When Henry receives a letter from an elderly taxidermist, it poses a puzzle that he cannot resist. As he is pulled further into the world of this strange and calculating man, Henry becomes increasingly involved with the lives of a donkey and a howler monkey--named Beatrice and Virgil--and the epic journey they undertake together.

With this highly anticipated new novel, the author of the bestselling Life of Pi returns to the storytelling power and luminous wisdom of his master novel. The High Mountains of Portugal is a suspenseful, mesmerising story of a great quest for meaning, told in three intersecting narratives that touch the lives of three different people and their families, and taking us on an extraordinary journey through the last century. We begin in the early 1900s, when Tomás discovers an ancient journal and sets out from Lisbon in one of the very first motor cars in Portugal in search of the strange treasure the journal describes. Thirty-five years later, a pathologist devoted to the novels of Agatha Christie, whose wife has possibly been murdered, finds himself drawn into Tomás’s quest. Fifty years later, Senator Peter Tovy of Ottawa, grieving the death of his own beloved wife, rescues a chimpanzee from an Oklahoma research facility and takes it to live with him in his ancestral village in northern Portugal, where the strands of all three stories miraculously mesh together. Beautiful, witty and engaging, Yann Martel’s new novel offers us the same tender exploration of the impact and significance of great love and great loss, belief and unbelief, that has marked all his brilliant, unexpected novels. Yann Martel is the author of Life of Pi, the international bestseller published in more than 50 territories that has sold more than 12 million copies worldwide, won the 2002 Man Booker (among many other prizes), spent more than a year on Canadian and international bestseller lists, and was adapted to the screen in an Oscar-winning film by Ang Lee. Martel is also the award-winning author of The Facts Behind the Helsinki Roccamatios (which won the Journey Prize), Self, Beatrice and Virgil, and a book of recommended reading: 101 Letters to a Prime Minister. ‘Martel fills his novel with unusual, different, interesting, and often amusing, elements...There is plenty of humour, some of it dark, some of it laugh-out-loud, almost slapstick.’ BookMooch ‘[An] extravagant smorgasbord of a novel...at every turn Martel’s deft observations and quiet compassion for human suffering shine through.’ Saturday Paper Martel’s writing has never been more charming, a rich mixture of sweetness that’s not cloying and tragedy that’s not melodramatic...The High Mountains of Portugal attains an altitude from which we can see something quietly miraculous.’ Washington Post ‘Martel is in a class by himself in acknowledging the tragic vicissitudes of life while celebrating wildly ridiculous contretemps that bring levity to the mystery of existence.’ STARRED Review, Publishers Weekly ‘A wonderfully inventive, 20th-century-spanning odyssey that contains some of the finest writing of Martel’s career.’ Globe and Mail ‘[Martel’s] depiction of loss is raw and deeply affecting—but it’s the way in which he contextualises it within formal religion that gives this book an extra dimension...Martel is not in the business of providing us with answers, but through its odd, fabulous, deliberately oblique stories, his new novel does ask some big questions.’ Telegraph ‘Told in unobtrusive, clean prose, The High Mountains of Portugal has the classic feel of a parable...Fascinating and ultimately satisfying.’ Australian ‘Unforgettable and highly recommended.’ Good Reading

A modern-day Orlando—edgy, funny and startlingly honest—Self is the fictional autobiography of a young writer and traveller who finds his gender changed overnight.

Written earlier in Martel's career, these four unforgettable tales are as moving as they are thought-provoking, as inventive in form as they are timeless.

Originally published in 1977. This volume recovers the allegory in Dante's Divine Comedy and presumes that readers' deficient knowledge of or interest in allegory have led to misinterpretations of Dante's poem. None of the dozens of commentaries on the Comedy published in the first half of the twentieth century was concerned with allegory more than sporadically, says Singleton, and so these treatments directed readers' attention to the merest disjecta membra of that continuous dimension of the poem. From Singleton's perspective, the allegory of the Comedy is an imitation of Biblical allegory, which was acknowledged by thinkers in the Middle Ages but not by intellectuals during and following the Renaissance. Singleton attempts to restore the allegorical elements to the foreground of interpreting the Comedy.

Combining personal anecdotes with the latest scientific research, this searingly honest memoir sheds new light on the darkness of depression Millions people suffer from major depressive episodes. All of them want relief but, more importantly, most simply want to know that they are not alone. With gentle wry humor and a compassionate tone, David's Inferno offers a tale of realization, acceptance, and hope. It is neither prescriptive nor opinionated, seeing all forms of therapy as potentially beneficial in the continuum of care. Combining intensely personal reminiscences of a two-year nervous breakdown with contemporary insights on how manic-depression manifests and how it is diagnosed and treated; David Blistein shares his experiences to shed light on the darkness of depression for fellow travelers as well as those who care about them. David's Inferno serves as an ideal book for friends and family of those suffering from depression, helping them to better understand what their loved ones are experiencing. “Blistein takes us into the heart of his Inferno and combs through clinical and scientific literature to create a vivid, unforgettable image of this very personal form of hell.” —Siddhartha Mukherjee, Pulitzer Prize winning author of The Emperor of All Maladies