A thrilling Regency romance from the author of Dangerous. “Spencer shines in her sophomore effort, burnishing her reputation as an author to watch.”—Kirkus Reviews He could be her ruin Hugh Redvers is supposed to be dead. So the appearance of the sun-bronzed giant with the piratical black eye patch is deeply disturbing to Lady Daphne Davenport. And her instant attraction to the notorious privateer is not only wildly inappropriate for a proper widow but potentially disastrous. Because he is also the man Daphne has secretly cheated of title, lands, and fortune. She could be his salvation Daphne’s distant, untouchable beauty and eminently touchable body are hard enough to resist. But the prim, almost severe, way she looks at him suggests this might be the one woman who can make him forget all the others. His only challenge? Unearthing the enemy who threatens her life . . . and uncovering the secrets in her cool blue eyes. Praise for Dangerous “Minerva Spencer’s writing is sophisticated and wickedly witty. Dangerous is a delight from start to finish with swashbuckling action, scorching love scenes, and a coolly arrogant hero to die for.”—Elizabeth Hoyt, New York Times bestselling author “Readers will love this lusty and unusual marriage of convenience story.”—Madeline Hunter, New York Times bestselling author “Smart, witty, graceful, sensual, elegant and gritty all at once. It has all of the meticulous attention to detail I love in Georgette Heyer, BUT WITH SEX!”—Jeffe Kennedy, RITA Award-winning author

'Barbarous Philosophers' discusses the nature of war through the work of 16 philosophers, from Heraclitus in the 6th century B.C. to the philosopher-physicist Werner Heisenberg writing in the 1950s.

Abandoning other potential leads, the police quickly focused their investigation on the grieving husband. What followed was a tragic miscarriage of justice. Barbarous Souls tells the story of Darrel Parker's wrongful conviction for Nancy's murder and the decades-long struggle to clear his name. --

An early 20th century American journalist's articles on Mexico before the Revolution.

Finalist for the Pulitzer Prize A compelling, fresh account of the first great transit of people from Britain, Europe, and Africa to British North America, their involvements with each other, and their struggles with the indigenous peoples of the eastern seaboard. The immigrants were a mixed multitude. They came from England, the Netherlands, the German and Italian states, France, Africa, Sweden, and Finland, and they moved to the western hemisphere for different reasons, from different social backgrounds and cultures. They represented a spectrum of religious attachments. In the early years, their stories are not mainly of triumph but of confusion, failure, violence, and the loss of civility as they sought to normalize situations and recapture lost worlds. It was a thoroughly brutal encounter—not only between the Europeans and native peoples and between Europeans and Africans, but among Europeans themselves, as they sought to control and prosper in the new configurations of life that were emerging around them.

John Kenneth Turner was a California journalist uncovering political crimes. In this book, he presents the causes of the Mexican Revolution in Barbarous Mexico. In essence, this book is his exposé of the Díaz regime.

In the late sixteenth century, English merchants and diplomats ventured into the eastern Mediterranean to trade directly with the Turks, the keepers of an important emerging empire in the Western Hemisphere, and these initial exchanges had a profound effect on English literature. While the theater investigated representations of religious and ethnic identity in its portrayals of Turks and Muslims, poetry, Miriam Jacobson argues, explored East-West exchanges primarily through language and the material text. Just as English markets were flooded with exotic goods, so was the English language awash in freshly imported words describing items such as sugar, jewels, plants, spices, paints, and dyes, as well as technological advancements such as the use of Arabic numerals in arithmetic and the concept of zero. Even as these Eastern words and imports found their way into English poetry, poets wrestled with paying homage to classical authors and styles. In Barbarous Antiquity, Jacobson reveals how poems adapted from Latin or Greek sources and set in the ancient classical world were now reoriented to reflect a contemporary, mercantile Ottoman landscape. As Renaissance English writers including Shakespeare, Jonson, Marlowe, and Chapman weighed their reliance on classical poetic models against contemporary cultural exchanges, a new form of poetry developed, positioned at the crossroads of East and West, ancient and modern. Building each chapter around the intersection of an Eastern import and a classical model, Jacobson shows how Renaissance English poetry not only reconstructed the classical past but offered a critique of that very enterprise with a new set of words and metaphors imported from the East.