Originally published: Gold Medal Books, New York, 1953.

The first novel of the Black Wings urban fantasy series, by Christina Henry, author of Alice and Lost Boy. As an Agent of Death, Madeline Black is responsible for escorting the souls of the dearly departed to the afterlife. It’s a 24/7 job with a lousy benefits package. Maddy’s position may come with magical abilities and an impressive wingspan, but it doesn’t pay the bills. And then, there are her infuriating boss, tenant woes, and a cranky, popcorn-loving gargoyle to contend with. Things starts looking up, though, when tall, dark, and handsome Gabriel Angeloscuro agrees to rent the empty apartment in Maddy’s building. It’s probably just a coincidence that as soon as he moves in, demons appear on the front lawn. But when an unholy monster is unleashed upon the streets of Chicago, Maddy discovers powers she never knew she possessed. Powers linked to a family legacy of tarnished halos. Powers that place her directly between the light of Heaven, and the fires of Hell…

With fierce candor and an unflinching eye, the highly praised author of Push journeys through the harsh realities of African American existence to find the "door to the possibility of now." The heroes that emerge from these forty-seven vigorous poems confront the agony of betrayal as they strive in their quest for self-transformation and redemption. From the city streets to the rich landscape of dreams, each of these poems holds out the "black wings of expectation" offering the chance to emerge from the pain of the past and arrive at "the day you have been waiting for/when you would finally begin to live." At turns alarming and inspiring, the raw lyrics and piercing wisdom of Black Wings & Blind Angels remind us of Sapphire's place as a unique and fearless voice.

Something is wrong with the souls of Chicago's dead. Ghosts are walking the streets, and Agent of Death Madeline Black's exasperating boss wants her to figure out why. And while work is bad enough, Maddy has a plethora of personal problems too. Now that Gabriel has been assigned as her thrall, their relationship has hit an impasse. At least her sleazy ex-fiance Nathaniel is out of the picture--or so she thinks...

The Poetry and Music of Joaquín Sabina: An Angel with Black Wings is a thoroughly researched exploration of the life, music, and song lyrics of the celebrated Spanish singer-songwriter Joaquín Sabina. Often called "the Spanish Dylan," Sabina has established his own highly poetic space over the course of his forty-plus years as a recording artist. Using selected song lyrics from his fifteen studio and three major live albums, Daniel J. Nappo analyzes Sabina's use of antithesis, simile, metaphor, synesthesia, rhyme, and other rhetorical and poetic devices. Nappo also devotes a chapter to Sabina's ability as a narrator and concludes the book with a comparison of Sabina's best work with that of the American singer-songwriter and Nobel laureate, Bob Dylan.

USA Today Best-Selling Author 1978 San Francisco—a cult leader in Ecuador—one woman's struggle to reconnect with her lost daughter before it is too late When PI and ex-con, Colleen Hayes, learns that a local neo-Nazi group is talking about shooting the mayor, she thinks it's just another rumor—until her source, a humble street newspaper vendor, winds up in SF General, beaten to a pulp. To add to her grief, she discovers that her runaway daughter, Pamela, might have joined a shadowy religious group, building a church in South America near a volcano that is about to erupt. Death is the path to perfection according to the charismatic young preacher—and the date is fast approaching. Colleen is desperate to find a way to stop her daughter from making the ultimate mistake before she—along with hundreds of others—lose their lives. Perfect for fans of Harlan Coben's gritty noir suspense While all of the novels in the Colleen Hayes Mystery Series stand on their own and can be read in any order, the publication sequence is: Vanishing in the Haight Tie Die Bad Scene Line of Darkness

“It was surprising what old experiences remembered could do to a presumably educated, civilized man.” And Hugh Denismore, a young doctor driving his mother’s Cadillac from Los Angeles to Phoenix, is eminently educated and civilized. He is privileged, would seem to have the world at his feet, even. Then why does the sight of a few redneck teenagers disconcert him? Why is he reluctant to pick up a disheveled girl hitchhiking along the desert highway? And why is he the first person the police suspect when she is found dead in Arizona a few days later? Dorothy B. Hughes ranks with Raymond Chandler and Patricia Highsmith as a master of mid-century noir. In books like In a Lonely Place and Ride the Pink Horse she exposed a seething discontent underneath the veneer of twentieth-century prosperity. With The Expendable Man, first published in 1963, Hughes upends the conventions of the wrong-man narrative to deliver a story that engages readers even as it implicates them in the greatest of all American crimes.