Comedians of the San Francisco Bay Area changed comedy forever. From visiting acts like Richard Pryor, Steve Martin and Whoopi Goldberg to local favorites who still maintain their following and legacy, the Bay Area has long been a place for comedians to develop their voice and hone their stand-up skills. Popular spots included Cobb's, the Purple Onion, Brainwash, and the holy grail of San Francisco comedy during the 1980s boom, the Holy City Zoo. For over seventy years, these iconic venues and others fostered talent like Ali Wong, Moshe Kasher and the Smothers Brothers, introducing them to local crowds and the world beyond. Join comedians Nina G and OJ Patterson on a hilarious and thoughtful tour through the history of Bay Area comedy.

Nina G bills herself as “The San Francisco Bay Area’s Only Female Stuttering Comedian.” On stage, she encounters the occasional heckler, but off stage she is often confronted with people’s comments toward her stuttering; listeners completing her sentences, inquiring, “Did you forget your name?” and giving unwanted advice like “slow down and breathe” are common. (As if she never thought about slowing down and breathing in her over thirty years of stuttering!) When Nina started comedy nearly ten years ago, she was the only woman in the world of stand-up who stuttered—not a surprise, since men outnumber women four to one amongst those who stutter and comedy is a male-dominated profession. Nina’s brand of comedy reflects the experience of many people with disabilities in that the problem with disability isn’t in the person with it but in a society that isn’t always accessible or inclusive.

There’s an entire industry built on the idea of helping people to push hard and succeed in love, work, fitness, and finances. But what about those people who would so much rather stay home and eat pizza with the cat while binge-watching Netflix? Who’s telling them that it’s OK to be a couch potato? Blair, that’s who. The creation of cartoonist and stand-up comic Mo Welch, Blair is the awkward, self-deprecating, totally relatable anti-heroine who already has 65,000 followers on Instagram and an animated show on TBS Digital. Now Blair is the face, the voice, and the attitude of How to Die Alone, the perfect self-help book for not helping yourself—and a funny, irreverent gift for millennials struggling to “adult.” Forget winning friends and influencing people—here’s advice on how to win the Worst Friend Award instead, including: Always be late, never offer to drive (anywhere), and treat your friend’s kitchen like an open bar. Plus the ins and outs of terrible dates, permission to eat cookies instead of going to the gym, and how to treat your job like the inconvenience that it is. It’s the genuinely funny, tongue-in-cheek guide to just saying no.

Stand-up comedy helped me find myself in business. It enabled me to break free of living outside of my heart and soul. It also helped me find my voice, be present, and stop doing things for reasons other than experiencing joy and fulfillment. The purpose of this book, therefore, is to provide those same lessons to you so you can say what you want, feel what you want, and do what you want to be the person you want to be. And yes, without getting fired. You know when people use sports analogies to describe a business situation—“par for the course,” “here’s the game plan,” or “dude, you just bit my ear off”? Clearly, you don’t need to be good at golf, football, or cannibalism to understand and use them. Likewise, you don’t need to be any kind of comedian, stand-up or otherwise, to get value from this book. These lessons are intended for business people who have never endeavored, and might never try, stand-up comedy. busi·ness A person’s regular occupation, profession, or trade, which, if left unchecked without fun, can lead to your soul being sucked dry and consequently morphing you into the equivalent of a stale Ritz cracker but, you know, without all the “cheddah.” com·e·dy The study of professional entertainment or amusement, consisting of jokes and satirical sketches, intended to make an audience laugh, and historically occupied by food service workers and the unemployed. Com·e·di·ol·o·gy Applying successful comedic techniques, traditionally used to amuse, entertain, or make an audience laugh, to your regular occupation, profession, or trade to enhance your daily effectiveness, fulfillment, and joy.

Super-funny, but at times super-serious, this thought provoking autobiography is the life story of Joey Camen; a white Jewish kid growing up in black neighborhoods in Detroit, making his way into the world of Hollywood show business. The story follows Joey from a not so pleasant home life - dealing with an abusive father and oddball siblings - to leaving home at seventeen to become one of the youngest professional stand-up comedians ever...where Joey quickly found himself working nightly with comedians Richard Pryor, Robin Williams and many other famous names. Enjoy this up-and-down tale of survival, laughs, and heartache - engagingly written by someone who has spent four-plus decades in the world of entertainment and beyond. Joey Camen is a veteran stand-up comedian, voice talent, actor, author and award-winning short filmmaker. Joey's long career in performing arts encompasses everything from movies, to sitcoms, to Las Vegas showrooms. Joey has provided voices for many recognizable cartoon shows, commercials, movies and video games. Laughing Through the Pain is his second book. He lives in Los Angeles with his wife Wendy.

“Funny [and] fascinating . . . If you’re a comedy nerd you’ll love this book.” —Pittsburgh Post-Gazette Named a Best Book of the Year by Kirkus Reviews, National Post, and Splitsider Based on over two hundred original interviews and extensive archival research, this groundbreaking work is a narrative exploration of the way comedians have reflected, shaped, and changed American culture over the past one hundred years. Starting with the vaudeville circuit at the turn of the last century, the book introduces the first stand-up comedian—an emcee who abandoned physical shtick for straight jokes. After the repeal of Prohibition, Mafia-run supper clubs replaced speakeasies, and mobsters replaced vaudeville impresarios as the comedian’s primary employer. In the 1950s, the late-night talk show brought stand-up to a wide public, while Lenny Bruce, Mort Sahl, and Jonathan Winters attacked conformity and staged a comedy rebellion in coffeehouses. From comedy’s part in the civil rights movement and the social upheaval of the late 1960s, to the first comedy clubs of the 1970s and the cocaine-fueled comedy boom of the 1980s, The Comedians culminates with a new era of media-driven celebrity in the twenty-first century. “Entertaining and carefully documented . . . jaw-dropping anecdotes . . . This book is a real treat.” —Merrill Markoe, TheWall Street Journal

Ten years after Chicago saw its first full-time comedy club open, the landscape was decidedly different. "Stand-up comedy has exploded in the last couple of years," a club owner told the Chicago Tribune in 1985, "that's the only way to describe it: exploded." It was truly a comedy boom, with as many as 16 clubs operating at once, and it lasted nearly a decade before fading, taking with it some of Chicago's oldest comedy stages, including the Comedy Cottage, Comedy Womb, and Who's on First. Still, stalwarts like Barrel of Laughs (south) and Zanies (north) persevered. That part of the story is known; overlooked is the fact there was a comedy boom, period. To hear the story, it is as if stand-up comedy innately morphed from a dated nightclub scene to what one Chicago Sun-Times writer called "Chicago's atomic comedy blast."