Bach for the Banjo is a collection of some of Bach's best-known pieces transcribed for the five-string banjo. Several pieces appear in tablature for banjo with a second part for guitar: Inventions 1, 8, 13, and 14; March; Minuet in G; Polonaise in G minor; Minuet in G minor; and Musette. Others appear in notation and tablature for solo banjo: Prelude from Partita No.III for Solo Violin; Bouree II from Suite IV for Solo Cello; Menuets I & II from Suite II for Solo Cello; Courante from Suite I for Solo Cello; Gavotte en Rondeau from Partita No.III for Solo Violin; and Prelude from Suite I for Solo Cello. Finally, Bauerntanz is offered as a banjo duet in tablature only. These transcriptions are taken from the recordings the Classical Banjo and Bach on the Banjo which take Bach's classic pieces to new heights.

(Banjo). The banjo shares many of the same sonic qualities as a harpsichord, so although it's so closely associated with more homespun genres, the instrument actually lends itself very well to classical music! The pieces in Bach for Banjo are in tablature only with chord symbols, arranged at the beginning to intermediate level for five-string banjo players. As in classical guitar arrangements, the melody and harmony are combined. Most pieces are on facing pages with no page turns required, and beginners can pick through the selections at a slow pace. The book features just the best-known parts of 20 beloved Bach pieces: Air on the G String * Arioso * Minuet in G * Sheep May Safely Graze * Sleepers, Awake * and more.

(Banjo). 14 Dylan classics arranged specifically for clawhammer banjo, including: All Along the Watchtower * Blowin' in the Wind * Don't Think Twice, It's All Right * Hurricane * It Ain't Me Babe * Knockin' on Heaven's Door * Lay Lady Lay * Like a Rolling Stone * Mr. Tambourine Man * Positively 4th Street * Shelter from the Storm * Tangled up in Blue * The Times They Are A-Changin' * You Ain't Goin' Nowhere.

Bach's cello suites are among the most famous solo instrumental works of all time. The cello and the tenor banjo share the same tuning, and banjo players might be surprised at how well this great music fits on the fretboard. Rob MacKillop has provided tablature for the firstthree suites. Here is a chance for tenor banjo players to explore Bach on their instrument, which could be tuned to either regular, CGDA, or Irish tuning, GDAE.Accompanying audio is included, using three different tenor banjos: a regular tenor (Deeringr Eagle II), a gourd tenor (Jaybirdr Banjos), and a cello banjo (Gold Toner) which has the same low pitch as the cello.A `suite' is a collection of dances of varying speeds and time signatures, conceived to be performed as a whole, and preceded by a prelude. Bach's Prelude to the 1st Suite is magnificent and justlyfamous. The Bourree from the 3rd Suite is also very popular. Enjoy playing Bach on the Tenor Banjo!

Banjo Picking is the ultimate banjo method to develop tone, timing and rock solid rhythm for the picking hand, thorough in scope from the beginning level to the challenges of extreme banjo. with lots of exercises, tunes, photos and helpful text, tools for learning bluegrass, classical, jazz, folk, urban classic fingerstyle or other music, no finger picking banjoist should be without it. the CD can equip banjoists with all they need to develop skills, repertoire and confidence.

Here is the Forgotten Heritage: Great Banjo Music! Discover the birth of the American fingerstyle banjo in this collection of 28 of the finest tunes culled from banjo publications between 1860 and 1887. Learn amazing banjo music by some of the early leading players, James Buckley, Albert Baur, and the great Frank B. Converse, the greatest virtuoso of his day. from folk-style dances to parlor dances such as the Polka, Mazurka and Schottische, to advanced Romantic-period classical-style solos. Can be played on modern banjos or period-style instruments. the CD recording by Rob MacKillop features a gut-strung banjo, and is played with the flesh of the fingertips, in the old American tuning. for modern instrument players, Rob has provided TAB and a Standard Notation stave at modern banjo pitch. Clawhammer players will find many of the pieces in the book suitable for their technique, and bluegrass/fingerstyle players will be able to play all the pieces. Rob MacKillop provides a fascinating introductory essay, placing the music in its historical context, while his CD of performances can be viewed as a stand-alone recording by a leading player in the revival of this great American banjo heritage.

This book, written for those with no prior musical experience, is the definitive text for learning C-tuning concert, or classic-style 5-string banjo. Written by the late Frank Bradbury, Banjo Method provides a thorough grounding in music theory and note reading, along with a complete presentation of Mr. Bradbury's unique 5-string concert banjo technique and outstanding solo and duet arrangements by various artists. the technique described here is radically different from that found in other books about the 5-string banjo, and no tablature is used. No plastic or metal picks are used on the right-hand fingers, nor are the fingernails used, but rather the bare fingertips. the hand positions recommended by Mr. Bradbury are not unlike those of a classical guitarist. All in all, this is an uncommon, but valid approach to solo banjo technique. Online audio of select pieces and exercises featuring Rob MacKillop now available.