High school senior Keely Collins takes on firsts, lasts, and everything in between in this sweet, sex-positive rom-com for fans of Meg Cabot and Jenny Han. It seemed like a good plan at first. When the only other virgin in her group of friends loses it at Keely's own eighteenth birthday party, she's inspired to take things into her own hands. She wants to have that experience too (well, not exactly like that--but with someone she trusts and actually likes), so she's going to need to find the guy, and fast. Problem is, she's known all the boys in her small high school forever, and it's kinda hard to be into a guy when you watched him eat crayons in kindergarten. So she can't believe her luck when she meets a ridiculously hot new guy named Dean. Not only does he look like he's fallen out of a classic movie poster, but he drives a motorcycle, flirts with ease, and might actually be into her. But Dean's already in college, and Keely is convinced he'll drop her if he finds out how inexperienced she is. That's when she talks herself into a new plan: her lifelong best friend, Andrew, would never hurt or betray her, and he's clearly been with enough girls that he can show her the ropes before she goes all the way with Dean. Of course, the plan only works if Andrew and Keely stay friends--just friends--so things are about to get complicated. Cameron Lund's delightful debut is a hilarious and heartfelt story of first loves, first friends, and first times--and how making them your own is all that really matters.

He wanted power; she wanted revenge. The magnificent novel by the internationally bestselling author of The Other Side of Midnight and Morning, Noon and Night.

WINNER OF CBC CANADA READS WINNER OF THE STEPHEN LEACOCK MEDAL FOR HUMOUR Here’s the set up: A burnt-out politcal aide quits just before an election—but is forced to run a hopeless campaign on the way out. He makes a deal with a crusty old Scot, Angus McLintock—an engineering professor who will do anything, anything, to avoid teaching English to engineers—to let his name stand in the election. No need to campaign, certain to lose, and so on. Then a great scandal blows away his opponent, and to their horror, Angus is elected. He decides to see what good an honest M.P. who doesn’t care about being re-elected can do in Parliament. The results are hilarious—and with chess, a hovercraft, and the love of a good woman thrown in, this very funny book has something for everyone.

Robyn's family has always struggled to make enough money to survive. Robyn's grandmother leaves them an apple orchard in B.C., Robyn thinks things will be different, but Robyn's father still can't pay the bills. He asks Robyn for her own hard-earned money, and encourages her to drop out of school to work in the orchard. Robyn desperately wants to go to university, but to make a better life for herself, she'll have to leave her family behind.

Explores the significance of the heist film genre.

We see it all the time: organizations strive to persuade the public to change beliefs or behavior through expensive, expansive media campaigns. Designers painstakingly craft clear, resonant, and culturally sensitive messaging that will motivate people to buy a product, support a cause, vote for a candidate, or take active steps to improve their health. But once these campaigns leave the controlled environments of focus groups, advertising agencies, and stakeholder meetings to circulate, the public interprets and distorts the campaigns in ways their designers never intended or dreamed. In Best Laid Plans, Terence E. McDonnell explains why these attempts at mass persuasion often fail so badly. McDonnell argues that these well-designed campaigns are undergoing “cultural entropy”: the process through which the intended meanings and uses of cultural objects fracture into alternative meanings, new practices, failed interactions, and blatant disregard. Using AIDS media campaigns in Accra, Ghana, as its central case study, the book walks readers through best-practice, evidence-based media campaigns that fall totally flat. Female condoms are turned into bracelets, AIDS posters become home decorations, red ribbons fade into pink under the sun—to name a few failures. These damaging cultural misfires are not random. Rather, McDonnell makes the case that these disruptions are patterned, widespread, and inevitable—indicative of a broader process of cultural entropy.

“This love story is heartrending, swoon-worthy, and extremely well-told.” —Publishers Weekly, starred review A man who’s been moving his whole life finally finds a reason to stay put. Charlie Matheson has spent his life taking care of things. When his parents died two days before his eighteenth birthday, he took care of his younger brother, even though that meant putting his own dreams on hold. He took care of his father’s hardware store, building it into something known several towns over. He took care of the cat he found in the woods…so now he has a cat. When a stranger with epic tattoos and a glare to match starts coming into Matheson’s Hardware, buying things seemingly at random and lugging them off in a car so beat-up Charlie feels bad for it, his instinct is to help. When the man comes in for the fifth time in a week, Charlie can’t resist intervening. Rye Janssen has spent his life breaking things. Promises. His parents’ hearts. Leases. He isn’t used to people wanting to put things back together—not the crumbling house he just inherited, not his future and certainly not him. But the longer he stays in Garnet Run, the more he can see himself belonging there. And the more time he spends with Charlie, the more he can see himself falling asleep in Charlie’s arms…and waking up in them. Is this what it feels like to have a home—and someone to share it with? Carina Adores is home to romantic love stories where LGBTQ+ characters find their happily-ever-afters. Garnet Run Book 1: Better Than People Book 2: Best Laid Plans Book 3: The Lights on Knockbridge Lane