A Paris Review Staff Pick, one of Chicago Tribune's 25 Hot Books of Summer, and one of The A.V. Club's 15 Most Anticipated Books of 2019 A stark, elegiac account of unexpected pleasures and the progress of seasons Fifteen years ago, Kathryn Scanlan found a stranger’s five-year diary at an estate auction in a small town in Illinois. The owner of the diary was eighty-six years old when she began recording the details of her life in the small book, a gift from her daughter and son-in-law. The diary was falling apart—water-stained and illegible in places—but magnetic to Scanlan nonetheless. After reading and rereading the diary, studying and dissecting it, for the next fifteen years she played with the sentences that caught her attention, cutting, editing, arranging, and rearranging them into the composition that became Aug 9—Fog (she chose the title from a note that was tucked into the diary). “Sure grand out,” the diarist writes. “That puzzle a humdinger,” she says, followed by, “A letter from Lloyd saying John died the 16th.” An entire state of mourning reveals itself in “2 canned hams.” The result of Scanlan’s collaging is an utterly compelling, deeply moving meditation on life and death. In Aug 9—Fog, Scanlan’s spare, minimalist approach has a maximal emotional effect, remaining with the reader long after the book ends. It is an unclassifiable work from a visionary young writer and artist—a singular portrait of a life revealed by revision and restraint.

Named a Best Book of 2020 by The Guardian, Southwest Review, and Publishers Weekly "[The stories] are short, but their mood and imagery are lasting, and reflective of brutal truths of the commerce of human civilization . . . chilling, finely tuned pieces on power and survival." --Los Angeles Times A collection of innovative and ambitious short stories from a visionary young literary artist In The Dominant Animal—Kathryn Scanlan’s adventurous, unsettling debut collection—compression is key. Sentences have been relentlessly trimmed, tuned, and teased for maximum impact, and a ferocious attention to rhythm and sound results in a palpable pulse of excitability and distress. The nature of love is questioned at a golf course, a flower shop, an all-you-can-eat buffet. The clay head of a man is bought and displayed as a trophy. Interior life manifests on the physical plane, where characters—human and animal—eat and breathe, provoke and injure one another. With exquisite control, Scanlan moves from expansive moods and fine afternoons to unease and violence—and also from deliberate and generative ambiguity to shocking, revelatory exactitude. Disturbances accrue as the collection progresses. How often the conclusions open—rather than tie—up. How they twist alertly. No mercy, a character says—and these stories are merciless and strange and absolutely masterful.

The Oprah Book Club selection for November 2000.

A Newbery Honor Book. Greta had always loved the fog—the soft gray mist that rolled in from the sea and drifted over the village. The fog seemed to have a secret to tell her. Then one day when Greta was walking in the woods and the mist was closing in, she saw the dark outline of a stone house against the spruce trees—a house where only an old cellar hole should have been. Then she saw a surrey come by, carrying a lady dressed in plum-colored silk. The woman beckoned for Greta to join her, and soon Greta found herself launched on an adventure that would take her back to a past that existed only through the magic of the fog.

" Top 10 Children’s Book 2013 – New York Times Book Review A Publishers Weekly Best Children’s Book of 2013 A New York Times Best Illustrated Children’s Book of 2013 "Tomi Ungerer has created another masterpiece." – Eric Carle In this imaginative tale from master storyteller Tomi Ungerer, two young siblings find themselves cast away on mysterious Fog Island. No one has ever returned from the island’s murky shores, but when the children begin to explore, they discover things are not quite as they expected. Ungerer’s captivating drawings evoke the eerie beauty and magic surrounding this timeless adventure. Selected by both The New York Times and Publishers Weekly as one of the year’s best children’s books, Fog Island is destined to become a modern classic. "

A chilling story of madness and murder, The Fog is a classic horror novel from James Herbert, author of The Rats. It begins with a crack that rips the earth apart. Peaceful village life shattered. But the disaster is just the beginning. Out of the bottomless pit creeps a malevolent fog. Spreading through the air it leaves a deadly, horrifying trail, destined to devastate the lives of all those it encounters . . .

The classic London fogs—thick yellow “pea-soupers”—were born in the industrial age and remained a feature of cold, windless winter days until clean air legislation in the 1960s. Christine L. Corton tells the story of these epic London fogs, their dangers and beauty, and the lasting effects on our culture and imagination of these urban spectacles.