"Walk barefoot and the thorns will hurt you…" —Iraqi-Turkmen proverb A riveting story of hope and despair, of elation and longing, Barefoot in Baghdad takes you to the front lines of a different kind of battle, where the unsung freedom fighters are strong, vibrant—and female. An American aid worker of Arab descent, Manal Omar moves to Iraq to help as many women as she can rebuild their lives. She quickly finds herself drawn into the saga of a people determined to rise from the ashes of war and sanctions and rebuild their lives in the face of crushing chaos. This is a chronicle of Omar's friendships with several Iraqis whose lives are crumbling before her eyes. It is a tale of love, as her relationship with one Iraqi man intensifies in a country in turmoil. And it is the heartrending stories of the women of Iraq, as they grapple with what it means to be female in a homeland you no longer recognize. "Manal Omar captures the complex reality of living and working in war-torn Iraq, a reality that tells the story of love and hope in the midst of bombs and explosions."—Zainab Salbi, founder and CEO of Women for Women International, and author (with Laurie Becklund) of the national bestselling book Between Two Worlds: Escape from Tyranny: Growing Up in the Shadow of Saddam "A fascinating, honest, and inspiring portrait of a women's rights activist in Iraq, struggling to help local women while exploring her own identity. Manal Omar is a skilled guide into Iraq, as she understands the region, speaks Arabic, and wears the veil. At turns funny and tragic, she carries a powerful message for women, and delivers it through beautiful storytelling."—Christina Asquith, author of Sisters in War: A Story of Love, Family and Survival in the New Iraq "At turns funny and tragic…a powerful message for women, [delivered] through beautiful storytelling."—Christina Asquith, author of Sisters in War

The Church Blessing festival was an important celebration in many villages of the Danube Swabians. It was just one of the ways in which they kept their distinctive German heritage alive as they established themselves in strange and sometimes harsh lands, first in the Austria-Hungary region and then as they migrated to America. The author recalls taking part in her first Kirchweih, and illustrates the tradition with her own beautiful copper-plate prints.

Dump Truck Daisy and her construction vehicle crew are on a secret nighttime mission — build a playground before sunrise! Detailed endnotes provide additional information about construction vehicles and inclusive playgrounds. Vibrant artwork and a catchy disco tune and animation make this a stellar choice for any child who is fascinated by construction vehicles.

This compelling autobiography tells the life story of famed manga artist Nakazawa Keiji. Born in Hiroshima in 1939, Nakazawa was six years old when on August 6, 1945, the United States dropped the atomic bomb. His gritty and stunning account of the horrific aftermath is powerfully told through the eyes of a child who lost most of his family and neighbors. In eminently readable and beautifully translated prose, the narrative continues through the brutally difficult years immediately after the war, his art apprenticeship in Tokyo, his pioneering "atomic-bomb" manga, and the creation of Barefoot Gen, the classic graphic novel based on Nakazawa's experiences before, during, and after the bomb. This first English-language translation of Nakazawa's autobiography includes twenty pages of excerpts from Barefoot Gen to give readers who don't know the manga a taste of its power and scope. A recent interview with the author brings his life up to the present. His trenchant hostility to Japanese imperialism, the emperor and the emperor system, and U.S. policy adds important nuance to the debate over Hiroshima. Despite the grimness of his early life, Nakazawa never succumbs to pessimism or defeatism. His trademark optimism and activism shine through in this inspirational work.

Can the world accept ethnic Germans as victims of World War II? Are there similarities in the Holocausts that the Jews and the ethnic Germans suffered? Will Germans always be perceived as stereotypical villains, even those who are innocent victims? Can this book help heal the wounds of those forced to be unpopular, unacknowledged victims because of their ethnic heritage? Bread on My Mother's Table: A Danube Swabian Remembers examines the effects of the hidden genocide that occurred at the end of World War II in which a family of ethnic Germans in Yugoslavia was condemned to be victims of expulsion, ethnic cleansing, and forced labor in concentration camps at the hands of Russian and partisan soldiers. In a tapestry of episodes and family portraits which comprise this literary memoir, the author weaves a tale which illuminates, compares, exposes, and shares a family's history and their journey from feast to famine, from farmers to prisoners, from refugees to immigrants, and from American citizens to land owners once again. This is the story of one family's quiet struggle and victory over adversity told by a first generation progeny who takes the reader on a parallel journey of rediscovery and acceptance of her cultural identity.

Now with a new Preface and Afterword by the author “Outstanding . . . [Isobel Coleman] takes us into remote villages and urban bureaucracies to find the brave men and women working to create change in the Middle East.”—Los Angeles Times In this timely and important book, Isobel Coleman shows how Muslim women and men across the Middle East are working within Islam to fight for women’s rights in a growing movement of Islamic feminism. Journeying through Saudi Arabia, Iraq, Iran, Afghanistan, and Pakistan, Coleman introduces the reader to influential Islamic feminist thinkers and successful grassroots activists working to create economic, political, and educational opportunities for women. Their advocacy for women’s rights based on more progressive interpretations of Islam are critical to bridging the conflict between those championing reform and those seeking to oppress women in the name of religious tradition. Socially, culturally, economically, and politically, the future of the region depends on finding ways to accommodate human rights, and in particular women’s rights, with Islamic law. These reformers—and thousands of others—are the people leading the way forward. Featuring new material that addresses how the Arab uprisings and other recent events have affected the social and political landscape of the region, Paradise Beneath Her Feet offers a message of hope: Change is coming to the Middle East—and more often than not, it is being led by women. Praise for Paradise Beneath Her Feet “Clearly written, deeply moving, and wonderfully enlightening.”—Reza Aslan, author of No god but God “[An] engrossing portrait of real Muslim women that reveals how Islamic feminists . . . are working with and within the culture, rather than against it . . . to forge ‘a legitimate Islamic alternative to the current repressive system.’ Coleman doesn’t diminish the enormity of the struggle, but she argues convincingly that it might yet rewrite Islam’s future.”—Publishers Weekly (starred review) “A nuanced view of Islam’s role in public life that is cautiously hopeful.”—The Economist “Eye-opening . . . Deeply religious, profoundly determined and modern in every way, these are twenty-first-century women bent on change. Hear them roar and see a future being born before our eyes.”—Booklist