This book conducts a thorough review of all the bidding ideas and concepts that are encountered in a beginner's course on bridge, and takes the reader beyond them, gently but firmly, to the second stage.

In this diverse collection of sixteen essays, lectures, and interviews dating from 2010 to 2013, Graham Harman lucidly explains the principles of Speculative Realism, including his own object-oriented philosophy. From Brazil to Russia, and in Poland, France, Croatia, and India, Harman addresses local philosophical concerns with the energy of a roving evangelist. He reflects on established giants such as Greenberg, Latour, and McLuhan, while refining his differences with such younger authors as Brassier, Bryant, Garcia, and Meillassoux. He speaks to philosophers in Paris, hecklers in New York, media theorists in Berlin, and architects in Curitiba, as object-oriented philosophy consolidates its position as the most widespread form of Speculative Realism. There has never been a more upbeat introduction to one of the most challenging philosophical schools of our time. ,

Well-printed material not only attracts attention, it also draws the viewer to touch it and to experience its surface. The 100 print projects documented in this volume all do just this. Alongside each, there's a brief introduction to the crafts and materials used. Overall, this volume works to build up a picture of how graphic design is evolving in our time.

When the Mayes family continues their journey to California by train and steamboat and adopts an orphan on the way, nine-year-old Elizabeth must make some adjustments.

The beloved, bestselling Nancy Tillman returns with a picture book celebrating what makes every child special in their own way.

This beginning method/songbook is designed for the D tinwhistle. Includes music theory, fingering diagrams, note studies, and plenty of songs for practice. the stereo recording features tinwhistle, guitar, and keyboard and contains many of the solos featured in the book.

A “thought-provoking” one-volume distillation of the author’s powerful trilogy in praise of the middle class’s role in creating a better, and richer, world (Library Journal). The economist and historian Deirdre Nansen McCloskey has been best known recently for her Bourgeois Era trilogy, a vigorous defense, unrivaled in scope, of commercially tested betterment. Its massive volumes, The Bourgeois Virtues, Bourgeois Dignity, and Bourgeois Equality, solve Adam Smith’s puzzle of the nature and causes of the wealth of nations, and of the moral sentiments of modernity. The world got rich, she argues, not chiefly by material causes but by an idea and a sentiment, a new admiration for the middle class and its egalitarian liberalism. For readers looking for a distillation of McCloskey’s magisterial work, Leave Me Alone and I’ll Make You Rich is what you’ve been waiting for. In this lively volume, McCloskey and the economist and journalist Art Carden bring together the trilogy’s key ideas and its most provocative arguments. The rise of the west, and now the rest, is the story of the rise of ordinary people to a dignity and liberty inspiring them to have a go. The outcome was an explosion of innovation after 1800, and a rise of real income by an astounding 3,000 percent. The Great Enrichment, well beyond the conventional Industrial Revolution, did not, McCloskey and Carden show, come from the usual suspects, capital accumulation or class struggle. It came from the idea of economic liberty in Holland and the Anglosphere, then Sweden and Japan, then Italy and Israel and China and India, an idea that bids fair in the next few generations to raise up the wretched of the earth. The original shift to liberalism arose from 1517 to 1789 from theological and political revolutions in northwest Europe, upending ancient hierarchies. McCloskey and Carden contend further that liberalism and “innovism” made us better humans as well as richer ones. Not matter but ideas. Not corruption but improvement. Leave Me Alone and I’ll Make You Rich draws in entertaining fashion on history, economics, literature, philosophy, and popular culture, from growth theory to the Simpsons. It is the perfect introduction for a broad audience to McCloskey’s influential explanation of how we got rich. At a time when confidence in the economic system is under challenge, this book mounts an optimistic and persuasive defense of liberal innovism, and of the modern world it has wrought. Praise for the Bourgeois Era Trilogy “A contender for the great book of our age.” —The Times, Book of the Week “Persuasive . . . richly detailed and erudite.” —Financial Times