Winner of the Pulitzer Prize for History (1976). The extraordinary biography of a pioneer hero of the frontier Southwest from the author of Great River. Originally published in 1975, this Pulitzer Prize for History–winning biography chronicles the life of Archbishop Jean Baptiste Lamy (1814–1888), New Mexico’s first resident bishop and the most influential, reform-minded Catholic official in the region during the late 1800s. Lamy’s accomplishments, including the endowing of hospitals, orphanages, and English-language schools and colleges, formed the foundation of modern-day Santa Fe and often brought him into conflict with corrupt local priests. His life story, also the subject of Willa Cather’s Death Comes for the Archbishop, describes a pivotal period in the American Southwest, as Spanish and Mexican rule gave way to much greater influence from the United States and Europe. Historian and consummate stylist Paul Horgan has given us a chronicle filled with hardy, often extraordinary adventure, and sustained by Lamy’s magnificent strength of character. “Lamy of Santa Fe stands as a beacon in American biography.” —James M. Day, author of Paul Horgan “Lamy of Santa Fe is a classic work. Not only is the research exemplary but so is the narrative artistry, the work of history as art.” —Robert Gish, author of Nueva Granada: Paul Horgan and the Modern Southwest “Historians, and general readers as well, seeking vivid portrayal of the Southwest’s political, social and cultural traditions will find [this book] rewarding . . . the historical and literary heritage of Americans in general will be the richer for Mr. Horgan’s painstaking effort.” —Southwestern Historical Quarterly

Death Comes for the Archbishop is Willa Cather's best known novel. This epic, is a dream like, mythic story of a life lived simply in the southwestern desert. Father Jean Marie Latour is transferred to serve as the Apostolic Vicar to New Mexico. He finds a vast territory of hills, arroyos, and lonelness. Cather delivers a story of a simple life lived well and full in this her tour de force.

Noted scholar, student of New Mexican culture, and teacher Father Tom Steele has tracked down all the existing manuscript sermons of Jean Baptiste Lamy (1814-88), the first bishop of Santa Fe and the model for the title character of Willa Cather's novel Death Comes for the Archbishop. Lamy has been the subject of devotion, rumor, and attack for over a hundred years. In this new book Steele selects important and characteristic sermons and uses them to decipher the real Lamy, public and private. This book builds on previous scholarly work about Lamy, including Paul Horgan's Lamy of Santa Fe, and presents new information and insight based on Lamy's own writings. A fully searchable CD-ROM (for both PC and MAC) of Lamy's complete sermons in English and Spanish is also available.

When thinking of New Mexico, few Americans think spy-vs.-spy intrigue, but in fact, to many international intelligence operatives, the state’s name is nearly synonymous with espionage, and Santa Fe is a sacred site. The KGB’s single greatest intelligence and counterintelligence coups, and the planning of the organization’s most infamous assassination, all took place within one mile of Bishop Lamy’s statue in front of Saint Francis Cathedral in central Santa Fe. In this fascinating guide, former CIA agent E. B. Held uses declassified documents from both the CIA and KGB, as well as secondary sources, to trace some of the most notorious spying events in United States history. His work guides modern visitors through the history of such events as the plot to assassinate Leon Trotsky, Ted Hall’s delivery of technical details of the atom bomb to the KGB, and the controversial allegations regarding Los Alamos National Laboratory scientist Dr. Wen Ho Lee’s contacts with China. Held provides background material as well as modern site locations to allow Cold War enthusiasts the opportunity to explore in a whole new way the settings for these historical events.

"Whatever is felt upon the page without being specifically named there—that, one might say, is created." This famous observation appears inWilla Cather on Writing, a collection of essays and letters first published in 1949. In the course of it Cather writes, with grace and piercing clarity, about her own fiction and that of Sarah Orne Jewett, Stephen Crane, and Katherine Mansfield, among others. She concludes, "Art is a concrete and personal and rather childish thing after all—no matter what people do to graft it into science and make it sociological and psychological; it is no good at all unless it is let alone to be itself—a game of make-believe, of re-production, very exciting and delightful to people who have an ear for it or an eye for it."