Books can be a dangerous business . . . When Blue Moon Books, the Bay Area bookstore where Angel Robinson has worked since college, is squeezed out of business, Angel is forced to find a new job. She lucks into a position as the assistant to the world-renowned literary agent Lucy Fiamma. Angel soon learns that working for Lucy is no picnic. The agent has a blockbuster ego to match her blockbuster success and Angel must juggle both her boss’s prima donna demands and the strange quirks of her authors. But Angel soon becomes indispensible to the agency and develops a keen understanding of big projects and the writers who create them. What she doesn’t realize is just how far one of them will go to get published. One day, a chapter from a mysterious manuscript by an anonymous author arrives at the office. Set in a New York literary agency, the novel, titled Blind Submission, centers on the ambitious assistant to a successful literary agent. Angel is pulled in by the plot—but her initial curiosity soon turns to panic. As the story unfolds—with chapters e-mailed in one by one—it becomes clear that the mystery author is writing the story of Angel’s own life, including secrets she thought were deeply hidden. Someone is watching her, even plotting against her. Could it be her backstabbing coworker, her jealous boyfriend, or her seductive new client? When the novel’s plot turns to murder, Angel knows that if she doesn’t discover the author’s identity before the final chapter is written, more than just her career will be cut short.

Intrigue, revenge and true love - a sharp, witty and hugely entertaining novel set in a high-powered literary agency.

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PREVIOUS YEAR PAPER 2019 SOLVED

A philosophical exploration of female submission, using insights from feminist thinkers—especially Simone de Beauvoir—to reveal the complexities of women’s reality and lived experience What role do women play in the perpetuation of patriarchy? On the one hand, popular media urges women to be independent, outspoken, and career-minded. Yet, this same media glorifies a specific, sometimes voluntary, female submissiveness as a source of satisfaction. In philosophy, even less has been said on why women submit to men and the discussion has been equally contradictory—submission has traditionally been considered a vice or pathology, but female submission has been valorized as innate to women’s nature. Is there a way to explore female submission in all of its complexity—not denying its appeal in certain instances, and not buying into an antifeminist, sexist, or misogynistic perspective? We Are Not Born Submissive offers the first in-depth philosophical exploration of female submission, focusing on the thinking of Simone de Beauvoir, and more recent work in feminist philosophy, epistemology, and political theory. Manon Garcia argues that to comprehend female submission, we must invert how we examine power and see it from the woman’s point of view. Historically, philosophers, psychoanalysts, and even some radical feminists have conflated femininity and submission. Garcia demonstrates that only through the lens of women’s lived experiences—their economic, social, and political situations—and how women adapt their preferences to maintain their own well-being, can we understand the ways in which gender hierarchies in society shape women’s experiences. Ultimately, she asserts that women do not actively choose submission. Rather, they consent to—and sometimes take pleasure in—what is prescribed to them through social norms within a patriarchy. Moving beyond the simplistic binary of natural destiny or moral vice, We Are Not Born Submissive takes a sophisticated look at how female submissiveness can be explained.