Though three of his four grandparents were from America and the first language he learned at home was English, Baldur von Schirach became one of the Third Reich’s most influential individuals. He joined the Nazi Party as early as 1925 at the age of eighteen and three years later became a member of its National Leadership. He also married Henriette, the daughter of Hitler’s personal photographer, Heinrich Hoffmann. Von Schirach continued to rise through the ranks of the Nazi Party, reaching the rank of SA-Gruppenführer. It was as the leader of the Hitler Youth organization, however, for which von Schirach is best remembered, becoming Reichsführer of the Hitler Youth on 16 June 1932, and the following year was given responsibility for all youth organizations in Germany. He also became a member of the Reichstag as a representative of the Party. Despite his influential position, he was called up for military service and served in the French campaign of 1940. Following this he became Reich Governor and the Nazi’s Gauleiter Reichsstatthalter in Vienna – powerful positions he retained until the final collapse of the Third Reich in May 1945. His responsibilities as Gauleiter and Reichsstatthalter included overseeing the deportation of Vienna’s Jews to ghettos and concentration camps in occupied Poland. Though a confirmed anti-Semite, later in the war he pleaded for a moderate treatment of the eastern European peoples and criticized the conditions in which Jews were being deported. This caused a breach with Hitler and the Nazi leadership, though he managed to retain his position in Vienna. Following his capture by US troops, von Schirach was among the major war criminals put on trial at Nuremburg. Found guilty of crimes against humanity on 1 October 1946, von Schirach was sentenced to twenty years imprisonment. He served out his time in the company of Rudolf Hess and Albert Speer in Spandau prison. He admitted his crimes and his role in the deportations and in his autobiography, I Believed in Hitler, he explained how he was drawn into the world of the Nazis. He also said that his aim was destroy any belief in the rebirth of Nazism as well as blaming himself for not having done more to prevent the concentration camps. This detailed and balanced analysis of Baldur von Schirach reveals the true and ambivalent nature of a complex and fascinating individual who played a key role in the events leading up to, and during, the Second World War.

The internationally bestselling courtroom drama centering on a young German lawyer and a case involving World War II A bestseller in Germany since its 2011 release—with rights sold in seventeen countries—The Collini Case combines the classic courtroom procedural with modern European history in a legal thriller worthy of John Grisham and Scott Turow. Fabrizio Collini is recently retired. He’s a quiet, unassuming man with no indications that he’s capable of hurting anyone. And yet he brutally murders a prominent industrialist in one of Berlin’s most exclusive hotels. Collini ends up in the charge of Caspar Leinen, a rookie defense lawyer eager to launch his career with a not-guilty verdict. Complications soon arise when Collini admits to the murder but refuses to give his motive, much less speak to anyone. As Leinen searches for clues he discovers a personal connection to the victim and unearths a terrible truth at the heart of Germany’s legal system that stretches back to World War II. But how much is he willing to sacrifice to expose the truth?

In modern times, the recruitment of children into a political organization and ideology reached its boldest embodiment in the Hitler Youth, founded in 1933 soon after the Nazi Party assumed power in Germany. Determining that by age ten children’s minds could be turned from play to politics, the regime inducted nearly all German juveniles between the ages of ten and eighteen into its state-run organization. The result was a potent tool for bending young minds and hearts to the will of Adolf Hitler. Baldur von Schirach headed a strict chain of command whose goal was to shift the adolescents’ sense of obedience from home and school to the racially defined Volk and the Third Reich. Luring boys and girls into Hitler Youth ranks by offering them status, uniforms, and weekend hikes, the Nazis turned campgrounds into premilitary training sites, air guns into machine guns, sing-alongs into marching drills, instruction into indoctrination, and children into Nazis. A few resisted for personal or political reasons, but the overwhelming majority enlisted. Drawing on original reports, letters, diaries, and memoirs, Michael H. Kater traces the history of the Hitler Youth, examining the means, degree, and impact of conversion, and the subsequent fate of young recruits. Millions of Hitler Youth joined the armed forces; thousands gleefully participated in the subjugation of foreign peoples and the obliteration of “racial aliens.” Although young, they committed crimes against humanity for which they cannot escape judgment. Their story stands as a harsh reminder of the moral bankruptcy of regimes that make children complicit in crimes of the state.

In the first chapter on the German military’s unlikely function as an incubator of modernist art and in the second chapter on Adolf Hitler’s advocacy for “eugenic” figurative representation embodying nostalgia for lost Aryan racial perfection and the aspiration for the future perfection of the German Volk, Maertz conclusively proves that the Nazi attack on modernism was inconsistent. In further chapters, on the appropriation of Christian iconography in constructing symbols of a Nazi racial utopia and on Baldur von Schirach’s heretical patronage of modernist art as the supreme Nazi Party authority in Vienna, Maertz reveals that sponsorship of modernist artists continued until the collapse of the regime. Also based on previously unexamined evidence, including 10,000 works of art and documents confiscated by the U.S. Army, Maertz’s final chapter reconstructs the anarchic denazification and rehabilitation of German artists during the Allied occupation, which had unforeseen consequences for the postwar art world.

There are and always have been ways of escaping one's own past. But there are some who have never had this chance: the children of prominent Nazis. On one hand they have the memories of the nice, kind man who was their father, on the other they are confronted with the facts of history: with the madness, the murders, the personal purgatory. The Leberts, father and son, spoke at an interval of forty years - 1959 and 1999 - to these men and women who bore a tainted name and were crushed by the burden of the past: Gudrun Himmler - 75, runs a network for old Nazis in Munich, denies her father did anything wrong; Martin Boorman (junior) - 70, believes his father was a monster; Etta Goring - 70, will hear no bad word about her father; Nicholas Frank (father was in charge of Auschwitz) believes his father was the incarnation of evil. The result is a series of snapshots of rare intensity and a demonstration of how these destinies have more to do with the twenty-first century than many would care to think.