars of religion, rhetoric, communication, sociology, and cultural studies will find this book particularly useful.

Both experienced and novice preachers need a new approach for sermon development skill-building. A Sermon Workbook offers a unique and flexible resource that is instantly accessible and useful for anyone tasked with the proclamation of the Word. The workbook format can be used in a linear fashion, beginning to end. Or readers can pick and choose the chapters to tailor-fit their own needs. In either case, readers build skill upon skill, working through inventive and engaging exercises first developed and taught at Yale Divinity School. The book addresses the skills and arts that are essential for effective preaching in our multi-tasking, multi-ethnic, sound-bite society. It offers theological clarity about why we preach, and what matters most. The creative, collaborative, and charming authors present the principles as they do in their classroom: in two voices—one male and one female--with the two complementing and supporting one another.

This volume, which launches the Engaging Worship series from Fuller Theological Seminary's Brehm Center for Worship, Theology, and the Arts, offers a unique study of sermon delivery. While many books offer advice on how to prepare, write, and preach a sermon, this volume is distinctive in approaching the subject from the perspective of performance. The authors, who teach at a variety of seminaries and divinity schools across the nation, examine how the sermon can bring God's word to life for the congregation. In that sense, they consider the idea of performance from a wide range of theological, artistic, and musical viewpoints. These thoughtful essays will engage clergy and students with new ways of looking at the art of preaching.