Black conservatism is no oxymoron. Recent polls have indicated that an increasing number of black Americans identified themselves as conservatives, favoring smaller government, lower taxes, tougher crime laws, welfare reform, and personal initiative. While applauding the moral and legal victories of the Civil Rights Movement, the conservative spokespeople in this dynamic new collection reject the claims of inequities and what they consider to be the self-serving agenda of the present civil rights establishment. National leaders such as Justice Clarence Thomas and former Representative Gary Franks and writers such as Shelby Steele and Glenn Loury appear either as contributors or as subjects in this volume. They emphasize the grassroots aspects of black conservatism with a reliance on common sense and common humanity. The strength of the black conservative voice lies in the growth of its numbers and social influence. As more African-Americans shift to the right and embrace conservative ideology, they are signalling what may be one of the most politically significant trends in American public life as the 20th century draws to a close. This provocative collection of essays shatters the myth that black Americans are uniformly left of center and that conservatism is an ideology with a white face. Unique in its personal and political portrait of black conservatives in America, this book shows the remarkable diversity of ideas from one of the most talked-about political movements to emerge in recent years.

This simple story celebrates how the differences between one mother and father blend to make the perfect combination in their daughter. As this little family moves through the world, the girl notes some of the ways that her parents are different from each other, and how she is different from both of them. With each difference she lists, she highlights the ways that their individual characteristics join together to make her family. The fact that her mother is African American and her father is white is just one of the many interesting things that make this little girl and her family "just right."

The original architects of rock 'n roll were black musicians, but by the 1980s, rock music produced by African Americans was no longer "authentically black." Mahon offers an in-depth account of how, since 1985, members of the Black Rock Coalition have broadened understandings of black identity and culture through rock music.

Black or Right: Anti/Racist Campus Rhetorics explores notions of Blackness in white institutional—particularly educational—spaces. In it, Louis M. Maraj theorizes how Black identity operates with/against ideas of difference in the age of #BlackLivesMatter. Centering Blackness in frameworks for antiracist agency through interdisciplinary Black feminist lenses, Black or Right asks how those racially signifying “diversity” in US higher education (and beyond) make meaning in the everyday. Offering four Black rhetorics as antiracist means for rhetorical reclamation—autoethnography, hashtagging, inter(con)textual reading, and reconceptualized disruption—the book uses Black feminist relationality via an African indigenous approach. Maraj examines fluid, quotidian ways Black folk engage anti/racism at historically white institutions in the United States in response to violent campus spaces, educational structures, protest movements, and policy practice. Black or Right’s experimental, creative style strives to undiscipline knowledge from academic confinement. Exercising different vantage points in each chapter—autoethnographer, digital media scholar/pedagogue, cultural rhetorician, and critical discourse analyst—Maraj challenges readers to ecologically understand shifting, multiple meanings of Blackness in knowledge-making. Black or Right’s expressive form, organization, narratives, and poetics intimately interweave with its argument that Black folk must continuously invent “otherwise” in reiterative escape from oppressive white spaces. In centering Black experiences, Black theory, and diasporic Blackness, Black or Right mobilizes generative approaches to destabilizing institutional whiteness, as opposed to reparative attempts to “fix racism,” which often paradoxically center whiteness. It will be of interest to both academic and general readers and significant for specialists in cultural rhetorics, Black studies, and critical theory.

Purchasing an abundant bolt of soft, red cloth to make a Christmas outfit for his daughter, the monarch of a snowy kingdom is unaware that the leftover pieces of the cloth will be recycled to make presents for numerous subjects including a tiny mouse, who uses a miniscule scrap as a scarf.

Forrest County, Mississippi, became a focal point of the civil rights movement when, in 1961, the United States Justice Department filed a lawsuit against its voting registrar Theron Lynd. While thirty percent of the county’s residents were black, only twelve black persons were on its voting rolls. United States v. Lynd was the first trial that resulted in the conviction of a southern registrar for contempt of court. The case served as a model for other challenges to voter discrimination in the South, and was an important influence in shaping the Voting Rights Act of 1965. Count Them One by One is a comprehensive account of the groundbreaking case written by one of the Justice Department’s trial attorneys. Gordon A. Martin, Jr., then a newly-minted lawyer, traveled to Hattiesburg from Washington to help shape the federal case against Lynd. He met with and prepared the government’s sixteen black witnesses who had been refused registration, found white witnesses, and was one of the lawyers during the trial. Decades later, Martin returned to Mississippi and interviewed the still-living witnesses, their children, and friends. Martin intertwines these current reflections with commentary about the case itself. The result is an impassioned, cogent fusion of reportage, oral history, and memoir about a trial that fundamentally reshaped liberty and the South.

For decades, Katie D’Angelo and Valerie Harrison engaged in conversations about race and racism. However, when Katie and her husband, who are white, adopted Gabriel, a biracial child, Katie’s conversations with Val, who is black, were no longer theoretical and academic. The stakes grew from the two friends trying to understand each other’s perspectives to a mother navigating, with input from her friend, how to equip a child with the tools that will best serve him as he grows up in a white family. Through lively and intimate back-and-forth exchanges, the authors share information, research, and resources that orient parents and other community members to the ways race and racism will affect a black child’s life—and despite that, how to raise and nurture healthy and happy children. These friendly dialogues about guarding a child’s confidence and nurturing positive racial identity form the basis for Do Right by Me. Harrison and D’Angelo share information on transracial adoption, understanding racism, developing a child’s positive racial identity, racial disparities in healthcare and education, and the violence of racism. Do Right by Me also is a story about friendship and kindness, and how both can be effective in the fight for a more just and equitable society.