Learn the key techniques and strategies for writing haiku in English from acclaimed haiku poet, teacher, and translator Michael Dylan Welch. This book emphasizes the most effective targets for haiku poetry, ones that are usually not taught in schools. There's more to haiku, and less, than you might think. This concise book provides just the information you need to learn the art of haiku and to start becoming a haiku poet. About the Author Michael Dylan Welch has published his essays, reviews, translations, haiku, and other poetry in hundreds of journals and anthologies, and has won numerous awards for his work. He has served for many years as vice president of the Haiku Society of America, and served two terms as poet laureate of Redmond, Washington, where he also curates two poetry reading series. Michael also cofounded the Haiku North America conference (1991) and the American Haiku Archives (1996), founded the Tanka Society of America (2000), and started National Haiku Writing Month in 2010 (www.nahaiwrimo.com and on Facebook). Visit his personal website, devoted mostly to haiku, at www.graceguts.com. Endorsements "The real secret to becoming a haiku poet is to start writing haiku." From the foreword by Aubrie Cox "For many years Michael Dylan Welch's essays on haiku have guided newcomers and seasoned poets alike. With characteristic authority and humor, "Becoming a Haiku Poet" is yet another of his important contributions to the study and understanding of haiku poetry." Charles Trumbull, editor emeritus of "Modern Haiku" "Michael Dylan Welch's knowledge and experience with haiku is recognized internationally. He always has time to assist new poets starting out on the haiku path, to engage in a conversation about poetics, or to recommend a current essay or book. He never tires of answering the question: What is a haiku, anyway? "Becoming a Haiku Poet" is Michael's concise and informative answer." Terry Ann Carter, president of Haiku Canada

A compact collection of more than 500 poems from Jack Kerouac that reveal a lesser known but important side of his literary legacy “Above all, a haiku must be very simple and free of all poetic trickery and make a little picture and yet be as airy and graceful as a Vivaldi pastorella.”—Jack Kerouac Renowned for his groundbreaking Beat Generation novel On the Road, Jack Kerouac was also a master of the haiku, the three-line, seventeen-syllable Japanese poetic form. Following the tradition of Basho, Buson, Shiki, Issa, and other poets, Kerouac experimented with this centuries-old genre, taking it beyond strict syllable counts into what he believed was the form’s essence. He incorporated his “American” haiku in novels and in his correspondence, notebooks, journals, sketchbooks, and recordings. In Book of Haikus, Kerouac scholar Regina Weinreich has supplemented a core haiku manuscript from Kerouac’s archives with a generous selection of the rest of his haiku, from both published and unpublished sources.

**Chosen for 2020 NCTE Notable Poetry Books and Verse Novels List** **Winner of 2020 Northern Lights Book Award for Poetry** **Winner of 2019 Skipping Stones Honor Awards** My First Book of Haiku Poems introduces children to inspirational works of poetry and art that speak of our connection to the natural world, and that enhance their ability to see an entire universe in the tiniest parts of it. Each of these 20 classic poems by Issa, Shiki, Basho, and other great haiku masters is paired with a stunning original painting that opens a door to the world of a child's imagination. A fully bilingual children's book, My First Book of Haiku Poems includes the original versions of the Japanese poems (in Japanese script and Romanized form) on each page alongside the English translation to form a complete cultural experience. Each haiku poem is accompanied by a "dreamscape" painting by award-winning artist Tracy Gallup that will be admired by children and adults alike. Commentaries offer parents and teachers ready-made "food for thought" to share with young readers and stimulate a conversation about each work.

The Worker Writers School supports writers from one of New York City's most ubiquitous yet least-heard populations: low-wage workers. Mark Nowak, a writer and founding director of the school, presents a selection of haiku written by "frontline workers" during the Covid 19 crisis. The poets included here had already been studying examples of the form and its connection to political resistance from seventeenth-century Japan to the Black Arts Movement of the twentieth century, as well as its capacity to amplify voices of everyday life. These "coronavirus haiku" convey moments of protest, solace, wonder, certainty, love, and strife. The writers in this anthology hail from the school's worker center partners in New York City including Domestic Workers United, New York Taxi Workers Alliance, Damayan Migrant Workers Association, Street Vendor Project, and Retail Action Project: Thomas Barzey, Kerl Brooks, Estabon Chimilio, Nimfa Despabiladeras, Lorraine Garnett, Davidson Garrett, Seth Goldman, Christine Lewis, Doreen McGill, Alando McIntyre, Kelebohile Nkheranye, Alfreda Small, and Paloma Zapata.

Chiyo-Ni (1703-1775) is one of Japan's most unusual and renowned haiku poets, and this volume, the first major translation of her work in English, contains over 100 haiku, reproduced in Japanese script, Romaji, and in English. Chiyo-ni was one of the very few great female poets from an age when haiku was dominated by men. Her verses embody Zen-like simplicity and female sensuality, and reflect her life as a Buddhist nun, painter and poet who lived a life of supreme independence and aesthetic sensibility.

A world of dew And within every dewdrop A world of struggle The iconic three-line haiku form is increasingly popular today as people embrace its simplicity and grace--and its connections to the Japanese ethos of mindfulness and minimalism. Say more with fewer words. This practical guide by poet and teacher Bruce Ross shows you how to capture a fleeting moment, like painting a picture with words, and how to give voice to your innermost thoughts, feelings, and observations. You don't have to be a practiced poet or writer to write your own haiku, and this book shows you how. In this book, aspiring poets will find: Accessible, easy-to-replicate examples and writing prompts A foreword that looks at the state of haiku today as the form continues to expand worldwide An introduction to related Japanese haiku forms such as tanka, haiga, renga, haibun, and senryu A listing of international journals and online resources Do you want to tell a story? Give haibun a try. Maybe you want to express a fleeting feeling? A tanka is the perfect vehicle. Are you more visual than verbal? Then a haiga, or illustrated haiku, is the ideal match. Finally, a renga is perfect as a group project or to create with friends, passing a poem around, adding line after line, and seeing what your group effort amounts to. Ross walks readers through the history and form of haiku, before laying out what sets each Japanese poetic form apart. Then it's time to turn to your notebook and start drafting some verse of your own!

A collection of 108 haiku poems to heighten awareness and deepen our appreciation for the ordinary in everyday life Haiku, the Japanese form of poetry written in just three lines, can be miraculous in its power to articulate the profundity of the simplest moment—and for that reason haiku can be a useful tool for bringing us to a heightened awareness of our lives. Here, the poet Patricia Donegan shares her experience of the haiku form as a way of insight that anyone can use to slow down and uncover the beauty of ordinary moments. She presents 108 haiku poems—on themes such as honesty, transience, and compassion—and offers commentary on each as an impetus to meditation and as a key to unlocking the wonder in what we find right before us.