This biography of American poet Frederick Goddard Tuckerman focuses on his development as both a "Romantic," whose work was influenced by Keats, Emerson, and Tennyson, and as an "anti-Romantic," in the mold of Hawthorne, Melville, and Dickinson. Using previously unexamined letters, family records, and notes by Tuckerman, Eugene England traces the poet's unique combination of Anglican rationalism, legal training, and skill in natural observation (under the tutelage of his brother Edward, a noted botanist), all of which caused him to depart from the orthodox Emersonian Romanticism in unusual and instructive ways. England examines Tuckerman's challenging resolution to basic aesthetic and epistemological dilemmas posed by Romanticism and demonstrates that his poems are a first-rate artistic achievement of continuing value. Beyond Romanticism includes a general bibliography as well as a complete bibliography of Tuckerman's writings and works about him and his poetry.

First published in 1992. Beyond Romanticism represents a substantial challenge to traditional views of the Romantic period and provides a sustained critique of ‘Romantic ideology’. The debates with which it engages had previously been under-represented in the study of Romanticism, where the claims of history had never had quite the same status as they have had in other periods, and where confidence in poetic literary value remains high. Individual essays examine the philosophical underpinnings of Romantic discourse; they survey analogous and competing discourses of the period such as mesmerism, Hellenism, orientalism and nationalism; and analyse both the manifestations of Romanticism in particular historical and textual moments, and the texts and modes of writing which have been historically marginalized or silenced by ‘the Romantic’. This title will be of interest to students of literature.

The dialectic between reason and imagination forms a key element in Romantic and post- Romantic philosophy, science, literature, and art. Inventions of the Imagination explores the diverse theories and assessments of this dialectic in essays by philosophers and literary and cultural critics. By the end of the eighteenth century, reason as the predominant human faculty had run its course, and imagination emerged as another force whose contributions to human intellectual existence and productivity had to be newly calculated and constantly recalibrated. The attempt to establish a universal form of reason alongside a plurality of imaginative capacities describes the ideological program of modernism from the end of the eighteenth century to the present day. This collection chronicles some of the vicissitudes in the conceptualization and evaluation of the imagination across time and in various disciplines.

In Going beyond the Pairs, Dennis McCort examines the theme of the coincidentia oppositorum—the tendency of a thing or relationship to turn, under certain conditions, into its own opposite—as it is expressed in German Romanticism, Zen Buddhism, and deconstruction. McCort argues that the coincidentia can be useful for understanding and comparing a variety of cultural forms, including systems of myth, religions ancient and modern, laws of social organization, speculative philosophies East and West, psychological theories and therapeutic practices, and dynamic organizing principles of music, art, and literature. The book touches on a variety of Western and Eastern writers and thinkers, including Thomas Merton, Jacques Derrida, Nishida Kitaro, Rainer Maria Rilke, Franklin Merrell-Wolff, Franz Kafka, Novalis, Renzai Zen, J. D. Salinger, and the mysterious, doughnut-loving editor of the medieval Chinese koan collection, Mumonkan.

First published in 1992. Beyond Romanticism represents a substantial challenge to traditional views of the Romantic period and provides a sustained critique of ‘Romantic ideology’. The debates with which it engages had previously been under-represented in the study of Romanticism, where the claims of history had never had quite the same status as they have had in other periods, and where confidence in poetic literary value remains high. Individual essays examine the philosophical underpinnings of Romantic discourse; they survey analogous and competing discourses of the period such as mesmerism, Hellenism, orientalism and nationalism; and analyse both the manifestations of Romanticism in particular historical and textual moments, and the texts and modes of writing which have been historically marginalized or silenced by ‘the Romantic’. This title will be of interest to students of literature.

Nichols chronicles the Enlightenment view of 'Nature' as static and separate from humans as it moved towards the Romantic 'nature' characterized by dynamic links among all living things. Engaging Romantic and Victorian thinkers, as well as contemporary scholarship, he draws new conclusions about 21st-century ideas of nature.