BENEATH THE DIM LIGHT OF A FULL MOON, MADNESS REIGNS… As night descends on Cincinnati, the city braces for hell on earth: The populace mutates into huge, snarling monsters that devour everyone they see and act upon their most base desires. Planes fall from the sky. Highways are clogged with abandoned cars, and buildings explode and topple. The city burns. And when daylight comes at last, the same monsters return to human form, many driven insane by atrocities committed against friends and families. Only four survivors are immune to the metamorphosis: a smooth-talking thief who lives by the code of the Old West; a bank teller who’s put her past behind her; a wealthy, disillusioned housewife; and a desperate teenaged runaway. Together they form an unlikely quartet that must find a way to stop the apocalypse before the next full moon.

FROM SOCIAL OUTCAST TO NECROPHILE AND MURDERER -- HIS APPALLING CRIMES STUNNED AN ERA. San Francisco, the 1920s. In an age when nightmares were relegated to the fiction of Edgar Allan Poe and distant tales of the Whitechapel murders, a real-life monster terrorized America. His acts of butchery have proved him one of history's fiercest madmen. As an infant, Earle Leonard Nelson possessed the power to unsettle his elders. As a child he was unnaturally obsessed with the Bible; before he reached puberty, he had an insatiable, aberrant sex drive. By his teens, even Earle's own family had reason to fear him. But no one in the bone-chilling winter of 1926 could have predicted that his degeneracy would erupt in a sixteen-month frenzy of savage rape, barbaric murder, and unimaginable defilement -- deeds that would become the hallmarks of one of the most notorious fiends of the twentieth century, whose blood-lust would not be equaled until the likes of Henry Lee Lucas, John Wayne Gacy, and Jeffrey Dahmer. Drawing on the "gruesome, awesome, compelling reporting" (Ann Rule) that is his trademark, Harold Schechter takes a dark journey into the mind of an unrepentant sadist -- and brilliantly lays bare the myth of innocence that shrouded a bygone era.

Something dark and sinister is spreading through the California town of Big Rock. Something more brutal and animalistic than normally lurks in the shadows of our daily lives. And its numbers are growing exponentially. Werewolves have arrived like an epidemic. This time, though, the outbreak is careful, planned by the hungry monsters themselves. The werewolves have dug their claws in deep and continue to grow ever more powerful. As the infection transfers through grisly violence and horrific sex, the entire town transforms into either starved predator or terrified prey. This time, there is no escape. Can the remaining band of humans fight back? Are there enough left to stop the trail of terror? Were there ever enough? This gut‑wrenching follow‑up to Ravenous by Grand Master of Horror Ray Garton will have you too scared to turn the page ... or too scared to stop, if only to seek refuge in its shocking end.

Although war is a heterogeneous assemblage of the human and nonhuman, it nevertheless builds the illusion of human autonomy and singularity. Focusing on war and ecology, a neglected topic in early modern ecocriticism, Bestial Oblivion: War, Humanism, and Ecology in Early Modern England shows how warfare unsettles ideas of the human, yet ultimately contributes to, and is then perpetuated by, anthropocentrism. Bertram’s study of early modern warfare’s impact on human-animal and human-technology relationships draws upon posthumanist theory, animal studies, and the new materialisms, focusing on responses to the Anglo-Spanish War, the Italian Wars, the Wars of Religion, the colonization of Ireland, and Jacobean “peace.” The monograph examines a wide range of texts—essays, drama, military treatises, paintings, poetry, engravings, war reports, travel narratives—and authors—Erasmus, Machiavelli, Digges, Shakespeare, Marlowe, Coryate, Bacon—to show how an intricate web of perpetual war altered the perception of the physical environment as well as the ideologies and practices establishing what it meant to be human.

In contemporary race and sexuality studies, the topic of animality emerges almost exclusively in order to index the dehumanization that makes discrimination possible. Bestial Traces argues that a more fundamental disavowal of human animality conditions the bestialization of racial and sexual minorities. Hence, when conservative politicians equate homosexuality with bestiality, they betray an anxious effort to deny the animality inherent in all sexuality. Focusing on literary texts by Edgar Allan Poe, Joel Chandler Harris, Richard Wright, Philip Roth, and J. M. Coetzee, together with philosophical texts by Derrida, Heidegger, Agamben, Freud, and Nietzsche, Peterson maintains that the representation of social and political others as animals can be mitigated but never finally abolished. All forms of belonging inevitably exclude some others as "beasts." Though one might argue that absolute political equality and inclusion remain desirable, even if ultimately unattainable, ideals, Bestial Traces shows that, by maintaining such principles, we exacerbate rather than ameliorate violence because we fail to confront how discrimination and exclusion condition all social relations.