Time contemporary art has explored such diverse registers of temporality as wasting and waiting, regression and repetition, deja vu and seriality, idleness and unrealized potential, non-consummation and counter-productivity, the belated and the premature, the disjointed and the out of synch - all of which go against sequential time and index slips in chronological experience. While theorists have proposed radical perspectives such as the 'anachronistic' or 'heterochronic' reading of history, artists have opened up the field of time to the extent that they very notion of the contemporary is brought into question. - Back cover

. . . Focuses on the lesser-known comic works by celebrated icons of the industry, like H.G. Peter (the artist behind Wonder Woman), John Stanley (the writer and artist for Little Lulu), Harry Lucey (one of the artists behind Archie), Jesse Marsh (the artist for Tarzan), and Bill Everett (best know for his characters Sub Mariner and Dr. Strange).

Art in Time is the first book to embed art movements within the larger context of politics and history. Global in scope and featuring an innovative present‐to‐past arrangement, the book’s accessible text looks back on the most significant art styles and movements, from the present day to antiquity. Pages of historical photographs, documents, newspaper headlines, and other ephemera evoke the times in which styles and movements arose. The book opens with The Information Age (Internet Art, Neo‐Expressionaism, Arte Povera) and closes with The Classical Age (Roman wall painting, Hellenistic Greek style), covering everything from Photorealism, Art Brut, Ukiyo‐e, and Byzantine style in between. An integrated timeline provides a linear thread throughout the book, while succinct, authoritative text illuminates key points.

A collection of hybrid essays on landscape and visual art that implicitly recognizes our obligations to the earth and presents the earth in ways that make others recognize them too.

A well-known feature of great works of art is their power to “live on” long after the moment of their creation – to remain vital and alive long after the culture in which they were born has passed into history. This power to transcend time is common to works as various as the plays of Shakespeare, the Victory of Samothrace, and many works from early cultures such as Egypt and Buddhist India which we often encounter today in major art museums. What is the nature of this power and how does it operate? The Renaissance decided that works of art are timeless, “immortal” – immune from historical change – and this idea has exerted a profound influence on Western thought. But do we still believe it? Does it match our experience of art today which includes so many works from the past that spent long periods in oblivion and have clearly not been immune from historical change? This book examines the seemingly miraculous power of art to transcend time – an issue widely neglected in contemporary aesthetics. Tracing the history of the question from the Renaissance onwards, and discussing thinkers as various as David Hume, Hegel, Marx, Walter Benjamin, Sartre, and Theodor Adorno, the book argues that art transcends time through a process of metamorphosis – a thesis first developed by the French art theorist, André Malraux. The implications of this idea pose major challenges for traditional thinking about the nature of art.

No matter how practised we are at history, it always humbles us. No matter how often we visit the past, it always surprises us. Winner of the Ernest Scott Prize and Shortlisted for the NSW Premier's Literary Award for Non-fiction 'A rare feat of imagination and generosity.' – Mark McKenna With every sentence they write, historians must walk the tightrope between discipline and imagination, empathy and evidence. In this landmark work, eminent historian and award-winning author Tom Griffiths shares his passion for the fascinating, complex craft of history – or, as he calls it, the art of time travel. In fourteen portraits, Griffiths illuminates how historians such as Inga Clendinnen, Judith Wright, Geoffrey Blainey and Henry Reynolds have approached their craft. In prose both earthy and elegant, he shows the new insights they have brought to Australian history, and in so doing reshapes our shared knowledge of this continent. The Art of Time Travel is an exhilarating book that will forever change the way you think of Australia's past. 'If the past is a foreign country, Tom Griffiths makes the perfect travelling companion. Let him be your eyes and ears on our shared history. Most of all, follow his heart.' – Clare Wright

The ticking clock and the draining hourglass are universal symbols of time, but artists possess their own varied and unique vocabularies to tackle Time. In TICK-TOCK, they look at Time's impact through a range of media and find meaning in the tools that chart Time-clocks, calendars, sundials, hourglasses, digital timekeepers, and time-elapsed video. In their skilled hands these everyday working devices can rise to the level of poetry.