The life of Patricia Highsmith was as secretive and unusual as that of many of the best-known characters who people her "peerlessly disturbing" thrillers and short stories. Yet even as her work has found new popularity in the last few years, the life of this famously elusive writer has remained a mystery. For Beautiful Shadow, the first biography of Highsmith, British journalist Andrew Wilson mined the vast archive of diaries, notebooks, and letters she left behind, astonishing in their candor and detail. He interviewed her closest friends and colleagues as well as some of her many lovers. But Wilson also traces Highsmith's literary roots in the work of Poe, noir, and existentialism, locating the influences that helped distinguish Highsmith's writing so startlingly from more ordinary thrillers. The result is both a serious critical biography and one that reveals much about a brilliant and contradictory woman, one who despite her acclaim and affairs always maintained her solitude.

In Peachville, even the cheerleaders have a dark side... Harper Madison isn’t like other girls. She has extraordinary powers, but her inability to control them has gotten her kicked from so many foster homes she’s lost count. Shadowford Home is her last chance, and she hopes Peachville High will be the fresh start she needs. But when evidence ties her to the gruesome murder of a Demons cheerleader, Harper discovers this small town has a big secret.

A modern fairy tale about overcoming our fears and reconnecting with those we love most. In our old house, Ma told me there was nothing to be scared of. No monsters hiding behind doors, or in wardrobes, or under beds. She said there were no dark places at all. But in the new house, under my new bed, that's where I found Shadow. “Beautiful. A really powerful exploration of a child’s experience of a parent’s depression. Big and brave” —Nicola Davies, award-winning author “This soft-spoken story can be anything from a simple, lovely, modern fairy tale to a stunning allegory about overcoming fear & how a parent's depression can affect a child”—ALA Booklist “Helpful to any family going through a challenging situation yet hoping for a brighter future”—Youth Services Book Reviews, 5 STARS

"In Praise of Shadows" (陰翳礼讃, "In'ei Raisan" in Japanese) is an essay written by the renowned Japanese author Jun'ichirō Tanizaki. It was first published in 1933. The essay explores Tanizaki's aesthetic philosophy, particularly his appreciation for traditional Japanese culture and the beauty of shadows, darkness, and subtlety. Tanizaki reflects on the contrast between Western and Japanese aesthetics, emphasizing the preference for darkness and shadows in traditional Japanese architecture, interior design, and cultural practices. He celebrates the aesthetic qualities of dimly lit spaces, muted colors, and natural materials, arguing that they evoke a sense of mystery, depth, and tranquility that is lacking in the bright, artificial illumination favored in the West. Throughout the essay, Tanizaki discusses various aspects of Japanese culture, such as the tea ceremony, lacquerware, architecture, and literature, to illustrate his points about the beauty of shadows and the importance of preserving traditional craftsmanship and sensibilities in the face of modernization. "In Praise of Shadows" is not only a meditation on aesthetics but also a reflection on the cultural identity and values of Japan. It has been widely praised for its eloquent prose, thought-provoking ideas, and insightful observations about the interplay between light and shadow in shaping human perception and experience. The essay continues to be studied and admired for its enduring relevance and its exploration of the timeless qualities of beauty and elegance.

I See a Shadow is a charming picture book that delivers a bright new take on the concept of shadows and the delight of imagination, from debut author/illustrator Laura Breen. Shadows are fun. They can be funny, too. Mostly, shadows are all around us, and not always what they seem. Here is a delightful, graphic celebration of imagination.

According to the theory of relativity, we are constantly bathed in gravitational radiation. When stars explode or collide, a portion of their mass becomes energy that disturbs the very fabric of the space-time continuum like ripples in a pond. But proving the existence of these waves has been difficult; the cosmic shudders are so weak that only the most sensitive instruments can be expected to observe them directly. Fifteen times during the last thirty years scientists have claimed to have detected gravitational waves, but so far none of those claims have survived the scrutiny of the scientific community. Gravity's Shadow chronicles the forty-year effort to detect gravitational waves, while exploring the meaning of scientific knowledge and the nature of expertise. Gravitational wave detection involves recording the collisions, explosions, and trembling of stars and black holes by evaluating the smallest changes ever measured. Because gravitational waves are so faint, their detection will come not in an exuberant moment of discovery but through a chain of inference; for forty years, scientists have debated whether there is anything to detect and whether it has yet been detected. Sociologist Harry Collins has been tracking the progress of this research since 1972, interviewing key scientists and delineating the social process of the science of gravitational waves. Engagingly written and authoritatively comprehensive, Gravity's Shadow explores the people, institutions, and government organizations involved in the detection of gravitational waves. This sociological history will prove essential not only to sociologists and historians of science but to scientists themselves.