The first book on the New York painter's eclectic iconography of jazz musicians, boxers and friends With bright patches of acrylic paint and carefully placed found ephemera, New York-based artist Armando Alleyne's (born 1959) multimedia portraits are immediately eye-catching, drawing viewers in to inspect and appreciate the layers of meaning collaged on top of one another. Alleyne's renditions of jazz musicians, Afro-Latino singers, and his own family members and acquaintances are rife with color and contemporary iconography as well as references to the artist's own life. Series such as Shelter Blues reflect on Alleyne's experiences of homelessness, while Maria's Song pays homage to his late sister through a pantheon of religious imagery. This volume is the first book on Alleyne, highlighting a lifetime of work alongside snapshots and personal anecdotes.

"When Language Broke Open is a collection of writing by Black queer and trans writers of Latin American descent who help us see Blackness as a geopolitical experience that is always changing. In centering the multifaceted realities of the LGBTQ community, the anthology's trans contributors challenge everything we think we know about gender, sexuality, and what it means to live a livable life"--

‘Liner Notes is, unsurprisingly, as good as its author’s songs, with moments of sharp humor alternating with real-life pain, and vivid reflections on love, death, and the whole damn thing. Loudon Wainwright is a true original: not like anyone else, just as he set out to be.’ Salman Rushdie In the late 1960s, Loudon Wainwright III established himself as a loner, deliberately standing outside the conventional. He recorded his first album in 1969, full of raw, angry poetry, but it was the 1972 novelty song ‘Dead Skunk’ that brought him popular recognition. Wainwright’s songs are as hilarious as they can be painful. In Liner Notes, he details the family history and fractured relationships that have informed him: the alcoholism, infidelities and competitiveness; the successes, joys and love. Wainwright writes poignantly about being a son, a parent, a brother and a grandfather while re-printing selections from his father’s columns and meditating upon family, inspiration and art. As plain-speaking on the page as in his songs, Wainwright lays everything bare in this heartfelt memoir of music and family. His lyrics adorn and inform the text, amplifying his prose and connecting his songs to the life he led. ‘He is unafraid and clear-eyed about the events of his life – and utterly engaging.’ Rosanne Cash ’Fans of the self-lacerating, painfully funny Wainwright III will find the memoir they want here’ Kirkus Reviews

Large-format analog photography, laser technologies and archival materials chart visions of the future This volume is the first in the Future series presenting the ongoing collaboration between Swiss artists Taiyo Onorato and Nico Krebs (both born 1979). It explores how our conceptions of the future have changed over time and how that impacts our views on the present.

In The Sound of Exclusion, Christopher Chávez critically examines National Public Radio's professional norms and practices that situate white listeners at the center while relegating Latinx listeners to the periphery. By interrogating industry practices, we might begin to reimagine NPR as a public good that serves the broad and diverse spectrum of the American public.

The Comparative Survey of Freedom is an institutional effort by Freedom House to monitor the progress and decline of political rights and civil lib­erties in 191 nations and 59 related territories. These year-end reviews of freedom began in 1955, when they were called the Balance Sheet of Free­dom and, still later, the Annual Sur­vey of the Progress of Freedom. This program was expanded in the early 1970s, and has appeared in Freedom Review since 1973. It has also been issued in a more developed context as a yearbook since 1978. Since 1989, the Survey project has been a year-long effort produced by regional experts, consultants and hu­man rights specialists. The Survey derives its information from a wide range of sources. Most valued of these are the many human rights activists, journalists, editors and political fig­ures around the world who keep us informed of the human rights situa­tion in their countries. Throughout the year. Freedom House personnel regularly conduct fact-finding missions to gain more in-depth knowledge of the vast political transformations affecting our world. During these week-to-month-long in­vestigations, we make every effort to meet a cross-section of political par­ties and associations, human rights monitors, religious figures, represen­tatives of both the private sector and trade union movement, academics and journalists. During the past year. Free­dom House staff traveled to numerous countries throughout most of the world's geographical and political re­gions. The Survey project team also consults a vast array of published source materials, ranging from the reports of other human rights organi­zations to often rare, regional news­papers and magazines. This year's Survey team includes: Adrian Karatnycky, Martin Edwin Anderson, Kristen Guida, Marshall Freeman Harris, Thomas R. Lansner, Arch Puddington, Leonard R. Sussman, and George Zarycky. The general edi­tor of Freedom in the World is Roger Kaplan; the managing editor is Tara Kelly. This year's research coordinator was Charles Graybow.