What if Belle's mother cursed the Beast? As Old as Time is the third book in a new YA line that reimagines classic Disney stories in surprising new ways. When Belle touches the Beast's enchanted rose, memories flood through Belle's mind—memories of a mother she thought she would never see again. And, stranger still, she sees that her mother is none other than the beautiful enchantress who cursed the castle and all its inhabitants. Shocked and confused, Belle and the Beast will have to unravel a dark mystery about their families that is 21 years in the making.

The Beauty and the Beast legend has a universal appeal; the tale exists in numerous versions throughout the world. After all of its ups and downs, Disney's Beauty and the Beast was released in 1991 to rave reviews and record-breaking business. The film was widely hailed as a technical and aesthetic breakthrough. It was the first of only three animated features ever to be nominated for an Oscar for Best Picture. Its success has since spun into a smash Broadway musical adaptation, intricately detailed environments at Walt Disney World, and soon a live-action movie musical directed by Bill Condon. This authoritative book features interviews with artists, producers, directors, writers, actors, and more from the various beloved installments-making it a treasure trove of delights for fans of the tale as old as time.

A Tale As Old As Time is an epic tale about the bastard son of the tyrant Macbeth and his sacrifice to save the world from the seven deadly sins that live deep within us all.

What if Belle's mother cursed the Beast? As Old as Time is the third book in a new YA line that reimagines classic Disney stories in surprising new ways. When Belle touches the Beast's enchanted rose, memories flood through Belle's mind-memories of a mother she thought she would never see again. And, stranger still, she sees that her mother is none other than the beautiful enchantress who cursed the castle and all its inhabitants. Shocked and confused, Belle and the Beast will have to unravel a dark mystery about their families that is 21 years in the making.

Belle is a lot of things: smart, resourceful, restless. She longs to escape her poor provincial town for good. She wants to explore the world, despite her fathers reluctance to leave their little cottage in case Belles mother returnsa mother she barely remembers. Belle also happens to be the captive of a terrifying, angry beast. And that is her primary concern. But when Belle touches the Beasts enchanted rose, intriguing images flood her mindimages of the mother she believed she would never see again. Stranger still, she sees that her mother is none other than the beautiful Enchantress who cursed the Beast, his castle, and all its inhabitants. Shocked and confused, Belle and the Beast must work together to unravel a dark mystery about their families that is twenty-one years in the making.

Through a twist of fate that the author of Labyrinths himself would have relished, these lost lectures given in English at Harvard in 1967–1968 by Jorge Luis Borges return to us now, a recovered tale of a life-long love affair with literature and the English language. Transcribed from tapes only recently discovered, This Craft of Verse captures the cadences, candor, wit, and remarkable erudition of one of the most extraordinary and enduring literary voices of the twentieth century. In its wide-ranging commentary and exquisite insights, the book stands as a deeply personal yet far-reaching introduction to the pleasures of the word, and as a first-hand testimony to the life of literature. Though his avowed topic is poetry, Borges explores subjects ranging from prose forms (especially the novel), literary history, and translation theory to philosophical aspects of literature in particular and communication in general. Probably the best-read citizen of the globe in his day, he draws on a wealth of examples from literature in modern and medieval English, Spanish, French, Italian, German, Greek, Latin, Arabic, Hebrew, and Chinese, speaking with characteristic eloquence on Plato, the Norse kenningar, Byron, Poe, Chesterton, Joyce, and Frost, as well as on translations of Homer, the Bible, and the Rubáiyát of Omar Khayyám. Whether discussing metaphor, epic poetry, the origins of verse, poetic meaning, or his own “poetic creed,” Borges gives a performance as entertaining as it is intellectually engaging. A lesson in the love of literature and in the making of a unique literary sensibility, this is a sustained encounter with one of the writers by whom the twentieth century will be long remembered.

“If I were the only survivor on a remote island and all I had with me were this book, a Swiss army knife and a bottle, I would throw the bottle into the sea with the note: ‘Don’t worry, I have everything I need.’” — Ciril Horjak, alias Dr. Horowitz, a comic artist “The writing is understandable, but never simplistic. Instructive, but never patronizing. Straightforward, but never trivial. In-depth, but never too intense.” — Ali Žerdin, editor at Delo, the main Slovenian newspaper “Does science think? Heidegger once answered this question with a decisive No. The writings on modern science skillfully penned by Sašo Dolenc, these small stories about big stories, quickly convince us that the contrary is true. Not only does science think in hundreds of unexpected ways, its intellectual challenges and insights are an inexhaustible source of inspiration and entertainment. The clarity of thought and the lucidity of its style make this book accessible to anyone … in the finest tradition of popularizing science, its achievements, dilemmas and predicaments.” — Mladen Dolar, philosopher and author of A Voice and Nothing More “Sašo Dolenc is undoubtedly one of our most successful authors in the field of popular science, possessing the ability to explain complex scientific achievements to a broader audience in a clear and captivating way while remaining precise and scientific. His collection of articles is of particular importance because it encompasses all areas of modern science in an unassuming, almost light-hearted manner.” — Boštjan Žekš, physicist and former president of the Slovenian Academy of Sciences and Arts