An essential tantric text on the practice of advanced yoga in tantric Buddhism. The Lamp for Integrating the Practices (Caryamelapakapradipa) is a systematic and comprehensive exposition of the most advanced yogas of the Esoteric Community Tantra (Guhyasamaja-tantra) as espoused by the Noble (Nagarjuna) tradition, an influential school of interpretation within the Mahayoga traditions of Indian Buddhist mysticism. Equal in authority to Nagarjuna's famous Five Stages (Pañcakrama), Aryadeva’s work is perhaps the earliest prose example of the “stages of the mantra path” genre in Sanskrit. Its systematic path exerted immense influence on later Indian and Tibetan traditions, and it is widely cited by masters from all four major lineages of Tibetan Buddhism. This volume presents the Lamp in a thoroughly annotated English translation. It includes an introductory study discussing the history of the Guhyasamaja and its exegetical traditions, surveying the scriptural and commentarial sources of the Nagarjuna tradition, and analyzing in detail the contents of the Lamp. The book also features a detailed, trilingual glossary. Simultaneously presented online for scholars are a version of its Sanskrit original, critically edited from recently identified manuscripts, and a critical edition of the eleventh-century Tibetan translation by Rinchen Zangpo, including notes on readings found in “lost,” alternative translations.

The Lamp that Integrates the Practices is a systematic and comprehensive exposition of the most advanced yogas of the Esoteric Communion (Guhyasamaja) Tantra as espoused by the Noble Tradition. Aryadeva's work is perhaps the earliest prose example of a "stages of the mantra path" work in Sanskrit, and it exerted immense influence on later Tibetan tradition. This volume presents the Lamp in a tri-lingual format: its Sanskrit original, a critical edition of the eleventh-century Tibetan, and a thoroughly-annotated English translation. Features a comprehensive, tri-lingual glossary.

The most important commentary on Vajrayana from the founder of the Dalai Lama's school of Buddhism. The Brilliantly Illuminating Lamp of the Five Stages (rim lnga rab tu gsal ba’i sgron me) is Tsong Khapa’s most important commentary on the perfection stage practices of the Esoteric Community (Guhyasamaja), the tantra he considered fundamental for the practice of the “father tantra” class of unexcelled yoga tantras. It draws heavily on Nagarjuna’s Five Stages (Pañcakrama) and Aryadeva’s Lamp that Integrates the Practices (Carya­melapaka­pradipa), as well as a vast range of perfection stage works included in the Tibetan canonical (Kangyur and Tengyur) collections. It is an important work for both scholars and practitioners. A reader of this work will find in it convincing evidence for Tsong Khapa’s own yogic experience and attainment, in coordination with his better-known philosophical and scholarly achievements. The present revised edition of the work is a cornerstone of the Complete Works of Jey Tsong Khapa and Sons collection, a subset of the Treasury of the Buddhist Sciences series. Comprised of the collected works of Tsong Khapa (1357–1419) and his spiritual sons, Gyaltsap Darma Rinchen (1364–1432) and Khedrup Gelek Pelsang (1385–1438), the numerous works in this set of Tibetan treatises and supercommentaries are based on the thousands of works in the Tibetan Buddhist canon.

Winner of the 2014 Khyenste Foundation Translation Prize. Nagarjuna's renowned twenty-seven-chapter Fundamental Verses on the Middle Way (Mulamadhyamakakarika) is the foundational text of the Madhyamaka school of Mahayana Buddhist philosophy. It is the definitive, touchstone presentation of the doctrine of emptiness. Professors Siderits and Katsura prepared this translation using the four surviving Indian commentaries in an attempt to reconstruct an interpretation of its enigmatic verses that adheres as closely as possible to that of its earliest proponents. Each verse is accompanied by concise, lively exposition by the authors conveying the explanations of the Indian commentators. The result is a translation that balances the demands for fidelity and accessibility.

Tsongkhapa's A Lamp to Illuminate the Five Stages (1419) is a comprehensive presentation of the highest yoga class of Buddhist tantra, especially the key practices - the so-called five stages (pancakrama) - of the advanced phase of Guhyasamaja tantra. Beginning with a thorough examination of the Indian sources, Tsongkhapa draws particularly from the writings of Nagarjuna, Aryadeva, Candrakirti, and Naropa to develop a definitive understanding of the Vajrayana completion stage. Whereas in the generation stage, meditators visualize the Buddha in the form of the deity residing in a mandala palace, in the completion stage discussed in the present volume, meditators transcend ordinary consciousness and actualize the state of a buddha themselves. Among other things, Tsongkhapa's work covers the subtle human physiology of channels and winds along with the process of dying, the bardo, and rebirth. This definitive statement on Guhyasamaja tantra profoundly affected the course of Buddhist practice in Tibet.

The seventh-century Indian master Candrakirti lived a life of relative obscurity, only to have his thoughts and writings rejuvenated during the Tibetan transmission of Buddhism. Since then, Candrakirti has been celebrated as offering the most thorough and accurate vision of Nagarjuna's view of emptiness which, in turn, most fully represents the final truth of the Buddha's teaching. Candrakirti's emptiness denies the existence of any "nature" or substantial, enduring essence in ourselves or in the phenomenal world while avoiding the extreme view of nihilism. In this view, our false belief in nature is at the root of our ignorance and is the basis for all mental and emotional pain and disturbance. For many Tibetan scholars, only Candrakirti's Middle Way entirely overcomes our false belief in inherent identity and, consequently, alone overcomes ignorance, delivering freedom from the cycle of uncontrolled death and rebirth known as samsara. Candrakirti's writings have formed the basis for Madhyamaka study in all major traditions of Tibetan Buddhism. In Resurrecting Candrakirti, Kevin Vose presents the reader with a thorough presentation of Candrakirti's rise to prominence and the further elaborations the Tibetans have made on his presentation of emptiness. By splitting Madhyamaka into two subschools, namely the Svatantrika and Prasangika, the Tibetans became pioneers in understanding reality and created a new way to define differences in interpretation. Resurrecting Candrakirti provides the historical and philosophical context necessary to understand both Madhyamaka and its importance to Tibetan Buddhist thought.

Whether chanted as devotional prayers, intoned against the dangers of the wilds, or invoked to heal the sick and bring ease to the dead, incantations were pervasive features of Buddhist practice in late medieval China (600Ð1000 C.E.). Material incantations, in forms such as spell-inscribed amulets and stone pillars, were also central to the spiritual lives of both monks and laypeople. In centering its analysis on the Chinese material culture of these deeply embodied forms of Buddhist ritual, The Body Incantatory reveals histories of practiceÑand logics of practiceÑthat have until now remained hidden. Paul Copp examines inscribed stones, urns, and other objects unearthed from anonymous tombs; spells carved into pillars near mountain temples; and manuscripts and prints from both tombs and the Dunhuang cache. Focusing on two major Buddhist spells, or dharani, and their embodiment of the incantatory logics of adornment and unction, he makes breakthrough claims about the significance of Buddhist incantation practice not only in medieval China but also in Central Asia and India. His work vividly captures the diversity of Buddhist practice among medieval monks, ritual healers, and other individuals lost to history, offering a corrective to accounts that have overemphasized elite, canonical materials.