Using archaeological finds to tell the story of the growth of Philadelphia in microcosm

Beneath the modern city of Philadelphia lie countless clues to its history and the lives of residents long forgotten. This intriguing book explores eighteenth- and nineteenth-century Philadelphia through the findings of archaeological excavations, sharing with readers the excitement of digging into the past and reconstructing the lives of earlier inhabitants of the city.Urban archaeologist Rebecca Yamin describes the major excavations that have been undertaken since 1992 as part of the redevelopment of Independence Mall and surrounding areas, explaining how archaeologists gather and use raw data to learn more about the ordinary people whose lives were never recorded in history books. Focusing primarily on these unknown citizens-an accountant in the first Treasury Department, a coachmaker whose clients were politicians doing business at the State House, an African American founder of St. Thomas’s African Episcopal Church, and others-Yamin presents a colorful portrait of old Philadelphia. She also discusses political aspects of archaeology today-who supports particular projects and why, and what has been lost to bulldozers and heedlessness. Digging in the City of Brotherly Love tells the exhilarating story of doing archaeology in the real world and using its findings to understand the past.

"A Glow of Patriotic Fire"--"Salutary Neglect" -- "Force Prevails Now Everywhere" -- "For Cutting Off Our Trade" -- "To The Shores of Tripoli" -- "The Reign of Witches" -- "Free Trade and Sailors Rights" -- "War Now! War Always!" -- "Remember the Raisin" -- "Purified As by Fire" -- "Father, Listen to Your Children" -- "You Shall Now Feel the Effects of War" -- "Destroy and Lay Waste" -- "Hard War" -- "So Proudly We Hail" -- "I Must Not Be Lost

- Vibrant color paintings illustrate soldiers and battles of the war - Color photos of seldom-seen period artifacts such as uniforms, weapons, and other equipment In this collection, renowned artist Don Troiani teams up with leading artifact historian James L. Kochan to present the American Revolution as it has existed only in our imaginations: in living color.From Bunker Hill to Yorktown, from Washington to Cornwallis, from the Minute Men to the Black Watch, these pages are packed with scenes of grand action and great characters, recreated in the vivid blues and reds that defined the Revolutionary era. Troiani's depictions of these legendary fife-and-drum soldiers are based on firsthand accounts and, wherever possible, surviving artifacts. Scores of color photographs of these objects--many of them from private collections and seen here for the very first time--accompany the paintings. Items range from muskets and beautifully ornate swords to more unique pieces such as badges with unit insignia or patriotic slogans and Baron von Steuben's liquor chest.More than just a glimpse into a world long past, this is the closest the modern reader can get to experiencing the Revolutionary War firsthand.

For most of the eighteenth century, British protestantism was driven neither by the primacy of denominations nor by fundamental discord between them. Instead, it thrived as part of a complex transatlantic system that bound religious institutions to imperial politics. As Katherine Carte argues, British imperial protestantism proved remarkably effective in advancing both the interests of empire and the cause of religion until the war for American independence disrupted it. That Revolution forced a reassessment of the role of religion in public life on both sides of the Atlantic. Religious communities struggled to reorganize within and across new national borders. Religious leaders recalibrated their relationships to government. If these shifts were more pronounced in the United States than in Britain, the loss of a shared system nonetheless mattered to both nations. Sweeping and explicitly transatlantic, Religion and the American Revolution demonstrates that if religion helped set the terms through which Anglo-Americans encountered the imperial crisis and the violence of war, it likewise set the terms through which both nations could imagine the possibilities of a new world.

J. M. Adovasio has spent the last thirty years at the center of one of our most fiery scientific debates: Who were the first humans in the Americas, and how and when did they get there? At its heart, The First Americans is the story of the revolution in thinking that Adovasio and his fellow archaeologists have brought about, and the firestorm it has ignited. As he writes, “The work of lifetimes has been put at risk, reputations have been damaged, an astounding amount of silliness and even profound stupidity has been taken as serious thought, and always lurking in the background of all the argumentation and gnashing of tenets has been the question of whether the field of archaeology can ever be pursued as a science.”