BLACK PEOPLE DON'T READ is a comprehensive summary of Data and Statistics from the most recent US Census Bureau, Department of Justice, Department of Education and other agencies around the state Blacks in America.BLACK PEOPLE DON'T READ is a tool to not only refute the plethora of misinformation that exists about Black Identity, but also as a conversation starter around many positive data points, too often missed by the media and seldom discussed at the Barbershop.

The New York Times best-selling book exploring the counterproductive reactions white people have when their assumptions about race are challenged, and how these reactions maintain racial inequality. In this “vital, necessary, and beautiful book” (Michael Eric Dyson), antiracist educator Robin DiAngelo deftly illuminates the phenomenon of white fragility and “allows us to understand racism as a practice not restricted to ‘bad people’ (Claudia Rankine). Referring to the defensive moves that white people make when challenged racially, white fragility is characterized by emotions such as anger, fear, and guilt, and by behaviors including argumentation and silence. These behaviors, in turn, function to reinstate white racial equilibrium and prevent any meaningful cross-racial dialogue. In this in-depth exploration, DiAngelo examines how white fragility develops, how it protects racial inequality, and what we can do to engage more constructively.

After her mother's mysterious death, a young woman is summoned to the floating city of Sky in order to claim a royal inheritance she never knew existed in the first book in this award-winning fantasy trilogy from the NYT bestselling author of The Fifth Season. Yeine Darr is an outcast from the barbarian north. But when her mother dies under mysterious circumstances, she is summoned to the majestic city of Sky. There, to her shock, Yeine is named an heiress to the king. But the throne of the Hundred Thousand Kingdoms is not easily won, and Yeine is thrust into a vicious power struggle with cousins she never knew she had. As she fights for her life, she draws ever closer to the secrets of her mother's death and her family's bloody history. With the fate of the world hanging in the balance, Yeine will learn how perilous it can be when love and hate -- and gods and mortals -- are bound inseparably together.

The Dialogue on race in America does need to change, but not in the way most people have been programmed to believe. The author presents proof from various segments of society, in support of his proposition that society and the media pander to blacks to such a degree, pursuant to a politically-correct mind-set of reverse discrimination, so ingrained, that it actually poses a barrier to ending racism. Why is it always presumed that whites discriminate against blacks every time a cry of racism is heard? And why are these stories so prevalent in today's media? "Black lives Matter" and "Hands Up, Don't Shoot" are all that seem to be on the evening news. Yet the facts of some of these cases (Trayvon Martin and Michael Brown) hardly seem to provide adequate poster boys for a new civil rights movement. Hate crimes seem to only get filed against whites, many times for the hanging of a noose. Yet blacks assault whites with cries of "justice for Troyvon" or "remember Michael Brown" and hate crimes are not even considered. Why does society so excessively pander to blacks with such things as Black History Month, The Congressional Black Caucus, Historically Black Colleges and Universities, etc, yet the white equivalent of these do not exist and their very mentioning would bring cries of racism? How can there so blatantly exist a Notional Association for the Advancement of Colored People which garners a place at the tables of the highest politicians, yet to propose the same type of organization for whites would immediately be labeled racist. Why is it socially accepted that blacks can use the dreaded n-word at will, the word being a staple in rap music lyrics, yet white people dare utter the word and careers are lost? Like the little boy that cried wolf, racism is all America hears. And so much so that the silent white majority is comfortable with just turning a deaf ear, even in cases (Eric Garner and Freddie Gray) where those cries, or at least cries of police brutality, seem to have merit. The author also proposes that a 'thug mentality' or 'thug culture' is so prevalent among blacks today that it stands as an additional obstacle, perhaps insurmountable, to overcoming racism in America. The silent white majority is tired of hearing the likes of blacks who look, talk and act like Michael Brown's stepfather the moment after the grand jury decision in Ferguson was announced, as he vehemently urged onlookers to "burn this bitch down." The author urges you to read and consider, agree or disagree, but above all to open your mind to the possibility that the propositions herein ore true. Because then and only then can the dialogue on race occur that is necessary to defeat the ugly monster of racism.

#1 NEW YORK TIMES BESTSELLER • NATIONAL BOOK AWARD WINNER • NAMED ONE OF TIME’S TEN BEST NONFICTION BOOKS OF THE DECADE • PULITZER PRIZE FINALIST • NATIONAL BOOK CRITICS CIRCLE AWARD FINALIST • ONE OF OPRAH’S “BOOKS THAT HELP ME THROUGH” • NOW AN HBO ORIGINAL SPECIAL EVENT Hailed by Toni Morrison as “required reading,” a bold and personal literary exploration of America’s racial history by “the most important essayist in a generation and a writer who changed the national political conversation about race” (Rolling Stone) NAMED ONE OF THE MOST INFLUENTIAL BOOKS OF THE DECADE BY CNN • NAMED ONE OF PASTE’S BEST MEMOIRS OF THE DECADE • NAMED ONE OF THE TEN BEST BOOKS OF THE YEAR BY The New York Times Book Review • O: The Oprah Magazine • The Washington Post • People • Entertainment Weekly • Vogue • Los Angeles Times • San Francisco Chronicle • Chicago Tribune • New York • Newsday • Library Journal • Publishers Weekly In a profound work that pivots from the biggest questions about American history and ideals to the most intimate concerns of a father for his son, Ta-Nehisi Coates offers a powerful new framework for understanding our nation’s history and current crisis. Americans have built an empire on the idea of “race,” a falsehood that damages us all but falls most heavily on the bodies of black women and men—bodies exploited through slavery and segregation, and, today, threatened, locked up, and murdered out of all proportion. What is it like to inhabit a black body and find a way to live within it? And how can we all honestly reckon with this fraught history and free ourselves from its burden? Between the World and Me is Ta-Nehisi Coates’s attempt to answer these questions in a letter to his adolescent son. Coates shares with his son—and readers—the story of his awakening to the truth about his place in the world through a series of revelatory experiences, from Howard University to Civil War battlefields, from the South Side of Chicago to Paris, from his childhood home to the living rooms of mothers whose children’s lives were taken as American plunder. Beautifully woven from personal narrative, reimagined history, and fresh, emotionally charged reportage, Between the World and Me clearly illuminates the past, bracingly confronts our present, and offers a transcendent vision for a way forward.

W. E. B. Du Bois was a public intellectual, sociologist, and activist on behalf of the African American community. He profoundly shaped black political culture in the United States through his founding role in the NAACP, as well as internationally through the Pan-African movement. Du Bois's sociological and historical research on African-American communities and culture broke ground in many areas, including the history of the post-Civil War Reconstruction period. Du Bois was also a prolific author of novels, autobiographical accounts, innumerable editorials and journalistic pieces, and several works of history. Black Reconstruction in America tells and interprets the story of the twenty years of Reconstruction from the point of view of newly liberated African Americans. Though lambasted by critics at the time of its publication in 1935, Black Reconstruction has only grown in historical and literary importance. In the 1960s it joined the canon of the most influential revisionist historical works. Its greatest achievement is weaving a credible, lyrical historical narrative of the hostile and politically fraught years of 1860-1880 with a powerful critical analysis of the harmful effects of democracy, including Jim Crow laws and other injustices. With a series introduction by editor Henry Louis Gates, Jr., and an introduction by David Levering Lewis, this edition is essential for anyone interested in African American history.

'Every voice raised against racism chips away at its power. We can't afford to stay silent. This book is an attempt to speak' The book that sparked a national conversation. Exploring everything from eradicated black history to the inextricable link between class and race, Why I'm No Longer Talking to White People About Race is the essential handbook for anyone who wants to understand race relations in Britain today. THE NO.1 SUNDAY TIMES BESTSELLER WINNER OF THE BRITISH BOOK AWARDS NON-FICTION NARRATIVE BOOK OF THE YEAR 2018 FOYLES NON-FICTION BOOK OF THE YEAR BLACKWELL'S NON-FICTION BOOK OF THE YEAR WINNER OF THE JHALAK PRIZE LONGLISTED FOR THE BAILLIE GIFFORD PRIZE FOR NON-FICTION LONGLISTED FOR THE ORWELL PRIZE SHORTLISTED FOR A BOOKS ARE MY BAG READERS AWARD