Contemporary Europe – ridden by social, political and economic crises, overlaid onto colonial and imperial trajectories, and shaken by the shockwaves generated by Brexit and wide scale human displacement – has become a space in which citizenship and belonging are contested, disrupted, performed and produced anew. Art, Migration, and the Production of Radical Democratic Citizenshipexplores the contribution of migrant and refugee artists to the performance and production of radical democratic citizenship in Europe. It foregrounds the insights of artists and cultural actors with diverse experiences of migration and displacement to fractious public debates about citizenship and belonging. It explores how migrant and refugee artists have audaciously inserted themselves into, and are pushing the boundaries of these debates, challenging and unhinging dominant interpretations of the parameters of European citizenship and belonging. Part I of this edited volume is comprised of a series of short provocations by artists spanning and intermixing a range of art forms and methodologies including live art, visual art and public installation, community and site-specific durational work, or the combination of writing, auto-ethnography and media activism. The second Part comprises longer, more sustained engagements by visual and live art practitioners, dramaturges, curators and academics. These chapters focus on performative, participatory, auto-biographical and auto-ethnographic artistic processes and practices. Art, Migration, and the Production of Radical Democratic Citizenship highlights the critical interventions by artists who have experienced firsthand the everyday realities of displacement, focusing on how their diverse practices offer incisive challenges to existing regimes of citizenship and democracy.

This book examines how citizen art practices perform new kinds of politics, as distinct from normative (status, participatory and cosmopolitan) models. It contends that at a time in which the conditions of citizenship have been radically altered (e.g., by the increased securitization and individuation of bodies and so forth), there is an urgent drive for citizen art to be enacted as a tool for assessing the “hollowed out” conditions of citizenship. Citizen art, it shows, stands apart from other forms of art by performing acts of citizenship that reveal and transgress the limitations of state-centred citizenship regimes, whilst simultaneously enacting genuinely alternative modes of (non-statist) citizenship. This book offers a new formulation of citizen art—one that is interrogated on both critical and material levels, and as such, remodels the foundations on which citizenship is conceived, performed and instituted.

Human-caused extinctions have never been so prominent in our political and cultural landscape. Extinction and Religion is a collection of wide-ranging chapters that explore the implications for religious faith and experience as it relates to a "sixth mass extinction" in Earth's history. Further it seeks to answer the question as to how religious and spiritual practices are shaping responses to the crisis? Edited by Jeremy H. Kidwell and Stefan Skrimshire, this collection aims to set a new postsecular agenda, articulating the questions, challenges, and ways forward for thinking about religion in an age of mass extinction rather than provide responses from world religions in isolation. It covers subjects such as the multitude of challenges posed by mass extinction to beliefs about the future of humanity, death and the afterlife, the integrity of creation, and the relationship between human and nonhuman life. Wide ranging and incisive, Extinction and Religion amply demonstrates the many ways in which the threat of extinction profoundly affects our faith and religious life worlds.

Taking citizenship as a political position, cultural process, and intertwining of both, this edited volume examines the role of visual art and visual culture as sites for the construction and contestation of both state-sanctioned and cultural citizenships from the late 1970s to today. Contributors to this book examine an assortment of visual media—painting, sculpture, photography, performance, the built environment, new media, and social practice—within diverse and international communities, such as the United States, South Africa, Turkey, and New Zealand. Topics addressed include, but are not limited to, citizenship in terms of: nation building, civic practices, border zones, transnationalism, statelessness, and affects of belonging as well as alternate forms of, or resistance to, citizenship.

How do racialized migrant mothers contest hegemonic racialized formations of citizenship? Bringing together leading scholars from international and multi-disciplinary perspectives, this book shows how migrant mothers realise and problematise their role in bringing up future citizens in modern societies, increasingly characterised by racial, ethnic, religious, cultural and social diversity. The book stimulates critical thinking on how migrant mothers creatively intervene into citizenship by reworking its racialized meanings and creating new, racially plural practices and challenging boundaries. The contributions explore the processes that shape migrant mothers’ cultural and caring work in enabling their children to occupy a place as future citizens despite and against their racialized subordination. The book contributes to disciplinary fields of politics, sociology, anthropology, psychoanalysis, participatory arts practice and theory, geography, queer and gender studies, looking at the thematic areas of participatory arts, family forms, social activism, and education in the US, Canada, the UK, France, Portugal. These cross-cultural and disciplinary perspectives contribute to the exciting emergence of a distinctive field of research engaging with pressing intellectual and social issues of how ideas and practices of citizenship develop in the face of increasing spatial mobility and across boundaries of generation and ethnicity, in the process requiring new, creative interventions into how we think about and do citizenship. This book was originally published as a special issue of Ethnic and Racial Studies.

Collaboration in the arts is no longer a conscious choice to make a deliberate artistic statement, but instead a necessity of artistic survival. In today’s hybrid world of virtual mobility, collaboration decentralizes creative strategies, enabling artists to carve new territories and maintain practice-based autonomy in an increasingly commercial and saturated art world. Collaboration now transforms not only artistic practices but also the development of cultural institutions, communities and personal lifestyles. This book explores why collaboration has become so integrated into a greater understanding of creative artistic practice. It draws on an emerging generation of contributors—from the arts, art history, sociology, political science, and philosophy—to engage directly with the diverse and interdisciplinary nature of collaborative practice of the future.

This volume identifies the question of artistic citizenship to explore civic identity. Featuring contributions from experts in the field, this book is indispensable to anyone involved in arts education or the creation of public policy for the arts.