The fourth cozy mystery featuring Cherokee sleuth Sadie Walela features murder, intrigue, and romance--Provided by publisher.

This book analyzes Native-authored detective fiction to consider how Native authors use a popular literary genre to make social, cultural, and political critiques by shedding light on settler-colonial crimes, arguing for strengthened tribal sovereignty, and illustrating the resilience of Indigenous peoples.

Native American literature has always been uniquely embattled. It is marked by divergent opinions about what constitutes authenticity, sovereignty, and even literature. It announces a culture beset by paradox: simultaneously primordial and postmodern; oral and inscribed; outmoded and novel. Its texts are a site of political struggle, shifting to meet external and internal expectations. This Cambridge History endeavors to capture and question the contested character of Indigenous texts and the way they are evaluated. It delineates significant periods of literary and cultural development in four sections: “Traces & Removals” (pre-1870s); “Assimilation and Modernity” (1879-1967); “Native American Renaissance” (post-1960s); and “Visions & Revisions” (21st century). These rubrics highlight how Native literatures have evolved alongside major transitions in federal policy toward the Indian, and via contact with broader cultural phenomena such, as the American Civil Rights movement. There is a balance between a history of canonical authors and traditions, introducing less-studied works and themes, and foregrounding critical discussions, approaches, and controversies.

A moving and remarkable story about the unlikely relationship between an orphaned buffalo and a middle-aged man. A Buffalo In The House offers readers a glimpse at the history and settling of the American west, the tragic slaughter and virtual extinction of the buffalo and their recent comeback. This uplifting and important story about one animal's ability to touch human lives and reconnect people of all ages to the vanished past is based on a true story. Rosen is an award-winning author, and this book is perfect reading for animal, nature and history lovers.

A buffalo in the house? Yes, a buffalo. More than a hundred years after her pioneer ancestors hand-raised two baby buffalo to help rescue the species from the brink of extinction, Veryl Goodnight and her husband, Roger Brooks, commit themselves to saving just one. When they welcome an orphaned baby buffalo into their Santa Fe home, they expect him to stay just until he’s old enough to rejoin a herd. But Charlie becomes a big part of their family life–about two pounds bigger every day. Surrounded by people and dogs, Charlie has no idea he’s a buffalo–and Roger has no idea how strong the bond between a middle-aged man and a buffalo can be. When Charlie’s eventual introduction to a herd results in a terrible accident, Charlie’s courage and Roger and Veryl’s devotion are pushed to their limits. Contrasting the nineteenth-century killing of tens of millions of buffalo against our own environmental consciousness, this book asks the question: How far are you willing to go for an animal you love? A love story, a comedy, and a history of the American West, A Buffalo in the House packs a major emotional wallop and will be hard to forget. “More than a touching man-beast buddy tale . . . Rosen lovingly chronicles the history of an embattled species and its importance in the American West.” –Entertainment Weekly “Riveting . . . From the story of one stray baby bison named Charlie . . . and the family that took him in, Rosen has drawn a sweeping history of the American frontier. . . . I can’t remember when I’ve been instructed so gracefully, or entertained to such deep purpose.” –Jane Kramer, The New Yorker “Powerful . . . [Charlie is] one of the most memorable characters in recent nature writing.” –Publishers Weekly (starred review) “Moving proof of the restorative powers of man’s relationship with nature.” –People “If you’re mad for Marley, elated over Elsa the lion, [or] rowdy for Rascal . . . stampede out and get A Buffalo in the House.” –Huron Daily Tribune

Is murder always a simple transaction? Don't bank on it. Sadie Walela's life is about to be turned upside down. One morning Sadie unlocks the door at the Mercury Savings Bank and confronts a robber who's been lying in wait for her and her fellow employees. He flees after stealing money and killing her coworker. When a whirlwind of events leaves Sadie herself under suspicion, she sets out to clear her name. This banker turned sleuth is suddenly plunged into an unfamiliar world in which people are not always as they appear-not her employer, not the homeless man she's befriended, not the police officer who takes an interest in the case, not the man she falls in love with. And, as she's beginning to imagine, not even herself. Sadie is a blue-eyed Cherokee living in northeastern Oklahoma, a half-blood who finds she sometimes has to adapt to get by in the white man's world, much as her father's ancestors did. In this story of robbery, murder, love, and intrigue, she faces adversity at each bend in the road, but in the tradition of her people she adapts and moves forward—even if it means having to re-think her relationships and expectations. Set against the backdrop of small-town Oklahoma and its Native culture, Deception on All Accounts draws readers into the real lives of contemporary American Indians as it shines a light on violence, corporate corruption, and prejudice in modern America. As Sadie Walela comes to terms with murder, romance, and her hopes for a career, she finds deception on all accounts.

On May 24, 1911, one of the most notorious murders in Denver's history occurred. The riveting tale involves high society, adultery, drugs, multiple murder, and more, all set in Denver's grand old hotel, the Brown Palace.