This volume of articles covers a wide range of artists in the world of popular music including Bob Dylan, the Doors, Bruce Springsteen, Robert Johnson, Tracy Chapman, Lou Reed, and The Rolling Stones. Wells looks at the lyrics, themes, and issues from a sociological point of view, examining the content of their songs against the backdrop of modern society. Many of these artists write and sing about a sense of loss, alienation, and frustration with the American socio-economic system. In addition, the volume shows how these artists use creative language to communicate a sense of the grotesque, absurd, disharmony, and dread in the lives of the characters in their songs.

Citing baby-boomer favorites including Bob Dylan, Bob Marley, the Beatles and other rock greats, the author shows that they have drawn on the same primal source from which mythology, dreams, and poetic insight arise. (Music)

David Boucher and Gary Browning provide a multi-faceted analysis of the political art of Bob Dylan. The contributions cover Dylan's career as a whole, dealing with such themes as alienation, protest, non-conformity and the American Dream. Dylan's work is examined from a variety of perspectives including the aesthetic theory of Kant, Adorno, Lyotard and Collingwood. The assembled authors are notable specialists in political theory, literary criticism and popular culture. They do not tackle Dylan from a single standpoint but collectively question how Dylan's work relates to the theory and practice of politics.

Today, Oh Boy is the tale of one day in the life of Rusty Boykin and Ollie Wyborn, juniors at Summerville High School. The year is 1970, and as a counterculture emerges in their conservative South Carolina community, a cast of characters find themselves in the throes of social upheaval: preppies, jocks, hippies, and belligerent country boys who don’t believe in giving peace a chance.

Social worker. You're a helping hand, a rock in the tempest, a friendly face through the hard times, and a catalyst for change. But what about you? How do you keep going when the pressure just keeps rising? In this no-nonsense handbook, Neil Thompson and John McGowan distil years of social work expertise into key strategies to overcome the challenges that come with the profession. Each chapter is full of clear, practical advice on staying resilient in the face of tough situations, whether they're political, social, or economic. Handy frameworks and expert advice will strengthen your practice and give you a solid structure to build on, helping you fulfil your potential as a social worker and provide better support for your clients. Social work is tough, but with the guidance and support in this book you can learn to tackle the challenges and thrive as a force for change.

Bob Dylan’s abrupt abandonment of overtly political songwriting in the mid-1960s caused an uproar among critics and fans. In Wicked Messenger, acclaimed cultural-political commentator Mike Marqusee advances the new thesis that Dylan did not drop politics from his songs but changed the manner of his critique to address the changing political and cultural climate and, more importantly, his own evolving aesthetic. Wicked Messenger is also a riveting political history of the United States in the 1960s. Tracing the development of the decade’s political and cultural dissent movements, Marqusee shows how their twists and turns were anticipated in the poetic aesthetic—anarchic, unaccountable, contradictory, punk— of Dylan's mid-sixties albums, as well as in his recent artistic ventures in Chronicles, Vol. I and Masked and Anonymous. Dylan’s anguished, self-obsessed, prickly artistic evolution, Marqusee asserts, was a deeply creative response to a deeply disturbing situation. "He can no longer tell the story straight," Marqusee concludes, "because any story told straight is a false one."